By Joshua Rotter
Call me overly-dramatic but Duran Duran have and will forever be my favorite band. They have been since I was five. That's probably why one of my greatest regrets is opting for a Nintendo console over tickets to the "Arena" tour -- what was to be the band's final outing (with all five founding members) -- for my sixth birthday back in 1984.
While seeing reformed lineups both onstage and at record signings in the 90's, and even encountering John Taylor one fateful morning at the Noah's Bagels that I worked at in 1997, offered some consolation, nothing would come close to seeing the Fab Five together again on their 2008 reunion tour.

All pics by Quartknee Kwatek
While guitarist Andy Taylor's recent departure from the group may have sprinkled on my parade, I can't say that their Bay Area Red Carpet Massacre tour stop at Sleep Train Amphitheatre in Concord May 2 suffered for it.
The three-act show, which debuted in late 2007 on Broadway, was highly-theatrical, incorporating all the necessary show-stopping elements.
There was unique staging in the band's utilization of a simple skyscraper background and a variety of light sources -- from stage lights to bulbs -- to evoke a variety of moods instead of traditional video screens.

The musical numbers -- from the darker tracks off their Timba-Lake-produced "Red Carpet Massacre" (2007) like bass-heavy opener "The Valley", beat-driven "Night-Runner" and hip pop number "Skin Diver" complete with Timbaland rapping loop to rearrangements of the band's lighter classics such as "Hungry Like the Wolf", "The Reflex" and "Rio" -- were mixed gorgeously.
The mid-section of the show was run entirely on synthesizers and drum machines, so
tracks like "Last Chance on the Stairway" "All She Wants Is" and "I Don't Want Your Love" became even more electro-shocked, blending seamlessly with the band's cover of The Normal's "Warm Leatherette".

Josh and the boys
And the group members, elegantly costumed in tailor-made Juicy Couture suits with appliquéd D insignias evoked pathos among the 30's and 40's crowd with their 90's number one hit ballad "Ordinary World" which took on even more somberness with LeBon's introduction: "I see the news, and watch the war and the suffering, and see how they try to use fear to rule us, and it strikes me that some generation will say I'm not afraid to reach out to people different than me".
But before a tear could drop, the mood was elevated again with a rousing rendition of "Reach Up for the Sunrise" off 2004's "Astronaut" album, which got the crowd's arms swaying as LeBon shook a tambourine in accompaniment.
There was also a bit of prerequisite drama during "Girls on Film", when one female fan became girl on stage, rushing at LeBon from behind and grabbing his junk -- before being pulled off stage by security.

But the real scene for me happened post-show, backstage. As I sat in wait for the band to appear, there was a rising feeling of anticipation in my chest. Thankfully, I had an abundant supply of Xanax and a cocktail at hand.
As the band emerged from their dressing rooms, it was fandemonium among the two-dozen "V.I.P.'s" But I took care to approach each one conscientiously -- I am a journalist for fuck's sake, so I have a reputation to uphold -- starting with keyboardist Nick Rhodes, who I'd phone interviewed twice before.
After Nick and I talked about the differences between Duran Duran's "Timba-Lake"-produced album vs. Madonna's Hard Candy, namely that the former managed to hang on to their sound through the process, while Madonna seemed to lose herself under the weight of the highly sought-after producer's trademark sound.
But before I knew it, I was posing for pictures with the band, at which time I told drummer Roger Taylor how glad I was that he was back in the fold, and attempted to remind John about our Noah's Bagels encounter, now 11 years ago. But he was mostly interested in talking about how the retail chain has suffered since diversifying their products.
One of the funniest moments of the night occurred when after one pursed-lipped picture with the group, LeBon told me, "Awww, you pouted. You could have been a member of Duran Duran."
"Oh Simon," I retorted, "Don't make a promise you can't..." Maybe it was the pill and alcohol combo or maybe it was my nervousness, but I just couldn't think of the word to end the cliché. As soon as "keep" entered my mind, it was too late. By then the singer was off, conversing with another fan.

Roger was the hot one. -- Editor
I'd say it was all very surreal, but that would be just another cliché. All I can say is that for the remainder of the weekend, I felt "Hungry (Like the Wolf)"-over as my serotonin levels were replenishing after the extraordinary experience.
But somehow it all felt very destined. It was as if the band's 30 years and mine were somehow leading up to this moment despite my Nintendo misjudgment 24 years ago.
All these years later, I can't even recall what happened to that old video game console that once meant so much to me. It's just a careless memory now. But Duran Duran is not just for adolescence, they're for life.
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Comments (2)
I think Josh is completely right... there's no greater band than Duran Duran.. well maybe just a couple... but certainly Duran Duran is indeed one of the best.
Andy
Posted by Andres Petit de Meurville | May 7, 2008 04:40 PM
Dishing about Madonna with Nick Rhodes AND standing next to the man who sang the theme to "9 1/2 Weeks"?! I am jealous for days.
Posted by Jason Louise Veronica Ciccone | May 7, 2008 04:58 PM