The Gysin file - Page 2

FlicKeR looks through the dreamachine in search of Brion Gysin
Burroughs and Brion

While most people associate such light shows with rock music, the new collection, The San Francisco Tape Music Center: 1960s Counterculture and the Avant-Garde (University of California Press, 322 pages, $27.50), explores its links to avant-garde cinema and music in the Bay Area.

The dreamachine-like notion and practice of live cinema is building momentum in recent years, thanks to practitioners such as Bruce Fletcher, a new surge of interest in Conrad, and a 2007 San Francisco Cinematheque series that inspired an anthology of writing on the subject. Last year at the San Francisco Museum of Modern Art, Anthony McCall's installation You and I, Horizontal filtered Conrad's and Gysin's ideas about pure light into a communal rather than individual experience so potent it was akin to near-death or first-moments-of-life. That which flickers still illuminates, and it may soon turn into a piercing beam of light.


Thurs/7, 7:30 p.m., $8

Yerba Buena Center for the Arts Screening Room

701 Mission, SF

(415) 978-2700

Also from this author

  • Sounds of summer

    Concert and music festival highlights from air guitar to Woodsist this season 

  • Soul sounds

    The Weeknd and Hype Williams navigate music and identity in 2011

  • Snap Sounds: Jessica 6

  • Also in this section

  • Con and on

    Thrilling, stylish Highsmith adaptation 'The Two Faces of January'

  • Cel mates

    Mill Valley Film Festival screens vintage and innovative animated features

  • Bridgeworthy

    More Mill Valley Film Festival picks