December 18, 2002

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Bob Dylan
Bob Dylan Live 1975 (Columbia/Legacy)

I don't remember much about 1975 – brain cells burned up with my draft card during the war – except that Nixon was gone, the NLF swept the Yankees in Saigon, and Bruce Springsteen survived life as the "new Dylan" to be crowned "the future of rock and roll." The old Dylan, knowing that his work had been mediocre for years and that no one even wanted to be the "new Dylan" anymore, cooked up the Rolling Thunder Revue. He hired a band and a film crew, recruiting some aging hipsters and a gaggle of fawning scribes, and hit the road.

The tour was booked into small clubs (to recapture the magic, you know?) around the Northeast, until someone ran the numbers and decided a few arena shows would work out well. Editors at Rolling Stone, worried that the '60s were over, issued a celebratory feature so lame and ill-conceived that the bar supporting professional standards was lowered – which took some doing. The year 1975 belonged to Bowie, Earth, Wind and Fire, and Stevies Wonder and Tyler; my friend Alphonso read the Rolling Stone piece out loud during a drive to Los Angeles. When he was done, he heaved it out the window and asked if a Gary Puckett and the Union Gap reunion would be next. We laughed at that, because in 1975 that was a pretty funny thing to say.

But timing, as the saying goes, is everything, and 27 years down the road, I doubt that Alphonso himself would get the joke. He was right then: trying to recapture a moment is pathetic, and the Rolling Thunder Revue was as relevant to popular culture then as Yes at Konocti Harbor Inn was in 2002. But last week Bob Dylan Live 1975 showed up in the mail (bootleg versions had floated around for years), and I've been playing it ever since. Dylan's music – songs like "It Ain't Me Babe," "The Lonesome Death of Hattie Carroll," "Blowin' in the Wind," and "Hurricane," all found on the two-CD, one-DVD set – has a place in American culture next to the work of Walt Whitman, Mark Twain, Tony Kushner, and Miles Davis. And if you've never seen Dylan perform, he's nothing but a rock star on the DVD version of "Isis," like Greenwich Village, folk music, and Woody Guthrie might as well have been Dean Martin playing Vegas. A great band, great songs, great performances, a great album. (J.H. Tompkins)