Hemorrhage takes on San Francisco's identity crisis
Thinking of herself and her dancers as having been exiled from their city, as so many people have recently been, she envisioned Hemorrhage as a work about having to live on the edges. "Women always are more vulnerable during catastrophes," she says, "because they take care of the children."
For the script, she drew on her own writing but also that of fellow San Franciscans Rebecca Solnit (Hollow City: The Siege of San Francisco and the Crisis of American Urbanism) and performer-activist Guillermo Gómez-Peña, shaping it as a running monologue — a rant, a poem, a meditation, a political manifesto — that runs through the piece and ties it together.
And what do her nine women performers, most of whom have been part of Dance Brigade for close to 20 years, contribute? They sing, they shout, they play the drums, they dance; fiercely, proudly, unstoppably, full of hope, and full of despair. *
HEMORRHAGE: AN ABLUTION OF HOPE AND DESPAIR
Through Feb. 8
Opens Fri/24, 8pm; Thu-Sat, 8pm (Feb 8, shows at 4 and 7pm); Sun, 6pm, $20-$25
Dance Mission Theater
3316 24th St, SF