Tiger On Beat
Woo-ing
By Patrick Macias
It's about more than just a Paycheck, as I found out interviewing
John Woo about his latest.
Bay Guardian: The action scenes in Paycheck seemed
more realistic than we're used to seeing from you.
John Woo: Yeah. That was the intention. I wanted to make the
film more like a human drama. The character of Michael Jennings (Ben
Affleck) is not a superhero. He's just a computer engineer, and he tries
to find a way to survive without becoming a murderer. Based on that,
the action should look more realistic. I didn't want to go too over
the top. I wanted to make the film more suspenseful, like Hitchcock,
like when Ben is chased by the train.
BG: Wasn't Paycheck originally supposed to be a massive
science fiction film like Total Recall?
JW: Yeah. We changed it for two reasons. One was because of
the budget. It was going to be a very futuristic movie with a lot of
computer graphics. On the other hand, after I read the original short
story of "Paycheck," I felt that Philip K. Dick's characters
were very human. Like when I saw Blade Runner, I cried so hard
when Rutger Hauer died. So I felt we should cut down 80 percent of the
sci-fi and put the focus on human drama. I also expanded the love story
and tried to give the rest of the film a more romantic sensibility.
BG: Back in Hong Kong, you sometimes used to write your own
scripts.
JW: I will again, but I need to learn more first. For instance,
there are two projects I'm working on now. I wrote and developed the
story and hired a writer to do the scripts. I think I've got to take
it one step at a time. One is an action-musical-gangster movie called
The Dancer. It's a true story about this guy in the 1930s who
was a tough guy but also a great dancer. It's going to be a combination
of The Killer and Cabaret. The other is a remake of Jean-Pierre
Melville's Red Circle. That's one of my favorite all-time movies.
BG: Do you find yourself becoming less and less interested
in the action genre as times goes on?
JW: Well, sometimes I would like to try making a pure drama.
Sometimes I want to maintain my own style. But don't worry, I'll never
give up using two guns.
Patrick Macias is the author of TokyoScope:
The Japanese Cult Film Companion.