in/divisible

An affirmation for those engaged in the ongoing struggle for equality
|
()

PREVIEW The fact that the state Supreme Court upheld Proposition 8 probably was no surprise to Dance Ceres choreographer-dancer Brittany Brown Ceres, since the aftershock of the proposition's passage coincided with her residency at CounterPULSE. But it probably did strengthen her faith in dance's ability to suggest and strengthen concepts of community, self, and instigating and supporting change. The upcoming in/divisible, presented as part of this year's National Queer Arts Festival, may also serve as an affirmation for those engaged in the ongoing struggle for equality. Though there is nothing overtly political about Brown Ceres' choreography, her dances are forceful and affirming of female identity. At their best, they draw you in because of the complexity of the impulses that generate and control them. Still, if you look closely, you can see how they undermine conventional mores and ingrained patterns of thought. But they mostly convince because they are so beautifully and emotionally logical in the way they communicate. For in/divisible, Brown Ceres is collaborating with two soul mates. Aerial artist Sonya Smith complements her own (physically) more gravity-bound choreography. Joining them from San Diego is Sadie Weinberg with American Torch Songs, a set of short dances that look back at one of the universal high school experiences: getting dumped.

IN/DIVISIBLE Thurs/4–Sat/6, 8 p.m., $15. CounterPULSE, 1310 Mission, SF. 1-800-838-3006. www.brownpapertickets.com

Also from this author

  • Soaring to the heights

    Garrett + Moulton Productions triumph with 'The Luminous Edge'

  • Stream of movement

    Liss Fain turns to Faulkner for 'The Imperfect is Our Paradise'

  • Local movers

    FALL ARTS 2014 Looking ahead to a outstanding season of Bay Area dance