The breakdown - Page 3

DECADE IN MUSIC: A hyped-up digital decade stung by its own long tail
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But anyone who could spam the mainstream earned a booby prize of a Perez Hilton post, a Wikipedia entry, and a top 10 entry in Twitter's trending topics.

The decade was a stankonia cloud of one-word extinguishers and blueberry boats, milk-eyed menders and bloodthirsty babes, American idiots with cold veins, cryptograms and deadringers, Yankee hotel foxtrots and the danse macabre, and yellow houses and Merriweather Post Pavilions.

And when we finished eating at the Internet trough until our hard drives burst into gigabytes, we were surrounded by a bizarro world of logos, marketing slogans, and impoverished, overworked artists. In turn, we were chewed and swallowed by the gorgon Fame Monster spiking the long tail's tip. But we didn't care. We were filled with so much self-loathing and glee at this digital age that had enveloped us, but saw no other way out than to embrace it unthinkingly, with closed eyes, and with no wonder as to whether it could mean something more than the ravenous, all-destroying hunger of the vampire, the undead.

But love is not pop. And we are alive. It's time to wake up and reclaim our souls. We have a lot of rebuilding to do.

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