8 Days a Week
May 7-14, 2003
NOW IN ITS second year, the San Francisco Alt Music Festival
continues its mission to spotlight the Bay Area's busy avant jazz-free
improv-postclassical scene in conjunction with appearances by visiting
musicians. Among this year's guests is underground legend Eugene Chadbourne
Greensboro, N.C.'s foremost guitar-banjo-electric rake
virtuoso and the main force behind the late, often-great Shockabilly
who performs in a duo with Fuzzy Bunny electronics manipulator
Tim Perkis. Chadbourne's recordings may be maddeningly inconsistent,
but live, he's far more reliable and almost always a lot of fun. He's
as likely to whip out a Johnny Paycheck cover as he is to play his guitar
with a cheese grater. Other notable out-of-towners include trumpet-abusing
Boston improviser Greg Kelley, who performs solo and in a duo with clarinetist
Matt Ingalls; Japanese vocalist Haco, a veteran of the trio Hoahio (who
have an album on John Zorn's Tzadik imprint that, surprisingly for the
label, is actually pretty good); and Old Time Relijun's Arrington De
Dionyso, a robe-wearing saxophonist and throat singer who released an
album of grotesque smooth jazz meets free jazz karaoke on the band Friends
Forever's N.G.W.T.T. label a couple of years ago. May 10-18. Various
times and venues. Single shows $12; festival pass $60. For a complete
schedule see www.sfalt.org. (Will
York)
May 7
Wednesday
Small wonders Perfect for literary fans with short attention
spans and/or small hands, Angry Dog Press Midget Editions are
a series of palm-size zines penned by authors as diverse as Richard
Hell, Thurston Moore, and Devendra Banhart. Each writer was given free
reign to write about whatever he or she chose, and the resulting booklets
contain poetry, illustrations, random thoughts ("More Ways to Cook
and Eat Celine Dion," in Mike Topp's entry, Where We Found You),
short tales drawn from real life (Darin Klien's Night Sky Without
Airplanes, in which the author finds a kitten and ruminates on the
aftermath of 9/11; Jules Wilt's oddly tender Pork, An Oral History),
and memorably, Kenneth Cleaver's collection of deadpan letters asking
unusual questions of groups like the Poodle Club of America (In the
Spirit of Toth). Contributors Kevin Opstedal, Cedar Sigo, Noel Black,
Marina Eckler, Jules Wilt, and the Bay Guardian's own Johnny
Ray Huston read from their works; art from the series is also on display.
7:30 p.m., Balazo/Mission Badlands Gallery, 2811 Mission,
S.F. $5. (415) 920-0896, darksandal@hotmail.com.
(Cheryl Eddy)
May 8
Thursday
Truly divine Known for blending maternal melodrama with quirky
political satire, writer-performer Sherry Glaser garnered fame with
her off-Broadway solo show Family Secrets. Her new spoof on Judeo-Christian
doctrine, Oh My Goddess!, aims to be not so much a feminine
takeover of the world as an appeal for balance. The play centers on
waiter Miguel De Cervantes, who contacts the Psychic Friends Hotline
to save him from his sad-sack existence. With the help of a clairvoyant
named Reality, Cervantes gets in touch with his softer side and becomes
a vessel for the goddess Ma. The resulting offbeat, earth-mothery revision
of the Old Testament takes all things "primal" and "feminine"
and renders them palatable. Through May 31. Opens tonight, 8 p.m.
Runs Thurs.-Sat., 8 p.m.; Sun., 7 p.m., Venue 9, 252 Ninth St., S.F.
$15-$20. (415) 289-2000. (Rachel Swan)
May 9
Friday
Amusing When the ancient Greeks were in need of inspiration,
they had to seek out and offer sacrifices to the Muses, those coy and
callipygian goddesses of the arts, who dwelt high on Mount Helicon.
Nowadays, in this age of convenience, we can simply find them in the
Mission District, where they're appearing in 9 Muses,
a new musical theater revue by Dan Laks and Victor Etienne. The show,
produced by Hemline Records and performed by the Surreal Avengers (whose
Ode to Drowning Glaciers A Night of Viking Poetry rocked
the fjords like never before) takes place on two stages and features
Julie Bishop as Thaleia, Muse of Comedy; Julie Zeilinksi (of Staci Twigg
fame) as Kleio, Muse of History; Galaxxy Chamber's Krystal as Ourania,
Muse of Astronomy; and some 25 other musical celebrants. Through
Sat/10. 9 p.m., Odeon Bar, 3223 Mission, S.F. $10. (415) 550-6994.
(Amir Baghdachi)
Meow mix Did "art" originate from the need
to mark one's territory, as evidenced in cave drawings and graffitied
overpasses everywhere? Are cats' markings, like the Egyptians believed,
messages from the gods? (And not so incidentally, is the question mark
derived from the curved tail of the curious cat?) Look for answers to
these and other aesthetic questions at 'Palettes and Paws,' an
exhibit of paintings by undeniably talented feline artists in residence
at the San Francisco SPCA's Maddie's Adoption Center. Whether artistically
or biologically motivated, the original paintings on display show instinct
at its best full of color, free from art-world pretensions, and
open to interpretation and hanging possibilities. And most important,
the creative process provided much needed release for the S.F./SPCA's
neediest and inspired felines. Opening night features a reception and
music by jazz saxophonist Philip "King of Swing" Gordon, plus
a silent auction and art sale (works start at $3.50) benefiting the
shelter's cats. Through May 14. Opening reception tonight 7-9 p.m.;
gallery open daily 9 a.m.-10 p.m, University of San Francisco, University
Gallery, Golden Gate between Kitteridge and Roselyn Terraces, S.F. Free.
palletsandpaws@yahoo.com.
(M.P. Klier)
Take it sleazy An academic conference it may be, but
it doesn't take a Ph.D. to get behind 'Trash Cinema: Born to Be Bad
2,' especially when you consider that it features a keynote address
titled "Why I Hate Gwyneth Paltrow." Other topics on tap include
hillbillies, blaxploitation, John Waters, Kenneth Anger, Shallow
Hal, true crime, and car crash culture. Naturally, the event's screenings
do not disappoint, with a lineup that boasts Edward D. Murphy's 1982
Raw Force (a.k.a. Kung Fu Cannibals), starring the immortal
Cameron Mitchell; Bethel Buckalew's 1972 backwoods classic Pigkeeper's
Daughter; and Chu Yuan's 1972 Intimate Confessions of a Chinese
Courtesan, which will be introduced by Asian film expert (and Bay
Guardian contributor) Patrick Macias. Screenings through
Sun/11, PFA Theater, 2575 Bancroft, Berk. $4-$8. (510) 642-5249. See
Rep Clock, in Film listings, for a complete schedule. Conference Sat/10,
9:30 a.m.-3 p.m.; Sun/11, 9:30 a.m.-3:30 p.m., UC Berkeley, 220 Stephens
Hall, Geballe Room, Berk. Free. www.trashcinema.com.
(Eddy)
Heavy breathing For 13 years, Lungfish have been eluding
critics' labels, successfully straddling musical genres and emerging
as one of Washington, D.C.'s longest standing punk outfits. Having survived
the explosion of grunge and the year that punk broke, Lungfish continue
to bend the ear and tonight make a rare West Coast appearance. Fresh
from the completion of their ninth untitled record, Dischord's mainstay
remain equally at home collaborating with Fugazi or touring the country
with Joan Jett. Their minimalist song structure, jarring instrumentation,
and abstract poetic lyrics cannot obscure the rock that lies at the
heart of each of their songs; their stage shows have become legendary,
with enigmatic front man Daniel Higgs often spooking the audience and
occasionally puncturing his body. Lungfish play with the Enablers, the
Trauma Queens, and the Quails. 10 p.m., Thee Parkside, 1600 17th
St., S.F. $5. (415) 503-0393. (John Lombardo)
Frequent flyer Choreographer Nancy Karp has been crafting
unique, well-thought-out dance works for more than two decades. She
is a focused artist who pursues her own bliss no matter what the current
fashions dictate. Karp's latest program includes the world premiere
of La traversa, the third part of a large-scale work influenced
by her travels in Sicily. Also on the program are two excerpts, "Jaisalmer"
and "Chennai," from Kalasam, a piece inspired by visits
to India. Not the least of Karp's attractions are her choices of musicians:
La traversa has a score by Alvin Curran that uses trombone, accordion,
and violin in addition to collaged sounds from southern Italy; the
Kalasam segments' accompaniment is performed by composer
Paul Dresher and his ensemble. Through Sat/10. 8 p.m., Cowell Theater,
Fort Mason Center, Marina at Laguna, S.F. $18-$40. (415) 345-7575. (Rita
Felciano)
May 10
Saturday
Let it bleed Local rock 'n' faux band Thunderbleed,
a.k.a. Blind Vengeance have got metal down to a science. Though
their members quote Vince Neil ("Just because I wear lipstick doesn't
mean I can't kick your ass") and aspire to party with hot groupies,
à la Backstage Sluts, the four-piece inspired by
the likes of Maiden, Van Halen, and the Nuge are mostly about
massive bass lines and heavy guitar work. At their Curve Bar show, prepare
to be liberally splashed by mustache sweat and for some shirtless jam
action. Talking about shirtless (and probably pantsless), eXtreme Elvis
headlines, bringing his obscene and absurd antics to the show. Schticky
Skrewdriver cover band Jewdriver also play. 9 p.m., Curve Bar, 747
Third St., S.F. $5. (415) 820-1400. (Sarah Han)
Sweet dreams Pick up the 2003 edition of Morbid
Curiosity the zine's seventh issue and you'll
be treated to another collection of first-person accounts woven by writers
boldly, honestly, and often humorously sharing true experiences. As
the title suggests, the subject matter tends toward the decidedly unusual:
the search for souvenir shrunken heads, the experience of growing up
on the same street as the Amityville Horror house, a creepy lover's
lane encounter, fakin' it on reality TV, brushes with death, office
voodoo, odd neighbors, medical traumas, and more. In other words, we're
talking fascinating, haunt-you-for-days-after material, and beautifully
written and illustrated to boot. Contributors join editor-publisher
Loren Rhoads for a reading to celebrate the release. 3-6 p.m., Borderlands
Books, 866 Valencia, S.F. Free. (415) 558-8978, www.charnel.com/morbidcuriosity.
(Eddy)
Three's company Everyone appreciates skills executed with style
whether it be the president or a plumber, you gotta love a flair
for fashion. Pianist Lucia Ahn, violinist Angella Ahn, and cellist Maria
Ahn of the Ahn Trio certainly know how to dress. These sisters
(featured in People magazine's latest "Most Beautiful"
issue) also know how to play sublimely well. They've given chamber
music a sartorial and spiritual makeover by appealing to a wider demographic;
they're also known for complementing the old standards with fresh new
sounds. This one-night-only event features Ravel's renowned Piano
Trio in A Minor, a newly transcribed work by Piazzolla, and two pieces
written by young composers expressly for the sisters. Rock Ahn! 7:30
p.m., Calvin Simmons Theatre, 10 10th St., Oakl. $25-$35. (510) 451-0775,
www.fourseasonsconcerts.com.
(Kerry Rodgers)
May 11
Sunday
Out-there sounds In the world of European free improvised music,
British saxophonist Evan Parker looms large. Over the years he's
gone toe-to-toe with just about every other heavyweight in the genre
guitarist Derek Bailey, saxophonist Peter Brötzmann, drummer
Han Bennink, and others and released more albums than anyone
with the slightest hint of a social life could imagine listening to.
His rabid following is remarkable given how uncompromising and out there
his music really is: his circular breathing-based soprano solos bring
to mind swarms of insects, and his scraping, post-post-Coltrane tenor
stylings aren't easy listening, either. As cerebral as his playing can
get, though, there's something compelling and powerful about the way
he wrestles those ugly sounds out of his horn. Tonight's show is Parker's
first in the Bay Area since 1995 and features him in a trio with two
of his longest-running collaborators, British drummer Paul Lytton and
German pianist Alex von Schlippenbach. George Cremaschi and Greg Goodman
also play. 8:30 p.m., Community Music Center, 544 Capp, S.F. $10.
(415) 647-6015. (York)
May 12
Monday
Lights out Ease the pain of a new work week at the ongoing
SF IndieFest Microcinema, which features a different silent film each
Monday in May. This week's selection is Charlie Chaplin's 1931 City
Lights, in which the Little Tramp courts a blind girl
and, of course, stirs up plenty of slapstick on the side. Alongside
Modern Times, it's one of his best. If silent comedies aren't
your bag, tomorrow night the Microcinema demonstrates the breadth of
their programming by hosting the mind-blowing (literally) Scanners,
by another cinematic genius, David Cronenberg. 8 p.m., Jezebel's
Joint, 510 Larkin, S.F. Free. www.sfindie.com.
(Eddy)
May 13
Tuesday
À la mode His autobiography is titled Confessions
of a Window Dresser, and now Barney's New York creative director,
New York Observer columnist, and whip-crack smart cultural observer
Simon Doonan returns with Wacky Chicks: Life Lessons from
Fearlessly Inappropriate and Fabulously Eccentric Women. The book
celebrates women with big personalities and provocative tendencies,
including Amy Sedaris, Brigid Berlin, and a lizard-loving, fashion designer
turned park ranger named Spider Fawke. The style guru hits Haight Street
to minister to fans and budding wacky chicks at a reading and book signing.
7 p.m., Booksmith, 1644 Haight, S.F. Free. (415) 863-8688. (Eddy)
May 14
Wednesday
Beyond the law After freaking out drive-through window
devotees everywhere with the excellent (and terrifying) Fast Food
Nation, investigative journalist Eric Schlosser takes aim
at the greedy trades of XXX entertainment, drugs, and illegal- immigrant
labor in Reefer Madness: Sex, Drugs, and Cheap Labor in the American
Black Market. In his unveiling of our "other economy"
its very nature renders it impossible to truly gauge in scope,
but it's worth billions Schlosser studies our love affair with
marijuana, the migrant workers who toil in California fields, and pornography's
gradual absorption into pop culture. He also explores the many, many
ways in which these underground elements are linked to mainstream America,
pointing out "to know a country you must see it whole." Hear
it from the source tonight. 7:30 p.m., Cody's Books, 2454 Telegraph,
Berk. Free. (510) 845-7852. (Eddy)
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