She sang, he filmed - Page 2

Meet Philippe Garrel and Nico on the desert shore
|
()
La Lit de la Vierge

"I love you like a madman," declares Garrel's stand-in Gerard (Benoît Régent). "That means the day you cease to be crazy, you won't love me anymore," she snaps. Later, when talking to Gerard's stable new squeeze, Marianna seems to speak for the director and his late muse when she ponders, "Maybe I didn't make him happy, but it was a different era. Maybe we didn't need to be happy. We were seeking something else."

Guitar's posthumous portrait is more repellent than alluring. But to help the unconverted fathom Nico's peak mystique, Yerba Buena Center for the Arts film curator Joel Shepard has also programmed The Velvet Underground and Nico, an hour-long 1966 performance directed by Warhol. Static and chaotic, it features Nico on tambourine, with little Ari (her son by Alain Delon), a noise-jamming V.U., Mary Woronov and Gerard Malanga a-go-go, and a bout of performance interruptus courtesy of the NYPD. At the box office, up until 2005's Regular Lovers, Philippe Garrel couldn't get arrested. But outside of it, the types he hung with always could.

I'LL BE YOUR MIRROR: RARE FILMS BY PHILIPPE GARREL

Thurs/15–Sun/18, $6–$8

Yerba Buena Center for the Arts Screening Room

701 Mission, SF

(415) 978-2787

www.ybca.org

Also from this author

  • Ye of little faith

    A priest struggles with his flock in John Michael McDonagh's tasteful, frustrating 'Calvary'

  • Inglorious bastards

    'The Kill Team' brings an ugly chapter in US military history to light

  • Framing fame

    Entertainers take center stage in SF Jewish Film Festival docs

  • Also in this section

  • Ye of little faith

    A priest struggles with his flock in John Michael McDonagh's tasteful, frustrating 'Calvary'

  • Rise up singing

    'Alive Inside' charts one man's quest to bring music to patients with memory loss

  • Shots fired

    A PFA series brings World War I films into focus