Being There
By Sven Eberlein
Island music
THE ISLAND OF Hawaii is one of the few places in the
Western world where human beings have not yet managed and don't
care to hide from the creative and destructive powers of nature.
A mere 800,000 years old, Hawaii, also known as the Big Island, is one
of the last actively forming land masses on Earth, and its 120,000 inhabitants
are reminded daily of its growing pains and joys. In the shadows of
Mt. Kilauea, the most active volcano in the world, life adapts to a
constant lava flow that changes land patterns from one day to the next.
Ninety-three miles long, 76 miles wide, and biologically and geologically
diverse, the Big Island ranges from desert to semiarid to temperate
to tropical zones, meaning you could be caught in monsoon-like downpours
while your neighbor is taking a swim on a sunny beach five miles down
the road. There are plants, birds, and insects that are found nowhere
else although more than 300 of them (and counting) are on
the endangered species list.
On Hawaii, as elsewhere, modern civilization has taken a heavy toll.
Ever since Captain Cook set foot on the Hawaiian Islands in 1778, a
native lifestyle based on respect for the sea, the heavens, and the
earth has little by little been replaced by annexation treaties and
high-rise hotels. Yet the spirit of hospitality and love for the land
has been handed down to many inhabitants, both native and nonnative.
I experienced that legacy firsthand during a week spent among some musically
inclined residents of the remote community of Pahoa, in the southeast
part of the island.
Music in Pahoa is all around you. From marimba ensembles to Buddhist
chanters to the dreadlocked, didgeridoo-blowing Austrian expatriate
and the local kids playing grunge metal with an island twist, it's happening
all the time, in the usual places and sometimes where you'd least expect
it. Iopa K. Maunakea, a big man with a big heart, an even bigger smile,
and a ukulele strapped around his neck that seems to have found a permanent
home there, is a case in point. On my first night in Pahoa I heard his
band Bruddah Kuz perform at Punatix Bar, but I was happily surprised
to bump into him at the Sunday farmers market on Old Pahoa Road, where
he played surrounded by orchids, pineapples, and a motley crowd of earthy-looking
types.
He summed up the Big Island in his song "Nei Keia La": "I
can't dwell on yesterday, or my life will go astray / If I live right
now, today, then I know I'll be OK / Life is life from day to day
you're living in Hawaii nei Keia la."
Later in the week, on a rainy Saturday afternoon, I was invited to
jam with a local folk band called Into Wishin', whose rehearsal space
was located in the middle of the jungle. Turning off a washed-out dirt
road at telephone pole no. 75, guiding my spinning wheels through a
tiny opening in the dense, lush rainforest vegetation, I found myself
sliding into a secret gardenlike cove and almost slamming through the
mosquito nets separating the musicians from the jungle.
The next thing I knew, I was equipped with an acoustic-electric
Ovation guitar, plugged into a state-of-the-art soundboard, and encouraged
to let my hair down (it actually stood up, owing to the humidity). Taking
part in a solar-powered stew of mellow island folk injected with an
urban-industrial acoustic restlessness, I wondered what our transmissions
sounded like to the animals dwelling beneath, around, and inside the
dripping green curtain of vegetation. I was a long way from my Oakland
rehearsal space.
In a place where few homes have running water and the goddess Pele
decides who stays and who must move (fiery lava buried the town of Kalapana,
just a few miles south of Pahoa, from 1986 to 1990), looking out for
one another is essential. And while issues of colonialism and globalization,
and their effects on ecology and native populations, manifest themselves
in Hawaii's growing sovereignty movement, the feeling I got from the
locals is that we're all in this together. In fact, it seems that love
for the land and respect for one another are their ultimate defenses.
If you go
You can fly any major airline to Honolulu Airport. From Honolulu
there are several daily flights to Hilo International Airport on
Hawaiian Airlines. www.hawaiianair.com.
If you're looking to rent a vacation place, try Kapoho Tropical Vacation
Rentals (800-680-6108, www.alohakapoho.com), six homes in the vicinity
of Kapoho that have geothermally heated swimming ponds.
Suggested reading and listening: Iopa K. Maunakea's music (www.bruddahkuz.com);
Remains of a Rainbow: Rare Plants and Animals of Hawai'i, a photo
chronicle by David Liittschwager and Susan Middleton (National Geographic
Books); From a Native Daughter: Colonialism and Sovereignty in Hawai'i,
by Haunani-Kay Trask (University of Hawai'i Press).