The other home of Bay hip-hop - Page 4

Move over, Oakland and exurbia hyphy — San Francisco's Fillmore District unleashes its own fresh wave of rappers
|
(0)

While both Messy Marv and Big Rich share affinities with this delivery, Will Hen, for instance, and Quinn’s brother Bailey — whose Champ Bailey (City Boyz, 2006) yielded the MTV and radio success “U C It” — favor a smoother, more rapid-fire patter.
What is most striking here is that, with the exception of fellow traveler Messy Marv (see sidebar), all of these artists, as well as recent signee to the Game’s Black Wall Street label, Ya Boy, came up in the ’90s on San Quinn’s influential Done Deal Entertainment. Until roughly two years ago, they were all one crew. While working on his upcoming eighth solo album, From a Boy to a Man, for his revamped imprint, Deal Done, Quinn paused for a moment to take justifiable pride in his protégés, who now constitute the Fillmore’s hottest acts.
“I create monsters, know what I’m saying?” Quinn says. “Done Deal feeds off each other; that’s why I’m so proud of Bailey and Rich. We all come out the same house. There’s a real level of excellence, and the world has yet to see it. Right now it seems like we’re separate, but we’re not. We’re just pulling from different angles for the same common goal.”
“We all one,” Quinn concludes, in a statement that could serve as a motto for neighborhood unity. “Fillmoe business is Fillmoe business.” SFBG
myspace.com/bigrich
myspace.com/williehen
myspace.com/sanquinn

Also from this author

  • The secret life of Sylvia Fein

    The 94-year-old painter comes to terms with her surreality in a new retrospective

  • Break on through

    Michael McClure reflects on his "beast language" classic

  • Reality rap: Q&A with Saafir, the Saucee Nomad

  • Also in this section

  • Soul power to the people

    Sharon Jones kicks cancer and hits the road with the Dap-Kings

  • On the Rise: Avalon Emerson

    A playful combination of house and techno, preferably listened to on a big club sound system

  • On the Rise: Friction Quartet

    Post-classical determination