Words, to a significant degree, have taken the place of movement here, as if furnishing their own jail cell that allows little space for the body.
When raised in song (as when Shuch softly sings the refrain, "I ain't wavin' babe I'm drowning"), they can still seem liberating in their (physical) evocations. But even the more suggestive lines in Shuch's interspersed text can feel incomplete. A refrain is heard in both dialogue and song states: "There is no perfect good-bye"; this key piece of wisdom sounds true enough. But as Shuch notes with a flowing sweep of the arms, good ones require one person to remain still while the other moves off in a rush of motion. This a dancer's insight sounds like the germ of a larger idea, the opening of some larger movement. But when it comes along, near the end of the 60-minute performance, there is little room or time for much more.
Extended through Oct. 12
Thurs.Sun., 8 p.m., $10$25
Intersection for the Arts
446 Valencia, SF