Noise: The Guardian's new music blog - Page 5

Our SXSW recap and much more.
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On my way up to the Fox and Hound to see Animal Collective, I took Fourth Street, which was blocked off for a St. Patty’s spring-break meat-market hoedown -- a block party packed with homogenous, drunken college folks. The good that came of that jaunt: I found out Brandi Carlile was playing at Cedar St. Courtyard, an outdoor patio with good sound. I’ll get back to that.

I made it to the Fox and Hound, which had a long line for Animal Collective. I was still in line when they started their set. The first number lasted about 10 minutes and went nowhere. It was the kind of music I’d hear at a club -- a beat, some record scratching, and no discernable melody. I just couldn’t get into it, so I took off in the middle of their second song, out to seek something with melody and harmony.

I fought the St. Patty’s revelers once more to get to the patio where Carlile was playing. She was getting a lot of praise from a pop music station in Austin, and I wanted to see what all the fuss was about. With a new album just out, she kicks off her first major tour with SXSW in Austin, and if the crowd was any indication of the response she’ll get on tour, it will be a success. It took a while to get the sound worked out as the crowd grew anxious, but we were rewarded with a professional show, and the sound was the best anywhere that evening. She did a couple of songs with a cello player. The bass and guitar players are twins. Brandi is a natural on stage and sings with a sweet sincerity that you can’t help but love. Her songs have universal themes with broad appeal, and it’s a pleasure to watch her perform.

When I left the Courtyard at about 2:00 a.m., the college crew had disappeared, leaving only the canopies, bad leprechaun decorations, and plastic cups littering the street. I walked along Sixth Street to find that the spring-breakers had spilled out to mix with the SXSW crowd, and it was mayhem. People were yelling into their cell phones looking for parties. I witnessed some groping, some drama, and a girl sporting red flashing LEDs on her nips, highlighting her 38D bustline. She should meet up with the guy who had a scrolling LED belt buckle.

Saturday afternoon

I went to Cream Vintage for a show in their back parking lot. The fans were undaunted by the rain as petite blonde Annie Kramer played her set. She was joined by A FirJu Well, who backed her up for a few songs. We sang along to “Will You Still Love Me Tomorrow” as the PA cut out because of the rain. If the Grateful Dead kept playing '60s stuff throughout their career, they might’ve sounded like this. These guys obviously hang out and play music all the time -- they were so comfortable backing others and improvising through technical difficulties.

Saturday night

Morningwood.jpg
I got to Zona Rosa to see Morningwood midset, and they were excellent. See them live if you get a chance. I was convinced to stay and see the Stills by a fan named Rene. She gave me a quick rundown on the band’s background and their songs as they played. They had great energy, keyboards, harmonies, and danceable songs. I couldn’t tell what was old or new, but I liked it all. Emily from Metric made an appearance to do a new song with them, which she had just learned in their tour bus on the way fom Canada.

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