Second Time Around

Emmylou Harris
Pieces of the Sky (Warner Bros./Rhino)

Rhino Records has just reissued five of Emmylou Harris's first six albums (her debut, 1968's Gliding Bird, is the one that's missing), and after spending an evening with them, I'm hard-pressed to find an artist whose work was so consistently strong over a five-year period. I chose Pieces of the Sky to review simply because "Boulder to Birmingham," Harris's tribute to her lover and mentor, country rock pioneer Gram Parsons is my favorite of her songs. But if someone unfamiliar with her work were to pick any of these reissues – in chronological order they are Elite Hotel, Pieces of the Sky, Luxury Liner, Quarter Moon in a Ten Cent Town, and Blue Kentucky Girl – they'd have a good album as well as an idea of what Harris sounded like early in her career. It's true that because Harris felt the need to satisfy critics who said her music wasn't country enough, Blue Kentucky Girl is a traditional country album, while the others offer an eclectic mix of country and folk rock. But what you're left with after hearing each one is the intricately arranged, impeccably played music and Harris's impossibly gorgeous voice (often overdubbed to provide backing vocals), such an incredible instrument that after I emerge from listening to it, I'm surprised the world hasn't stood still in the interim.

Pieces of the Sky is a brilliant album, with not a false moment to be found from beginning to end. She covers country standards – a rollicking take on Merle Haggard's "Tonight the Bottle Let Me Down" (with a terrific piano solo by Glen Hardin), a note-perfect version of Dolly Parton's "Coat of Many Colors," and Charlie and Ira Louvin's "If I Could Only Win Your Love" (her first hit) – and offers an aching version of the Lennon-McCartney song "For No One," as well a young Rodney Crowell's "Bluebird Wine." Strong as these cuts are, they merely set the stage for the glorious, desperately sad "Boulder to Birmingham," written while she was trying to cope with Parsons's death. I'd buy all five of these albums to get that one song – but the truth is that they're packed with good music. (J.H. Tompkins)


February 25, 2004