Quintessence - Page 2

Sins Invalid puts the spotlight on sexuality and disability
Nomy Lamm, writer

The public's reaction to the project, many Sins artists say, has been a validating — if not overwhelming — experience.

For Sins performer Quest, who lives day-to-day as a "broke-ass artist schlep," receiving shout-outs from past audience members is one of the most rewarding parts of the experience. "All year 'round, people are like, 'I saw you at the show, and I told about my friend about you guys!' People are circuutf8g the news and it's totally gratifying."

By helping to create new dialogue among the disabled and able-bodied communities, many of those involved with Sins feel like they are making history — and as Moore states, rewriting the books as well. "[Being involved in Sins] feels like I'm correcting history for people with disabilities," says the Berkeley activist. "History is not written from us — it's always about others. Now we get to speak our own stories."

Houston-based Maria Palacios, a spoken word artist who has been with Sins for three years, feels that the project passes the torch of hope to the next generation of people with disabilities. "When I was growing up, I didn't have a Barbie with a wheelchair," Palacios said. "But now kids will have us as heroes to look up to — they will have a history in place already."


Fri/2–Sat/3, 8 p.m.; Sun/4, 7 p.m.

Brava Theatre

2789 York, SF

(510) 689-7198

www.brownpapertickets.com, www.sinsinvalid.org

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