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Various artists
Proto Tracks Volume 01: I Luv S.F. (Proto Tracks)

I have to admit that when I hit the record stores, I look for familiar names. That means I miss out on a lot. Enter Proto Tracks Volume 01: I Luv S.F. This new subscription service delivers a CD full of new and rare tracks sampling the weird and wonderful world of electronic music every other month. It's a nice idea, especially with trustworthy musical curators like S.F. fixtures Jonah Sharp (Reflective Records/Spacetime Continuum) and Ms. E (True Intent/Future Breaks FM) – but what about the tunes? Well, if I Luv S.F. is any indication, Proto Tracks is onto something good. Not only is there a solid, eclectic representation of genres, but also the individual cuts (many brand new or only previously available on rare 12"s) are strong enough to stand on their own. Prolific N.Y. producer Timeblind kicks things off with the thick and dubby "Rastabomb" on Kit Clayton and Susan Costabile's Orthlorng Musork label. The funk flows from Digital Underground's Money B and Subkonscious Records' Psychokinetics, knobs are twiddled to expert effect by Tigerbeat6's Electric Company and Cex, and Ibid keeps the electro chirpy and choppy on "Prolix," from Exact Science. Producer Sharp does an excellent job at capturing the constantly mutating S.F. scene while keeping the CD's vibe together with careful programming. Add to this a thick book of additional info, and I Luv S.F. gives an enlightening tour of the challenging, murky underground. (Peter Nicholson)

Various artists
Independent Sounds: Amoeba Music Compilation Volume II (Hip Hop Slam/Amoeba Music)

It only requires 10 seconds for Independent Sounds, Amoeba Music's two-disc collection of underground DIY-ers, to surpass mainstream pop's limitations. That's how long it takes Azeem to drop subversive syntax about "black Mexicans," "Mormon Rastafarians," and "Communist leftist guerrilla trainers" on the album's opening track, "Imma (Remix)." Breaking genre, if not sound, barriers, the strength of this 32-song compilation is its diversity – no two artists sound the same. From Deepdickollective's homo-hop to Albert Mathias and DJ Quest's turntablist jazz to Slut 'Em Go's power punk, few musical bases are left untouched. Like loungey electro? Try the Ray Makers' "Wild Eyed Simian Rock." Into true-school lyrics? Check Bas-1's "Highly Effective People." Gaga for garage-pop? Have an "Endless Party" with the Schoolbus Bullies. Fan of weird a cappella vocals? That's covered too, on Merlin Coleman's "Breathpiece." With no restrictions placed on format, Independent Sounds recalls the glory days of Bay Area college radio. A raw, undiluted sentiment pervades throughout – which is exactly what we're not hearing on commercial airwaves. It may not change conditions for sweatshop workers in Southeast Asia, but at the very least, Independent Sounds offers liberation from being forced to endure yet another "Sammy Hagar three-fer weekend" or Puffy and Busta raising cognac snifters. (Eric K. Arnold)