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Our SXSW recap and much more.
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I didn't get to catch nearly as many SXSW panels as I wanted to, but the ones I did were incisive and low on bull dookie.

Best quips from the conference panel “Rolling Down the River: Revenue Streams Artists Should Know About”: International Artist Agency's Stephen Brush on album sales: “Fuck the record. It helps. But at the end of the day, you’re building the audience one day at a time.” JSR Merchandising's Brad Hudson on merch: “In the 26 years I’ve been doing this, the black T-shirt has been the staple. A lot of artists come up with great ideas but you'll find the majority of the revenue coming from that T-shirt. Three T-shirts and a hoodie.”

Most Guardian-friendly soundbyte from Damian Kulash of OK Go at the surprisingly well-attended “Ten Things You Can Do to Change the World” panel: “It’s easy to say ‘Everyone vote!’ onstage. It’s hard to say, ‘There’s a media consolidation problem in this country, especially if you’re trying to get your single on Clear Channel station.”

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Death Cab for Cutie's Chris Walla, Steve Earle, and Jenny Toomey at the "Ten Things You Can Do to Change the World" panel. Earle: "How many Republicans are here?"

Word had it that the city of Austin was cracking down on singer-songwriter and former Kurt Cobain squeeze (and focus of mad Courtney jealousy) Mary Lou Lord, according to Austinist. She called them to say that the cops shut her down for busking in the street "citing a new law banning "amplification."

Yeesh, this after attending and playing on Sixth Street during SXSW for 11 fucking years. Anyway, she managed to hold this spot next to a late-night convenience store, across the posh, supposedly haunted Driscoll Hotel. Her pal Jason and his gorgeous falsetto deserve to be snapped up by some lucky label.

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SF's Boyskout got the rock out at a Lava Lounge Patio show with IMA, Faceless Werewolves, Knife Skills, Happy Flowers, Skullening, and Die! Die! Die! Tight.

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The lady -- namely Lady Sovereign -- looks scary. Here she is at La Zona Rosa. (After losing my way to the Anti- Hoot with Billy Bragg and Jolie Holland, I managed to catch her, as well as Bauhaus-soundalikes She Wants Revenge and the snarksome We Are Scientists down the street at Fox and Hound.) LS's beats were harsh, and the vibe was, yes, brattay. (She likes to throw down...that microphone.)

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Ghostface made a Wu-Tang face right after the Lady -- very fun. GK commanded the stage, the crowd went nuts over the Wu tunes, and I appreciated the sound of gunfire that gently segued between the songs. Whoo.

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