No satisfaction - Page 2

Despite dazzling dancing, a collaborative program fails to impress

|
(0)
LEVYdance Company artists performing Sidra Bell's 'less'.
PHOTO BY DAVID DESILVA

Spectacle, in-your-face aggressiveness, a contempt for continuity in favor of the moment, and raw and supposedly unmediated energy seem to be the elements that fascinate Bell. That's fine and good, but these practices need to arise from ideas that suggest more than clichés. A man crawling on all fours? Throwing people and catching them — sometimes? Retching to some comment on nutrition — in French? Dominatrixes in both pieces?

The ferocious physicality of Bell's dance making is its most attractive quality, but the imagery — and she uses a lot of it — has to accumulate into something bigger than its constituent parts. Otherwise why do it? Both of Bell's works fell short that way. They left behind a sense of ennui and déjà vu.

Also from this author

  • Opening up

    Sara Shelton Mann's site-specific exploration 'The Eye of Horus'

  • Think again

    Three provocative premieres from Hope Mohr Dance

  • Icon and on

    A veteran company presents an old favorite — and an uneven pair of Bay Area premieres