She's a magic woman - Page 2

SECA: Try to understand — the play is the thing in Desirée Holman's masked wonderlands
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"And I really wanted to look at the similarities between the two families."

Holman's collaborative fantasy union — in which one of television's most popular, white, middle-class families gets down with its first-ever affluent, upper-middle class African American kin — could not resonate more with our country's current political moment. The Huxtables are now, in a sense, the First Family, and the notion of a "post-racial America" has never had greater currency or been as thoroughly debated. To wit, Holman recently revealed in an interview with the blog Future Shipwreck that she created the masks for The Magic Window by attempting to combine the facial characteristics of her cast members with those of the actors who portrayed the characters on television.

In light of the recent election and current events, Holman has, understandably, been thinking a lot about The Magic Window. "On the one hand, [it presents] a critique of reenacting something that is already a fiction," she says, when asked about the piece. Then, as if channeling the zeitgeist on cue, she continues, "But on the other hand — and more powerful for me — are the acts of hope that these families act out in the video."

SECA ART AWARD EXHIBITION: TAUBA AUERBACH, DESIRÉE HOLMAN, JORDAN KANTOR, AND TREVOR PAGLEN

Through May 10; $12.50 adults, $8 seniors, $7 students (free for 12 and under)

San Francisco Museum of Modern Art

151 Third St., SF

(415) 357-4000

www.sfmoma.org

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