The dancers tried to "convert" her by drawing her in. She wasn't having any of it. In the end, they simply danced around her. Bravo!
The program also featured Apryl Renee's buffoonish Trope of Seuss, a rather miserable take on Green Eggs and Ham. Renee acted as the narrator and Susan Donham as the reluctant object of Charlotte Mayang's manic nuturer. The same trio, joined by Kate Joyce, returned in the obscure Traveling Companions. Heavy on atmosphere but light on movement invention, the piece rather crudely explored the push and pull of a calling, based on the Book of Ruth.
The earnestness and focus of young Catalina Jackson in danceNAGANUMA's Pallid Faeries were enchanting. Claudine Naganuma tried to portray four different versions of the mythic creatures as both youngsters and adults — but why? She had a concept; she needed to translate it into stageworthy choreography. Even less intriguing were Rebecca Wender's Afterward and Amy Lewis's Conversion, neither of which belonged in a program of professional dance. SFBG
WESTWAVE DANCE FESTIVAL
July 27–30, 8 p.m.
Project Artaud Theater
450 Florida, SF