After all, it's through language here, in particular, the paradigm of a masculine rationality subduing a feminized nature that we not only define but bring into being the world we inhabit (notwithstanding Faust's claim for "the act" as instigator). But amid the heightened speech, Jackson maintains a delightfully chilling carnality in the details. It echoes more remotely in the play's eerie final lines as well, when Mephistopheles, calling creation one big wash, must concede that for all its nothingness, "something seems to circle around." It's messy, and it bothers him. "I should prefer eternal emptiness," he says.
FAUST, PART 1
Through June 28
Thurs.Sat., 8 p.m.; Sun., 5 p.m., $22$30
Ashby Stage, 1901 Ashby, Berk.
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