I attended a Transportation Authority workshop last night on its new Mobility, Access, and Pricing Study (which, among other things, might recommend a fee to drive downtown, just like London, Rome, and Stockholm have) -- and I came away more convinced than ever that San Francisco is screwed if downtown greedheads fool people into Read more »
Jim Rivaldo, who was Harvey Milk's first campaign manager and was involved in progressive politics in San Francisco for more than 30 years, died last night. He was a remarkable guy, a rare political consultant who had high ethics, a real sense of progressive political ideology, and a sweet personality. He never had a mean word to say about anyone.
In response to last week's Super Ego column about rave visuals and the techno-optical dance floor wizardry of young projectionist 3, I received a very cryptic e-mail from one Woolsey Kitty, that read simply:
Elliott Sclar, economics professor at Columbia University and the author of You Don't Always Get What You Pay For: The Economics of Privatization is one of the nation's leading experts on the consequences of turning public-sector programs over to private businesses and nonprofits. Read more »
Years and years of refusing to promote affordable housing -- refusing to enact effective rent control, allowing evictions to go on without effective limits, building housing for the rich and not the rest of us -- has come back to haunt San Francisco.
And on all of those battles, the Chronicle was on the wrong side.
Cuckoos, kindred spirits, flying machines, and Lauren Bacall all crop up in Joseph Cornell's shadow boxes, windows into his exquisitely finite yet infinitely malleable world, now on display at the San Francisco Museum of Modern Art. We asked three Guardian writers to piece together a few thoughts on the boxes that resonated.
JOSEPH CORNELL: NAVIGATING THE IMAGINATION Through Jan. 6, 2008. Mon.Tues. and Fri.Sun., 11 a.m.5:45 p.m.; Thurs., 10 a.m.8:45 p.m.; $7$12.50 (free first Tues.). Read more »
As singer, songwriter, and frontperson for Nirvana, Kurt Cobain helped lead a musical revolution in the early 1990s whose effects on popular music and culture are still felt today. Yet after his death in 1994 at the age of 27, he continues to remain a figure somewhat shrouded in mystery. The new film Kurt Cobain: About a Son aims to show a more personal side of the gifted musician, told in his own words.