By Marke B.
I'm a-freezing my hanukkah latkes off in Detroit right now (-10 wind chill), so maybe it's appropriate, among the blizzard of end-of-year lists, that I pop in my hot mix of the year. All 45 Ghostworld conga-line minutes of Detroit wizard Jeff Mills' triple-table symphonic techno tour de force, "The Exhibitionist."
Before the techno purists claw my ears out, yes this mix came out in late 2k7 -- but I'm on drag time. What really got me about this mind-blowing performance (the sleeve clean at 17:20 made me burst into tears) was how Mills tweaked the massive global rhythms that have always existed subconsciously below fine techno's surface to come up with the kind of polyrhythmy that dubstep can only achieve at its best. Not that it's a competition -- and I was addicted to more dubstep mixes this year than I can count -- but I'm a technoist at heart, and this mix really said something I've been trying to say for years: that machine music possesses a global soul.
I will eternally worship the person who transcribes this for the New York Philharmonic. Or whips out the entire set at Carnaval.
BONUS: SF-made mixes I loved this past year:
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