Shorts: More top picks from Noise Pop - Page 2

Die Antwoord, Budos Band, Veronica Falls, the Creation Records documentary -- our best bets for this week's festival

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Budos Band's frentic exploration of the funk diaspora takes a hold of the Independent Feb. 23.


GRIMES

After listening to Grimes on heavy rotation for the past couple years I still find myself mesmerized by Claire Boucher's voice. It leaps and falls, circles words in repetitive motions, ciphering their sonic texture and tone into a perpetual undoing of sound. Grimes consistently induces this siren effect, inhabiting that mysteriously seductive threshold somewhere between waking life and dream world. Its third full-length, Visions (Arbutus/4AD), is no different. It continues to draw resources from spectral pop wherever it can, from the processed rhythms underpinning a constellation of electronic dance genres, to the gushing melodies of New Age cassette tapes and 1990s R&B, and even disparate psychedelic folk from across the globe. What holds Grimes's aesthetic together though is, simply put, mood: whirling awfully close to planetary rapture. (Michael Krimper)

Feb. 22, 8 p.m., $10, sold out

Grimes and oOoOO

With Born Gold, Yalls

Rickshaw Shop

155 Fell St., SF

2012.noisepop.com

 

THE BUDOS BAND

Few bands working within the new wave of funk revivalism during the past decade are as tight as The Budos Band. The Brooklyn-based outfit has released all three of their records, each simply self-titled and numbered, on Daptone Records, home to powerhouse soulstress, Sharon Jones. But The Budos Band has a bit more of a worldly spectrum than other Daptone releases firmly rooted in 1960s R&B. They take influence ultimately from the funk diaspora launched by James Brown: Fela Kuti's afrobeat jams and the Latin soul of Fania, to the psychedelic ethio-jazz culled by Mulatu Astatke. The drums are deep in the pocket, wah-wah guitars get gritty, and the horn section hits hard, all with the frenetic urgency of a score straight out of a Melvin Van Peebles' blaxpoitation flick. (Michael Krimper)

Feb. 23, 7:30 p.m., $20

With Allah-Las, Pickwick, Big Tree

Independent

628 Divisadero, SF

2012.noisepop.com

 

JOLIE HOLLAND

This longtime San Franciscan (and seventh-generation Texan) may call the road her home — with brief pauses for righteous swimming holes — but we'll always think of her as a perfectly impure product of the Bay's musical bohemia, the latest in long line of city songsmiths succored on prog politics, cultural patchwork, and high times. Whether Holland's warbling about her mind reeling, blood bleeding on "Black Stars," that wicked good "Old Fashioned Morphine," or real-world psychic vampires (referenced in the title of her latest long-player, Pint of Blood (Anti), she taps a deep vein of blues —one related to a familial history steeped in Texas swing and her own soulful explorations here and abroad. This waltz around, she alights in trio form, playing with Carey Lamprecht and Keith Cary. Long may she ramble and roam. (Kimberly Chun)

With Will Sprott of the Mumlers, Dreams, and Emily Jane White

Feb. 24, 7 p.m., $16.50–$18.50

Swedish American Hall

2174 Market, SF

2012.noisepop.com

 

Comments

This band usually performs as an acoustic duo, and will be doing so at Noise Pop. Later that same evening they'll be playing at the Oakland Metro Operahouse, as a rockin' five-piece.

They'll be doing the same at The Independent March 1st, with the Spittin' Cobras, Flexx Bronco, and The Butlers.

The band is currently trying to get a van so they can take their full-band incarnation on tour this summer! They've got a kickstarter thing going on for that purpose: http://www.kickstarter.com/projects/bobbyjoebola/help-bobby-joe-ebola-ge...

Posted by DooDoo Sprinkles on Feb. 17, 2012 @ 1:04 pm