Hola, California! Singer Ash Reiter pens a love letter to her home state -- as the controversy about women in rock limps along.
She had just gotten the Supremes box set, but also was listening to early Nigerian pop, and Os Mutantes when she first began work on Hola, and brought those inspirations to New Improved Recording, where the band worked for the first time with engineer Carlos Arredondo, who they met at a party at Anna Ash's house.
You can hear Ash Reiter's many complimentary influences on Hola opening track, "I've Got Something I Can Laugh About Now," with jangly guitars, shakers, cooing harmonies, and Reiter's crystal-clear, honey-sweet lead vocals. Funkier, electro-shot "Ishi," written about the last member of the Yahi, very much a part of California's history, follows. Reiter read his biography for that song, but also just liked the phonetic sound of his name.
Raised in Northern California (specifically, Sebastopol), Reiter looked to the state's history for inspiration lyrically this time around; the former modern lit major was reading voraciously during the making of the record, including Joan Didion's Where I Was From. The song "Little Sandy" has a chorus that's a quote Didion included from a pioneer girl's diary.
While Hola was girl group-influenced, Reiter wasn't about to write a break-up album — she's dating the band's drummer, Halsey, who also plays with Oakland's the Blank Tapes.
Another Bay Area act — freshly rejiggered and condensed — is headlining the release show with Ash Reiter this week: DRMS. It's also a new progression for the plucky electro Afro-pop act, formerly known simply as Dreams. Down from eight players, the now-four piece has whittled to bandleader-keyboardist Rob Shelton, vocalist-percussionist Emily Ritz, drummer Ross McIntire, and Mark Clifford on vibraphone, melodica, and backup vocals.
DON'T CALL IT FREAK-FOLK
Local singer-songwriter Jessica Pratt just released a mystical, fleeing-through-a-foggy-forest folk album that's so stripped down, quavering and personal, crackling yet crisp, it sounds like a rare, weird gem from the early '70s that you'd unearth in the lower racks of Amoeba. The self-titled LP has such a true-blue timeless quality, however, to call it a throwback would do it injustice. White Fence's Tim Presley is said to have created new label Birth Records solely to release Pratt's debut, which came out Nov. 13. Pratt recently told Fader: "I was really afraid of some freak-folk comparisons because I'm from San Francisco, and I play electric guitar, and it's kind of weird, folky stuff." I'll refrain.
TALES FROM THE FRONT LINE
Part of Nayland Blake's ongoing FREE!LOVE!TOOL!BOX! exhibit, Show and Tell: Queer Punks in Conversation will include conversations with Leslie Mah of Tribe 8, Brontez Purnell of Gravy Train!!! and The Younger Lovers, Jess Scott of Make-A-Mess Records, Brilliant Colors, Index, and Flesh World, and Matt Wobensmith, founder of Goteblüd Vintage Zine Store and Outpunk. Full disclosure, the panel discussion will be moderated by SFBG managing editor, Marke B., but I'd have gone regardless.
Fri/30, 6:30pm, free with admission
Yerba Buena Center for the Arts
701 Mission, SF
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