June 12, 2002


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PERSONALS | MOVIE CLOCK | REP CLOCK | SEARCH

Yabby You
Dub It to the Top 1976-1979 (Blood and Fire)

Grandmaster Flash
Essential Mix, Classic Edition (Rhino)

What's new ain't new. The extended remix, the added rapping to a pop track, the jump cuts, and the quick edits: all were born in the studios of Kingston in the late '60s to late '70s. They were then exported to the Bronx, where rap and its long, party-friendly jams and remixes became the new music of the new era.

Therefore, a roots check is in order. First up is Vivian "Yabby You" Jackson, protégé of dub inventor King Tubby, who is represented on this disc not as the soul singer he was at the beginning of his musical career, as the leader of the Prophets, but as just another melodic element atop the electronically enhanced tracks. Syn-drums, rapid-echo, and the expert ministrations of Sly and Robbie make this a dub-lover's paradise. "Dub It to the Top," "Rock with Me Dub," and "Turn Me Loose Dub" are loose and linear, freed from the constraints of verse-chorus, and also clear and clean, as opposed to the first dub discs (like King Tubby Meets the Rockers Uptown), which sound positively mud-filled by comparison.

Although dub would become less and less song- and hook-directed as Dancehall took hold in the '80s, this Jamaican variation on electro-funk is a must. More familiar to any American club patron is Grandmaster Flash's Essential Mix, an extended, 17-cut jam that plays like a club set. The birth of the non-Jamaican oriented trance plus beat is chronicled here, with remixes of enormous hits like Blondie's "Rapture" (where Flash is name-checked), Indeep's "Last Night a DJ Saved My Life," Afrika Bambaataa's "Planet Rock," and Liquid Liquid's "Cavern," from whence Flash nicked the famous licks for "White Lines Don't Do It" for the Furious Five. The electronic prosthesis that would evolve into pure techno is barely on display here. It's mostly an "electro hits of the '80s on 45" disc, and as such, a pleasure – a different high than Yabby You, but in that great old-school fashion, no less satisfying. (Johnny Angel)