» Jazz Category Archive

April 11, 2008

Clubs: producer-DJ-MC Kero One looks to the Bay and abroad

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By Jamilah King

Bay Area DJ Kero One likes to say that he got his Seoul from Korea. Regardless of its origins, his talents as a producer, DJ, and MC are creating a big buzz in hip-hop. He's collaborated with Grand Puba, Aloe Blacc, and Ohmega Watts. His smooth sound takes hip-hop back to its roots while also moving it forward. Tonight, March 11, Kero One performs at 111 Minna Gallery; he also has a monthly at Madrone Lounge.

He sat down to talk about his music, and more.

SFBG: You're from the Bay. Where in the Bay did you grow up?

Kero One: I grew up in the Santa Clara area, and moved to the city about three years ago to get more serious about my music career.

SFBG: When did you fall in love with music?

KO: I remember being really little and staying up into the wee hours of the night to listen to the radio and stations like KMEL. My mom would come in and try to get me to go to bed, then I'd get right back up and turn the radio on and listen to stuff like Boogie Down Productions, and all the stuff that was big in the late '80s.

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April 09, 2008

Sonic Reducer Overage: Mocheeba, Hercules and Love Affair, Enon, David Banner, and mo'

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Reflections on Enon. Photo by Emily Wilson.

So much to do and see, Lee. And Prince headlining Coachella on Saturday, April 26, doesn't make the schedule any easier. Check out all these worthy shows that were fit for print but simply didn't make the trim this week.


KING BROTHERS AND THE FLAKES

Kawaii-cute Japanese distorto-rockers meet Bay Area garage first-schoolers. With Shellshag and Bananas. Thurs/10, 8:30 p.m., $10. Bottom of the Hill, 1233 17th St., SF. (415) 621-4455.



HERCULES AND LOVE AFFAIR

"I cannot hold / a half a life / I cannot be / at half a wife." So goes "Time Will" off Hercules and Love Affair's new self-titled DFA/EMI album. Dulcet warbles care of Antony of Antony and the Johnsons meet cool synthetics with keys by Andrew Butler and drum programming by DFA's Tim Goldsworthy. Instant love affair, for sure. With Timo Maas and Honey Soundsystem. Fri/11, 10 p.m. doors, $15-$30. Mezzanine, 444 Jessie, SF. (415) 820-9669.

Continue reading "Sonic Reducer Overage: Mocheeba, Hercules and Love Affair, Enon, David Banner, and mo'" »

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April 02, 2008

WMC: Om Records whoops it up in Miami

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Vikter Duplaix and Daz-I-Kue (Bugz in the Attic) get down at the Om party. All photos by Robin Russell.

Contributing photographer Robin Russell swung through Miami's Winter Music Conference, which ran from March 25-29, and sent these dispatches. First up: the fete thrown by SF-based Om Records at Y Ultralounge on Thursday, March 27.

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Cobblestone Jazz settles in.

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Things heat up at the Om party.

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March 11, 2008

Buddy Miles RIP - play on Brother Gypsy, sing on drummer

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By Kandia Crazy Horse

Roughly two decades after Run-DMC and Aerosmith’s fruitful pairing showed rock could still be danceable in the emerging hip-hop era, negroes remain nonetheless officially skurred of guitars. Endless samples later, it’s not unusual for hot tracks to be powered by a skillful blend of beats and rock volume. Yet when a young black artist emerges from the community (or outside of it) desirous of doing a different thing, he or she is often still accused of wanting to play “whiteboy music.”

And so, we loop straight back to 1969 and the central sonic and social dilemma of rock history’s greatest black rock superstar: Jimi Hendrix. Before the eve of New Year’s 1970, electric magus Hendrix had attempted to free himself from the harsh realities of Jim Crow America by eschewing the strictures of the Chitlin’ Circuit – where he supported stars like Little Richard and the Brothers Isley - for music scenes and venues in Greenwich Village and then (swinging) London. Oftener than not, the response his career elicited in regular blackfolks was resentment that he left the Black Bottom to move to London and return as “white” and his proto-metal sound was baffling (as were his two white sidemen – the British rhythm section’s simulated Afros or no).

Meanwhile, the Panthers were already putting the touch on him, urging shy, spacey, “music has no race” Hendrix to come out strong on the side of blackskin chauvinism and actively support the revolution. This ish would plague Hendrix for the rest of his short life – and, in many ways, the ever-burgeoning afterlife of his career. Yet with the sequential formation of both the ill-fated big band Gypsy Suns and Moons (who accompanied him at Woodstock) and the power trio Band of Gypsys, he attempted to resolve the racial conundrum sonically as fitting for the manchile who’d slept with his guitar since youth.

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March 07, 2008

What does Alpine jazz sound like? Nik Bärtsch’s Ronin comes to Yerba Buena

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By Erik Morse

What was Orson Welles’ scene stealing line in The Third Man? Oh yes, it goes like this: "In Italy, for 30 years under the Borgias, they had warfare, terror, murder, bloodshed - they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland, they had brotherly love, they had 500 years of democracy and peace, and what did that produce? The cuckoo clock." Never mind that the contraption in question was actually invented in the Black Forest of Baden-Württemberg or that Welles egregiously absented the Zurich-based dada movement from his glib verdict. But this bitch slap at the Swiss’ expense has now become an ecumenical platitude: nothing cool has ever come from the land of Helvetica.

Well, burn down the chalet and throw out the flugelhorn! Composer-pianist Nik Bärtsch and acoustic quintet Ronin have departed from the craggly bluffs of Switzerland and landed on the snobbish jazz shores of America. Despite establishing themselves in the '90s, Bärtsch and Ronin only came to prominent attention in 2006 with Stoa, their first release for experimental jazz label ECM.

No doubt playing on the architectural definition of its title, Stoa was a magnificently open affair with tinkling melodies underpinned by floating, Can-style grooves and large swathes of quiet space. In order to christen Ronin’s new direction, Bärtsch dubbed his sound “zen-funk” with tongue most likely placed firmly in cheek. Reviews at the time compared Stoa’s compositional structures to those of Steve Reich and James Brown, and one critic noted it was “digital-age music performed with analog sensibility.” And, in fact, you can hear within the precise bass ostinatos and repetitive keyboard figures the postmodern electro-jazz of Jaga Jazzist or Squarepusher. No small feat for a cadre of musicians reigning from Alpine country.

Continue reading "What does Alpine jazz sound like? Nik Bärtsch’s Ronin comes to Yerba Buena" »

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March 06, 2008

Clubs: Gem sweaters, buenos Zizeks, grimy Rupture, divas

Too too much going on this Saturday March 8, kids, and these are just the above-ground parties! I don’t know how I’m gonna make ‘em all, but we just finished work on the next issue of Scene, our nightlife mag which drops next wednesday in the guardian (look for it!) and I'm ready to party my pumps off. Good thing I always carry an extra pair of bedazzled flats in my Safeway paper bag purse …

Leslie and the Lys, spaz-hop queens straight outta Iowa (via Boston) who recorded the immortal line “Wearing gold spandex pants/ I made a hip-hop album” will be rocking their goddam GEM SWEATERS at an early set (9pm) at the lezbo-rock heavenly Cockblock at Rickshaw Stop for only 10 stinkin’ bucks, which lets you stay the whole evening to hear the adorable DJ Nuxx and friends throw down.

Then it’s off to Kafana Balkan at 12 Galaxies (more info here), the city’s premier Romany dance party, with awesome, way-deeper-than-Balkan-Beatbox DJ Zejlko and friends. If it’s anything like the last one (with crazy pics we featured in the last Scene nightlife magazine) then we may not be able to tear ourselves away ….

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Brass Menazerie at Kafana Balkan

to hit up one of the best-sounding parties at Mezzanine in, like, a week – Zizek featuring DJ/Rupture and Tormenta Tropical.

Continue reading "Clubs: Gem sweaters, buenos Zizeks, grimy Rupture, divas" »

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January 25, 2008

Brownout! rolls through the rain

Turn that umbrella upside down and smile to the warm Latin funk (with an edge of oh-so-nasty) of Austin's Brownout!, who'll be drizzling driving grooves, conga section included, through that undersung cumbia-and-get-'em hot spot, El Rincon this Saturday. They'll be playing a live set with DJ Chicken George, guaranteed to shelter you from the storms.

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The eight-piece ensemble's work can be found on Freestyle Records, and its sunny, tequila-soaked appearance here is brought to you by the kids from rad soulful weekly Afrolicious (Thursdays at Elbo Room), accompanied by funky drimmers LaMalaMaña and DJs Señor Oz and Pleasuremaker. Check it!

Brownout
Saturday Jan/26
10pm-2am
El Rincon
2700 16th Street
(between Folsom St & Harrison St)


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January 04, 2008

The day "Boobs!" died

Alas, word has come on the hot gay wires that fabulously risquee night club chanteuse of the '40s and '50s, Ruth Wallis, has passed from Alzheimer's.

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Wallis, progenitress of such incredibly double entendred tunes as "Hopalaong Chastity," "The Dinghy Song" ("Davey had the cutest little dinghy in the Navy"), and, a personal favorite, “A Man, a Mink, and a Million Pink and Purple Pills” -- and who was the inspiration for 2003 Off-Broadway tribute "Boobs! The Musical" -- was 87.

Someone has just expunged all of her online clips (heirs already planning to cash in, perhaps?) but below is a fine Victrola-type dealie spinning "Johnny Had a Yo-Yo." Blush and sing along with us, for Ruth.

Thanks to Matt Sussman of Flavorpill for passing the sad news on.

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December 19, 2007

Benjamin Tinker's top 10 musical experiences and releases

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'Fro sure: Richard Pinhas Trio.

The Society of Rockets member ushers in his favorites for 2007.

1) Hanging out on Jean Herve Peron's farm in Schiphorst, Germany, at his annual Avant-garde Festival, and hearing sounds differently afterward.

2) Being part of something that led to a 12-inch vinyl gatefold, the Society of Rockets' Our Paths Related (Underpop)

3) Reissues, good for oldsters and kids alike: from Bee Gees: The Studio Albums 1967-1968 (Rhino) to Cluster’s Sowiesoso (Water).

4) Two nights of the Richard Pinhas Trio live.

5) Ornette Coleman with his son on drums and three bassists at the Masonic Center, Oct. 28. Not the soaring, almost liturgical music of 2005's SFJAZZ performance, but a blistering of angry, almost punk evaluation on the state of the union.

Continue reading "Benjamin Tinker's top 10 musical experiences and releases" »

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Pat Thomas's top 10 albums of 2007

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Pat Thomas, Runt/Water consultant, writer/editor of Ptolemaic Terrascope, and the drummer of Mushroom offers his picks for '07.

1) Miles Davis, The Complete On the Corner Sessions (Sony Legacy)

2) Moby Grape, Moby Grape '69 (Sundazed)

3) Sly Stone, There's a Riot Goin’ On (Sony)

4) Sean Smith, Sacred Crag Dancer Corpse Whisperer (Isota)

5) Terry Manning, Home Sweet Home (Sunbeam)

Continue reading "Pat Thomas's top 10 albums of 2007" »

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November 15, 2007

Oh, Tootie.....

Excitement! '70s-kid, Gen-X (and very probably gay) excitement! Charlotte Rae, aka Mrs Garrett from The Facts of Life is coming to the Empire Plush Room to perform cabaret versions of tunes from her album Songs I Taught My Mother.

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What??? From her Broadway debut as Mrs. Peachum in The Threepenny Opera to her carrot-headed brooding over Jo, Blair, Natalie, and Tottie Tootie for most of my childhood to her current incarnation as cabaret vixen, Charlotte is tuly ... a Renaissance woman!

Tue, Nov 27 - Sun, Dec 2, $40
Empire Plush Room
940 Sutter, SF
(415) 885-2800
www.theempireplushroom.com

PS: OMFG Sally Kellerman is there Nov 23 & 24 ....

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October 31, 2007

Nels Cline at du Nord: so much firepower, so little venue

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By Benedict Sinclair

It’s always nice to get a warm feeling from a show, regardless of the sonic or literal violence you might undergo during it. The bartender at Café Du Nord on Thursday, Oct. 25, was kind enough to hand me my drink with an unusually welcoming smile. Suddenly I overheard a discussion about how beautiful a certain country highway was - the one I’d just happened to grow up on. Ah, home. I’m never sure why, but I get the same feeling from listening to albums that include guitarists Nels Cline (of the Geraldine Fibbers, the Nels Cline Singers, and nowadays Wilco) and Jeff Parker (Tortoise and Isotope 217).

The narrative arc of a Nels Cline solo once seemed to me a bit like a rollercoaster, but considering the sudden, indescribable variations on delay and distortion he tosses around, the amount of 13th chords he employs, and, really, just a plain old spooky control over chaos, I’m more inclined to recall the image of a flickering candle. I’m thinking specifically of the one placed in the center of my table at Café Du Nord, where the Nels Cline Singers played two sets: one as a trio and the other with Parker. I sat, I stared, I heard.

I mean, bassist Devin Hoff and drummer Scott Amendola certainly held their shit down, punctuating Cline’s soaring presence with equal vigor. But I can’t get away from that flame metaphor, the way a practically invisible center produces that glow, refracting in all directions through a bubble glass lamp. It was as if Nels and his sparking fingers lighted the café themselves, that red hue cast over everything perhaps strictly a product of the heat scattering out as this guy poured his soul into unpredictable jazz shredding. Yet the band also fostered many moments where the flickering meant a slight cooling. They’d play pretty, sweet melodies together and still burn it up. The second set was the less out there of the two.

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September 07, 2007

Tip o' the Tibbs

Intrepid intern Lotto Chancellor (we shit you not, that's his name) checked out the Chantelle Tibbs show at El Rio last Tuesday ....

EL RIO, Tuesday, September 4 — Sandwiched between Wee the Band, whose showertime blues covers were tolerable, and Dubious Ranger, whose drummer couldn’t quite seem to find the pocket, was Chantelle Tibbs, another SF transplant from, where else, the East Coast. But don’t worry. She’s from Jersey, not Mass.

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Oh, Chantelle!

This woman straight up has pipes, pipes with enough resonance to fill the El Rio’s carpeted space and draw genuine applause not just from her admirers but also from wayward shuffleboard players, semi-conscious tipplers, et al. After her hour-long set she sold off what demos she had, and took compliments with grace, which is an easy thing to do when you know that people are actually telling you the truth about your performance.

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August 09, 2007

Lollapalooza day 2: Clap Your Hands say Yeah Yeah Yeahs - and Roots, Patti Smith, and more

By K. Tighe

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The Lolla crowd gives it up for Kanye West. Photo by Cambria Harkey.

Notorious for delivering live sets that sound nothing like their album cuts, New York/Philadelphia indie rockers, Clap Your Hands Say Yeah translate surprisingly well to the festival environment. Sure, most songs were unrecognizable, but still enjoyable. Frequently compared to David Byrne, Alec Ounsworth laced his nasally vocals over deconstructed disco-folk instrumentals and the people, well, they rejoiced.

The other side of the park was packed to the brim, with concert-goers eager for a much-needed dose of hip-hop. The Roots delivered. Horn players usually lack street cred, but not under the tutelage of these legendary wailers, who delivered one of the day's best sets by somehow managing to keep their massive crowd grooving with their trademark big-band spastic sound, all while suggestively flexing their rock muscle. Earlier in the day, Chicago native Rhymefest had gracefully overcome sound difficulties to merge his blue-collar sensibilities with big band grandeur in a powerhouse hip-hop set. Although Lupe Fiasco is scheduled for tomorrow, it's apparent that Lollapalooza could do with more hip-hop.

With a distinctive, fluid voice and some hard-earned chops as a pianist, Regina Spektor's performance was sweet, but underwhelming. Chalk it up to timing, as she had the misfortune of performing after the Roots, or perhaps the awkwardness of hearing such intimate tunes at a corporate festival, but the much-anticipated appearance of this lovely chanteuse missed the mark.

For a hefty serving of old-school geekiness, no one need look any further than a set by the Hold Steady. These boozy intellectuals have come a long way in a short time, vocalist Craig Finn took a moment in the set to explain: "We started this band four years ago to have enough money for beer and an apartment, and now we're going to Dublin (next month) to open for the Stones. There is so much joy in what we do here, God bless you. " Judging by the sea of hands punching at the air through the duration of the set, there was a whole lotta joy in what they crowd was doing there, too.

Despite the fact that Karen O was gussied into a get-up that would make some Folsom Street Fairers blush, the Yeah Yeah Yeahs put on a strong, primal performance.

Try as she might, Ms. O just can't hold a candle to Ms. Patti Smith. The rock and roll poetess has enamored me in the past, and never disappointed. Even on her Rock 'n' Roll hall of fame induction, when every other word was bleeped, she was enthralling. Still, no amount of Patti-worship could have prepared a person for the lady's performance tonight, Aug. 4, when the heavens aligned to split open.

Continue reading "Lollapalooza day 2: Clap Your Hands say Yeah Yeah Yeahs - and Roots, Patti Smith, and more" »

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July 03, 2007

Pick-nik season is so on...

Step right up for the git-pickin' pick o' the litter at the first annual San Francisco Picker’s Picnic on Friday, July 6, at Bottom of the Hill.

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King City with child.

Joe Price with Vicki Price, King City, Craig Ventresco with Meredith Axelrod, Gaucho, and Pat Johnson will be your shred-meisters. Your host: Chewy Marzolo - player of heavy metal, bluegrass, cartoon swing Latin soundtrack, rag, burlesque, abso-futurist black/death metal, gypsy jazz, cabaret, country, and he says, "a few other types of not-very-popular-to-the-hipsters styles of music in San Francisco for...well...let me see here...um...a very long time."

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Joe Price in action.

This time Marzolo bites into a first - the Picker's Picnic. Among the offerings are the Iowa Blues Hall of Fame inductee Joe Price; gypsy jazz combo Gaucho (with Ralph Carney); and Marzolo's own band, King City, who describe themselves as "a five-piece ragtime/tango/Latin/spaghetti western
instrumental San Francisco bonifiedly warranted excuse for a good time." By the way, King City's first official CD, The Last Siesta, comes out this summer on Spencer Muray's Antebellum label and the cover was painted by graf giant Twist, aka, Barry McGee.

It's all on July 6, 9 p.m., at Bottom of the Hill, 1233 17th St., SF. $10. For more info, go to www.myspace.com/pickerspicnic. Be there - or be home pickin' on your own.

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April 20, 2007

Andrew Hill, R.I.P.

Sadly jazz legend Andrew Hill has passed - after playing a stellar show for SFJAZZ last year and being serenaded by present and past Bay Area players like Nels Cline and Guardian contributor Devin Hoff. Here's the statement from Hill's label, Blue Note.

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The Blue Note Records Family is very saddened to announce the passing of the great pianist and composer Andrew Hill. Andrew passed away early this morning, April 20, 2007, after battling lung cancer for several years. He was 75 years old.

Andrew was considered “the next Thelonious Monk” by Blue Note founder Alfred Lion, and over a 44 year association with the label, beginning with his debut in 1963, he made what will forever stand as some of the most groundbreaking recordings in jazz history, including such classics as Point of Departure, Black Fire, Judgment!, Passing Ships, and Time Lines, his triumphant 2006 return to the label that was named the no. 1 album of the year by Ben Ratliff of The New York Times, who described it as “a master’s record, quiet, daring and magnificent.”

Our hearts go out to his wife Joanne, and the countless musicians, friends and fans that his music and spirit touched over the course of his remarkable life.


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