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PERSONALS | MOVIE CLOCK | REP CLOCK | SEARCH
Spinning wheels IT'S HARD NOT to like Scratch, a documentary that happily
deconstructs the art of hip-hop DJing and scratch music with gregariousness
and loving care. Opening with a shot of the Brooklyn Bridge as Gangstarr's
"DJ Premier in Deep Concentration" plays in the background,
Scratch quickly breaks down into several major categories ("elements,"
"making beats," "digging," etc.). The movie begins
with "Elements," which explores hip-hop music's foundations
through interviews with Grandwizard Theodore and Afrika Bambaataa, and
quickly picks up steam with "Rockit" (a revealing and amusing
look at how Grandmixer D.st's scratching on Herbie Hancock's 1983 funk
classic influenced modern-day DJs) and the self-explanatory "Turntablism."
Director Doug Pray doles out countless shots of San Francisco landmarks
like Amoeba Music and Storyville, but his heavy-handed focus on local
DJs and events more than half of the film's live shots were taken
here isn't too far off the mark, considering the Bay Area's international
reputation as the home of turntablism. With a few exceptions (Philadelphia's
Cash Money being the most glaring omission), Scratch features
most of the big names, including QBert, DJ Shadow, Cut Chemist, the
X-ecutioners, and DJ Premier. There are some great scenes sprinkled
throughout, from DJ Shadow waxing philosophically amid mountains of
vinyl deposited underneath a Sacramento record store to Mixmaster Mike
grimacing maniacally into the camera. Maintaining an assured, professorial
tone overall, the film doesn't uncover too many sundry controversies,
a last-minute meditation on the late-'90s "turntablism" fad
being a noteworthy exception. At times Pray reveals himself as a neophyte,
as during inexplicable tangents like a DJ Krush concert at the Justice
League (it's hastily explained that Krush represents how big hip-hop
is in Japan). His 1996 film Hype! was a much more savvy look
at the Seattle rock scene that spawned Nirvana, achieving an insider's
perspective that never quite emerges here. Nevertheless, Scratch
is proof that the filmmakers did their homework, coming up with
a good primer on a vital subculture in the process. |
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