Local Grooves

bran (...) pos
twat/face: prick/nose (Chitah! Chitah! Soundcrack)

In the second beginning of his double CD, twat/face: prick/nose, bran (...) pos walks to the mic, clears his throat, and then goes off on what sound like very controlled raindrops, or a microwave-popcorn synth patch, but, you come to realize, are only variations on walking and throat acrobatics. From there and back, bran (...) pos – a.k.a. Jake Rodriguez, a.k.a. one of the masterminds behind the much beloved and woebegone Clit Stop, a.k.a. child star of All in the Family spin-off Gloria – sneaks segues up on you, bringing in granulated organ that sounds like it's being spit out Bach's ass here, gamelan-laced mayhem and ice-cream-truck-visiting-a-remote-Amazon-village rhythms there, and pulsing oscillations everywhere, alongside enough slow spaces to make you feel like you're simultaneously crawling through electronic music's attic and frontier. Throughout is an utter sense of experimentation, prolificity, and humor (including the title and the structure: the twat/face composition is actually on the prick/nose CD, which clocks in at 99 tracks when, say, 69 or even 3 would do). It's new music from the savant-garde tradition, which may go down a bit hard for some. But for every Taryn Manning, Jared Leto, Keanu Reeves, or other actor turned "easy-listening" pop star, I'm glad to know there's someone like bran (...) pos, who is hacking his own way around the given. bran (...) pos plays as part of the San Francisco Electronic Music Festival July 25, SomArts Cultural Center, S.F. www.sfemf.org. (M.P. Klier)

Troll

Pathless Land (Orangesun)

Play Pathless Land loud. Troll are so quiet and unassuming that their charm and ingenuity were almost lost on me the first time around, when I made the mistake of lowering the volume of the San Francisco five-piece's new EP, the follow-up to their much praised album Que son los Trolls y en que nos Ayudan? At the right levels, "Mexicana" whirls into view with sensual, swirling psych-guitar, levitating theremin, intertwined male-female vocals in Spanish, and a never quite out of hand beat. Are you gonna be at the Tijuana love-in, breaking on through to the other side of Os Mutantes and the Standells? Are vocalist-guitarist John Koch and singer-keyboardist Lotte Svennigsen cooing sweet little nothings in Danish – or is it Japanese? – on that tempestuous groove thing called "Western"? Whether they're dreaming up quasi-krautrock, lethargic space jams, or minimalist, droning serenades for the streets of Copenhagen, Kyoto, or Cabo, the experimentally minded internationalists of Troll manage to unite all of the above in their deep violet shadow – the kind of majestic, inky moodiness that a shroom-munching David Lynch would appreciate. Troll play their CD-release party Fri/18, Hemlock Tavern, S.F. (415) 923-0923. (Kimberly Chun)


July 16, 2003