One could — perhaps unfairly — make a case that Drawing Restraint 9 is an act of class war against similar, barely funded efforts on film or video today, but more tellingly, it also comes up wanting in relation to similarly expensive efforts, whether they be "experimental" short works — the stunning aerial photography in Olivo Barbieri's San Francisco International Film Festival Golden Gate Award New Visions winner site specific_LAS VEGAS 05 makes Barney's seem clumsy and unimaginative — or the type of contemporary "art" film that lives primarily on the festival circuit. Both Tsai Ming-liang and Barney have created interlinked cinematic works that spotlight masculinity, but Tsai's delve into the psyche more acutely than Barney's phallic drag routines. Tsai's work is also superior in cinematic terms: Both the editing and the mise-en-scène in his films deliver comic punch lines and emotional sucker punches. At the moment, at least, those are two things that Barney just can't buy. SFBG
DRAWING RESTRAINT 9
Opens Fri/12
Bridge Theatre
3010 Geary, SF
(415) 267-4893
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