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'Synth One-Year Anniversary'
Wed/20, Great American Music Hall

QUIET DIDN'T REALLY cut it as the new loud, but synthesizers stand a good chance of usurping guitars as the dominant instrument – for a little while, at least – thanks in part to boutique club nights like Synth. The monthly parties at the Blind Tiger helped put laptoppers like Gold Chains and Blectum from Blechdom in the spotlight and have been a hub for new artists doing smart things with sequencers, computers, and analog synthesizers for the past year. Synth's anniversary party combines visual arts, experimental electronica, and minimal techno performers and brings in some fresh faces. Co-headliners Hong Kong Counterfeit lug their skinny-tie electro grooves all the way from New York, while locals Memory Systems resuscitate the short-lived new-romantic style with some contemporary burp and squirt sounds. Known for his custom mixing software, Twerk does real math to make inner-worldly microtechno compositions. The guys from POP's biweekly techno party, Broker/Dealer, create streamlined sounds that still manage to break the typical beat cycle, and Sue Dean of Orthlorng Musork and Perry Phoenix investigate everyday experience with digital imagery. DJs Anon and Eelio Estevez and VJs Devon Simunovich and Swipe also perform at this XLR8R-sponsored event. 9 p.m., 859 O'Farrell, S.F. $12.50. (415) 885-0750. (Deborah Giattina)

'Catalyst: Peace Pieces in Violent Times'
Sat/23, Mills College Concert Hall

Some progressives still argue that music cannot inform, empower, or embody the quest for justice. Fortunately the musicians participating in "Catalyst: Peace Pieces in Violent Times" believe otherwise. A benefit for Education in Afghanistan, the concert starts from the premise that creative music can address questions of prejudice, apathy, and "the conflicts that arise from watching real death mediated through television." Musicians from the Bay Area new music and improv scenes – Kenny Annis, John Bischoff, Tim Blue, A.L. Dentel, Patty Liu, Philip Gelb, Matthew Goodheart, Cheryl E. Leonard, and Randy Nordschow – explore these subjects through the media of acoustic and electronic music, both composed and improvised, performed in solo and ensemble contexts. Annis's piece, for instance, examines the causes and the human costs of war; Dentel and Liu offer structured improvisation "as a model for nonhierarchical communication"; Goodheart's Ricercar (for two vocalists and eight instrumentalists) takes a line of futurist poetry as its trigger; and Leonard's Dona Nobis Pacem, inspired by a traditional round, serves to exorcise violence. 8 p.m., 5000 MacArthur Blvd., Oakl. $10-$25 sliding scale (no one turned away for lack of funds). (415) 515-4341. (Derk Richardson)