Being brave through site-specific choreography on Market Street
Also hard to miss was Maria de los Angeles Burr, who, as the Unsellable, had transformed herself into a walking pile of paper bags. "I have become burdened by too many possessions," she muttered to me, as confused shoppers exiting from the Westfield Centre stopped to take pictures or gawked while hurrying on their way.
I wondered if they got the visual pun, or would simply move on and tune out the other criers much in the same way many of us avoid other solicitors like petitioners or canvassers.
I also wondered what the Market Street regulars — the men who sell cheap earrings, bootleg Giants merchandise, and faux-cashmere scarves from tables or the young hip-hop dancers who busk near the Powell Street cable car turnaround — thought about the criers. Did they view them as competition? As a friendly change-of-scene? Or did they see them at all?
By 4:30 p.m., all the criers had reconvened at Mint Plaza. They seemed tired from their day of art-making and being "on." Continuing at a full clip, however, were tweens Colin Cooper and Cole Simon, by far the loudest and youngest hawkers, who had set up shop as the Masters of Disguise (one of their parents informed me that their after-school art teacher, a California College of the Arts student, had encouraged them to get involved with the project).
I walked away from our genial encounter $1 poorer but with a pair of plastic pink sunglasses and an orange mustache to my name. I felt braver with them on.
The carnival continues: the gallery installation component of "The Cries of San Francisco" is up until early next month and will host a series of performance events. Future Saturday marketplaces are scheduled for two Saturdays, June 18 and July 2 (noon to 6 p.m.). And on Wednesday, June 15 at 7 p.m., various criers will present a showcase of musical storytelling, speeches, and other forms of public address.
THE CRIES OF SAN FRANCISCO
Through July 2
3030 20th St., SF
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