Sonic Reducer Overage: Sir Richard Bishop, Hospitals, David Dondero, Hightower, and more
By Kimberly Chun
Yes, you had to work like a dog for that Fourth of July hot dog - and to get ready for the long weekend. Wasn’t it worth it? Now’s the time to get out and get into trouble.
Sir Richard Bishop and His Freak of Araby Ensemble
The Sun City Girls son and Oakland resident also rises, this time in SF, with Oaxacan as his backing ensemble, on the closing show of his tour. For more on Bishop, go to this edition of Sonic Reducer. With Oaxacan and Rubber O Cement. Fri/3, 10 p.m., $10. Bottom of the Hill, 1233 17th St., SF. (415) 621-4455.
Extreme Animals
The Pittsburgh-San Diego booty melters flaunt it at this light-show-bedazzled happening. With Nero's Day at Disneyland, Bulbs, and Teengirl Fantasy. Fri/3, 8 p.m., $6. Lobot Gallery, 1800 Campbell, Oakl. www.lobotgallery.com
Hospitals
The raging Adam Stonehouse project recently got a lotta love from UK’s Wire. With Photobooth and Baths. Fri/3, 9:30 p.m., $6. Hemlock Tavern, 1131 Polk, S.F. (415) 923-0923.
Any show that ends with a bunch of people in a conga line has to be great. This past weekend, Pink Martini, a twelve-piece band hailing from Portland Oregon, joined the San Francisco Symphony for an electrifying performance that covered everything from classical concertos to foot stomping Brazilian street music. The range in styles of music this ensemble covers makes a single night at one of their concerts seem like twenty different musical experiences and then some. Being part Puerto Rican, I'm drawn to their more Latin based songs, like "Donde Estas Yolanda" and "Andalucia" but there's really no way not to love all their music, especially when they get a little help for our very own San Francisco Symphony.
Sonic Reducer Overage: Wilco, the Hunches, Chelsea Handler, Lazer Sword, and more
By Kimberly Chun
I’m a music lover... get me out of the house! Guess what, help has arrived - in more forms than we could fit into print.
Sugar and Gold\
The Bay dance fiends refuses to drown in their own shit. With Music for Animals and Castledoor. Thurs/25, 8 p.m., $10. Rickshaw Stop, 155 Fell, SF. (415) 861-2011.
The Hunches
Knuckling down for a freaked-out, “Disease Free” frenzy, the Portland, Ore.-Bay Area garage oddballs slough into the sunset with a series of farewell shows. With Long Legged Woman and Blimp. Fri/26, 9:30 p.m., $8. Hemlock Tavern, 1131 Polk, S.F. (415) 923-0923.
Interview by Marke B. Photo by Alex Warnow. From our summer SCENE: The Guardian Guide to Nightlife and Glamour -- on stands in the Guardian now.
For 15 years, the much-loved and lovable warm-weather Sunset parties have shaken various hills, isles, parks, patios, and boats with funky, techy house sounds. Launched by underground hero DJ Galen in 1994 (has it really been that long?), the outdoor Sunset gigs have amassed a huge following of excited party newbies and familiar old-school faces — and now their kids! Early on in the game, Galen was joined by fellow Bay favorite DJs Solar and J-Bird, and the three — collectively known as Pacific Sound (www.pacificsound.net) — have kept the vibe strong ever since. This year saw a remarkable expansion on the Sunset fan base: attendance at the season opener at Stafford Lake reached almost 4,000, and Pacific Sound just launched an annual — and truly moving — party on Treasure Island that had multiple generations putting their hands in the air. "The vision was to take electronic music out of the dirty warehouses, away from the dodgy promoters, and into the sunshine," says J-Bird. Summer's just begun, and Pacific Sound, with several gangbuster parties lined up, keeps delivering.
SFBG You guys have been a major part of the party scene here for a while. What do you think of it right now?
Pacific Sound There's a foundation for creativity in San Francisco — that is something that will never change. Also, there definitely is quite a bit more international talent coming here than 10 years ago. It's this constant exposure to musical stylings from around the world that will facilitate a thriving scene. The recent crackdowns by the SFPD and ABC may be dampening some spirits, but it will never stop our creative heritage.
SFBGYou mean all the pressure on venues lately ...
Interview by Billy Jam. Photo by Leo Herrera. From SCENE: The Guardian Guide to Nightlife and Glamour -- on stands in the Guardian this week.
Like so much music and art these days, turntablism is easier to find online than in a public space. A turntablist can easily record their scratch practice session, upload it to YouTube, and sit back and wait for feedback to show up on their screen. But for sheer enjoyment, creative interaction, and advancement of the art form, turntable pyrotechnics really need to be experienced in the live, raw setting of DJ battles or sessions. That's why Bay Area turntablist duo Deeandroid and Celskiii recently decided to revive their hands-on scratch DJ club night, Skratchpad. Bay Area turntable fiends, missing the party's lively conviviality since it shut down earlier in the decade, were getting antsy.
The super-skilled, Vallejo-born female scratch duo who've toured with the likes of KRS-One now tears it up twice monthly at the Cellar in San Francisco. There, DJs from the aspiring to the established (Swift Rock, Shortkut, and Teeko have each turned in memorable sets) join the two and others like Winst-One and Bizibeats to carry on the sacred Bay scratch tradition. Skratchpad boasts two rooms, one with open tables for guest beat-juggling and the other for just plain getting down, and takes mighty inspiration from legendary late-1990s hip-hop joint Beat Lounge, where Deeandroid and Celskiii — and many others on the scene — got their start. Skratchpad even hosts the occasional DJ Q&A session, but all answers must be phrased in the form of turntable pyrotechnics only.
SFBG Why revive Skratchpad now?
Celskiii If we want to keep the music and culture alive, then we have to pass it on. A lot of younger cats didn't grow up during that raw '90s era, but that doesn't mean they can't experience what we were so lucky to have been exposed to.
SFBG How exactly does the open turntable policy work?
Deeandroid You must bring your own needles, headphones, and records, sign up on the list, and wait your turn for the MC host of the night to call the DJ names. We have seven turntables and five mixers usually for the open turn session. DJs rotate after they do their thing twice or we tell them to switch.
SFBG Is it ever a problem with some DJ hogging the turns?
Interview by Marke B. Photography by Keeney + Law. From our Summer SCENE: The Guardian Guide to Nightlfe and Glamour. On stands in the Guardian now!
Reggae: still fresh? Yes. A lot of stereotypes have attached themselves to reggae over the years, not all of them good or true. But this is the Bay, a blazing nexus for the sound, and a spirit of liveliness and innovation can always be found here — especially if members of the classic Jah Warrior Shelter Hi Fi sound system are twisting it. Since 1988, the crew has been rocksteady on the roots scene — and hardly a evening goes by that you won't find Rocker T, Jah Yzer, I-vier, or Irie Dole lighting up the decks or the mic with his unique approach somewhere. Serious with that: besides Jah Warrior Shelter's weekly Bless Up joint at Milk every Tuesday (celebrating its five-year anniversary July 14) and Toppa Top blast at Club Six every Thursday night, the crew brings the fire to EndUp, Laszlo, Luka's, Pier 23, Oasis, Jelly's ... I-Vier co-helms KPFA's Reggae Express show with Spliff Skankin, the sound system has snagged numerous soundclash competition titles, and Jah Warrior Shelter mixtapes flow like rolling verbiage throughout the scene. Check out their mad productivity at www.jahwarriorshelter.com.
SFBG Why do you think reggae has found such a home here?
Irie Dole San Francisco has always been a hub for reggae music and performers. The hippie movement's peace and love vibration naturally attracted Rastas — foundation artists Jacob Miller and Hugh Mundell were known to be around the city quite a bit. With San Francisco's beautiful landscape, healthy food, and lax weed laws, reggae just fell into place with a lot of people of our generation. California is the ganja capital of the world, the Bay Area is the reggae capitol of California — San Francisco is the place to be.
Sonic Reducer Overage II: Elvis Costello, Starfucker, Nihlotep
By Kimberly Chun
Get out and lend an ear - it’ll be returned, perhaps changed. Here are more intriguing shows that didn’t make it to print.
Elvis Costello
Certified rock genius - up in the house! No secrets here: in true diehard music lover form, Declan MacManus gives back to music emporiums with his one-day “Amoeba Music Tour” performances here in the Haight and then at Amoeba Hollywood. Expect him to play acoustic versions of tunes from his new Secret, Profane and Sugarcane (Hear Music) alongside Jim Lauderdale, and to sign copies of the CD (copies purchased at Amoeba come with a poster silkscreened for the event). Mon/22, noon, free. Amoeba Music, 1855 Haight, SF. (415) 831-1200.
Nihlotep
Drink in the unearthly screeches and high-drama doom metal sturm und drang from the San Jose group. With Vesterian and Condemned to Live. Tues/23, 9 p.m., $6. Hemlock Tavern, 1131 Polk, SF. (415) 923-0923.
Starfucker
The Portland, Ore., combo with the oh-so-naughty moniker has somewhat innocuous origins: Josh Hodges started out with just a borrowed drum set, loop pedal, and a mic - one-off, one-man entertainment for a house party. Now, with the addition of three bandmates, Starfucker is busy reproducing the 8-bit electro pop-dance punk off its mini-album, Jupiter (Badman).
With Atole and White Cloud. Tues/23, 9 p.m., $10. Bottom of the Hill, 1233 17th St., S.F. (415) 621-4455.
In this week's Super Ego clubs column, I interview local circuit diva-in-training Caroline Lund, and get into some ideas I've been chewing on about the state of gay dance music, now that the mainstream has embraced outright divadom. I started thinking about all this, funnily enough, when I got stranded in Vegas for a day a couple weeks ago (missed my flight, typical). Against my better punkrock instincts, I ended up totally engrossed in the Cher and Bette Boutique in Caesar's Palace, which sold innumerable tchotckes bearing those two classic divas' likenesses, both of whom have wildly successful shows running in the theater that was built for, ugh, Celine Dion. I bought a Cher mug and shirt. (Side note: the boutique was staffed by Burner-looking FTMs. Then: Chastity Bono became Chaz. But I digress.)
My somewhat-valid prejudices about the circuit scene are no secret to my amazing readers. All three of marvelous you. But because some interpreted the column as broadsiding vocal house in general, not just the really boring screamy phony kind, I wanted to clarify. I’m a proud if slightly-closeted freak for vocal house histrionics of the soulful, gospel-derived variety. Throw on a classic Ann Nesby or La india track and my dancey pants get even wetter. The Jesus squealing can occasionally wear me out, but I get lifted by the spirit. And this little number has basically been my personal theme song for the past 17 years, getting me through some real situations:
Martha Wash, "Carry On"
Which kind of leads into this: The other day I got Facebooked to join the group “I remember Club Universe” – something Caroline Lund and I (and thousands of others) have in common. Throughout the ‘90s, up until that massive, all-swallowing Saturday night ground zero for vocal house (run by the great Audrey Joseph, now of the city's Entertainment Commission) closed in 2002, Lund coordinated the dancers who wriggled on the risers until well into Sunday morning. Meanwhile, I stumbled around Universe’s huge 177 Townsend space wondering why all the substances I had ingested weren’t making me want to dance more. (Wait a minute, that may have been the source of the problem!)
OMG, this whirling light spaceship thing at Universe that would dip down and scare tweakers into a frenzy was sooo cheesy.
Hey bay-bay, besides the wall-bouncing antics of DJ Stacey Pullen and The Martinez Brothers that I mentioned in this week's Super Ego clubs column, here's another party glamour to get your feet up off the floor. Also, for all you hip queer kids -- it's second Saturday, and that means another Cockblock vs. Cockfight showdown! As always, I recommend hitting up both. Because I care. Because I can.
Wallpaper at Blow Up
I can't get the stylishly jazzy electro-rap-lounge Oakland trio's latest treatment of Das Racist's "Combination Taco Bell and Pizza Hut" out of my freakin' noggin -- even though it makes my stomach a tad queasy -- but it's the lovely afrobeat-y remix of Passion Pit's "the Reeling" on their MySpace that really follows me around. They'll be at the ever-bonkers Blow Up at Rickshaw Stop on Friday, hopefully with live drums in tow .... be there, and if you're over 30 try not to try too hard to look cool, k?
Blow Up w/ Wallpaper
Fri/12, 10 p.m., $10,
Rickshaw Stop
155 Fell, SF. www.blowupsf.com
PS -- oh god, Perez Hilton posted about Wallpaper on the same day as me? Really? ugh.
Color my world grey – you still yearn to romp and play, San Fran-frisky. So get outta the dog park and into the clubs and buy me a drink, hot pocket. Here are a few notable shimmy-shams where you might find me skulking.
Constantines and Crystal Antlers
The Toronto indie rockers venture out to “Islands in the Stream” and stretch their bones in a post-rock, minimalist mode. Meanwhile the LA psych-soul bros carouse in honor of their new Tentacles (Touch and Go). Thurs/11, 7:30 p.m., $14. Rickshaw Stop, 155 Fell, SF. (415) 861-2011.
Headboggle
One-man low-end grumble from the bowels of SF, presented as part of the gallery’s New Music Series. With Commode Minstrels in Bullface, Midmight, and Amphibious Gestures. Thurs/11, 8 p.m., $6. Luggage Store, 1007 Market, SF.
Not lost: More from Jason Lytle, uncovered in Montana
By Kimberly Chun
Modesto, your Jason Lytle is truly a pleasure to chat with. Here’s more of an interview with the disarmingly honest, down-to-earth ex-Grandaddy songwriter, now touring with his first solo album, Yours Truly, the Commuter (for the rest of the talk, see this week’s Sonic Reducer). Lytle headlines at Café du Nord June 8 and opens for Neko Case at the Warfield June 9.
SFBG: So right now you’re multitasking, printing out flight info for your tour. Is flying an issue for you? I’m just looking at the crashed plane in the artwork for Yours Truly, the Commuter.
Jason Lytle: Ummm, I’m actually OK with flying – I’m a lot better with flying than a lot of people I know. I guess if you’re looking at the artwork - I do have a problem with airplanes landing in my front yard.
Underground fire shuts down Bowie Ball at Great American Music Hall
By Kimberly Chun
This in from the folks at Great American Music Hall - so put those "Jean Genie" moves in the hopper till August. (And boy, I'm curious about how often these underground electrical vault fires happen! The answer: The last one was in 2005, according to the local CBS affiliate.)
"Unfortunately, tonight's BOWIE BALL at GAMH has been CANCELLED due to an underground electrical vault fire on Polk & O'Farrell St. We sincerely apologize for the inconvenience - bummer!!!
"HOWEVER, we are glad to report that the date is rescheduled for Friday, August 14 - original tickets will be honored (or refunds are available at place of purchase until 2pm on Aug. 14).
"This event will be super fun, so please come down on Aug. 14 and show your support! This is our chance to celebrate EVERYTHING Bowie. All in one night. (Tix at www.gamhtickets.com or in person at Slim's or GAMH M-F 10:30-6.)"
Sonic Reducer Overage: BFD, Wale, Handsome Furs, Holy Fuck, and more
The grey can stay – it is, after all, summer in fog city – but you know you gotta get out. Leave home and get an earful of inspiration at, hey, maybe these worthwhile shows.
Parson Red Heads
The cute-as-a-button LA combo polishes up Cali folk rock for every parson, be it the preacher or Gram. With Cotton Jones. Tues/2, 8 p.m., $10. Cafe Du Nord, 2170 Market, SF. (415) 861-5016.
Rosewood Thieves
Going their way? The New York indie rockers are California dreaming and in love with the sun. With Mississippi Man and Lemon Sun. Wed/3, 9 p.m., $7. Hemlock Tavern, 1131 Polk, SF. (415) 923-0923.
Sonic Reducer Overage: TV on the Radio, Bun B, Fischerspooner, Webbie, Floating Goat, Passion Pit, and more
Memorial Day weekend - the wind is down, and the moment has come to break out the hibachi, dust off those sassy hot pants, and kick back for at least a day or three. And of course, there's more worthy music to fit in there, in between the sunbathing, cookie-baking, and electroclashing.
Fischerspooner
Does the GE halo give me a double chin? And does it electroclash with the rubber tubing? The jaw-dropping live act whips out a dour, synthpop Entertainment, as well as a new stage show. Fri/22, 9 p.m., $29.50. Fillmore, 1805 Geary, SF. (415) (415) 421-8497.
TV on the Radio and Dirty Projectors
The praise-rattled TVs were peppy as all get out at Treasure Island fest last year - and here they come again with the better-than-ever Dirty Projs, which blew everyone away at SXSW this spring. Fri/22, 8 p.m., $30. Fox Theatre, 1807 Telegraph, Oakl. (415) 421-8497.
How now Chow Nasty? The local combo not on for Bay to Breakers
By Kimberly Chun
There are a few things you can count on in Ez Eff: the big tree goes up in Union Square every Xmas, summer will be freakin' freezing west of the Park Presidio fog line, and Chow Nasty will bring the boogie to the wackies walking, running, and huffing in Bay to Breakers each year.
So what happened? First word had it the band was rocking it up as usual at the corner of Hayes and Webster on Sunday, May 17. Then today, according to the shopkeep at the corner market, the group will not be making its date out front, validating all the zany goings-on in that fine every-day-is-a-par-tay SF tradition. Explanation, guys? And band dormancy is no excuse when it comes to those lil' reminders of only-in-the-citay goofery.
Everybody panic. Don't worry, electronic-symphonica mastermind Mason Bates, who I rave about in this week's issue, isn't gonna freak peeps out. But seriously, do not miss the premier of his orchestral suite for full orchestra and laptop, The B-Sides, which he'll be performing for three nights with the ever-game SF Symphony, Wed/20, Fri/22, Sat/23. After Friday night's performance (free with ticket!) you'll get ushered into a really cool secret space by Davies Symphony Hall for an afterparty, featuring Mason's Mercury Soul project, which kicks ambient-like trip-hop ass and will feature himself behind the decks, as well as some live, avant-garde surprises (and hottie conductor Benjamin Shwartz, *swoon*). If you haven't been to the symphony, or if you're in the mood for something spectacular oracular, this is the time to go.
Here's two views of Mason, aka DJ Masonic, at Carnegie Hall with the YouTube Symphony Orchestra in April, debuting the "Wharehouse Medicine" portion of The B-Sides.
The balcony view, complete with trippy visuals:
and here's from right down in the fray (I'm dying to know what the tiny grand piano behind his is for! Hello, Carl Stalling?) Note the dramatic use of drum pad:
I would be totally, regrettably remiss if I didn't also pump Bates' co-performer on the program, the heartbreakingly talented and just all around fierce Yuja Wang, who'll be performing Prokofiev's Piano Concerto #2, which at around the seven-minute-mark will honestly start to kill you with beauty. Girl's got skills.
Here's her performing at Carnegie Hall. Um, hi hotness.
Also featured: the majestically haunting, almost-4AD-foretelling Fourth Symphony by Sibelius, who's all the rage among young turk composers these days.
Mason Bates, Yuja Wang, and the SF Symphony
Wed/20, Fri/22, Sat/23
8 p.m., $35–$130
Davies Symphony Hall
201 Van Ness
(415) 552-8000 www.sfsymphony.org
Sonic Reducer Overage: Dead Meadow, Steve Earle, Fracas, Loney Dear, and more
By Kimberly Chun
Could it be any prettier, any more delicately dewy, any more enticing, out there in this stone-beauty by the Bay? And when the sun goes down, you must go out to play - or watch others play. More worth-while sights, sighs, and sounds for you, more than could fit in print.
Steve Earle
Far from Nashville and an outlaw and songwriter-activist born a little too late, Steve Earle is rattling the chains of his past and looking back on the music of his late brilliant and damaged mentor Townes Van Zandt with the new Townes (New West). Thurs/14, 6 p.m., free. Amoeba Music, 1855 Haight, SF. (415) 831-1200.
Loney Dear
Dudes, make up your mind - comma or no comma? Ah, hell, none of it matters when the Loneys wash those sad-and-lonelies away with their sweet indie-rock melodicism. With Headlights and Audio Out Send. Fri/15, 10 p.m., $10. Bottom of the Hill, 1233 17th St., SF. (415) 621-4455.
Live Shots: Boy in Static celebrates sweet suspicion
Text and photos by Ariel Soto. Read Marke B.'s take on Boy in Static's single "Young San Francisco" here
Alexander Chen
Newish to the San Francisco music scene, Boy in Static already has a fledgling following. Only one of the duo could make it, but Bottom of the Hill on Wednesday, May 6, Alexander Chen used everything from a violin, ankle bells and a toy piano to play pieces that expressed both joy and melancholy.
Super Ego: Mophono, wet jocks, tiny spoons, lazers
By Marke B.
Some smooth and mellow Mophono pho' ya
Oh, the transient grunts and groans of the dance floor: Just got word yesterday that the eagerly awaited appearance of disco progenitor Nicky Siano at Paradise Lounge has been cancelled -- my deep throat tells me there were sound and venue concerns (although I love the 'Dise!). In any case, there's plenty of other things to hold your ear-nterest and get you bangin' this weekend. Besides my rundown in this week's Super Ego column, below are some more earth shakers and affairs.
-----------
He loves me, he loves me not
Wanna spoon?
I had absolutely no idea that those little plastics coffee spoons from McDonald's were banned because of illicit uses (or perceived one, anyway.) You'd think after all this time, plastic + noses = OK. But no. In any case, snort in luxurious style with the unveiling of a perfect publicity stunt: renowned hip mens' clothiers and artists Ju$t Another Rich Kid, Nice Collective, Terence Koh, and more have designed cute, exclusive, and most likely expensive little Bolivian helpers (watch that terrorism funding!). They'll be giving the dish at Harput's from 6pm-9pm tonight (expect beautiful people), and then there'll be a kiki afterparty at Triple Crown. Don't try to force your way into the stalls. It's all called "He loves me, he loves me not" which brings to mind a kinky game somehow.
Local future blap fave raves Lazer Sword are back from their whirlwind Euro tour with an uptempo live set to get you moving, supported by Bay man of intrinsic deep dance knowledge, Mophono at, yes, the Paradise. Put 'em up and get down, child -- and let's see if those speakers still work.
Why, yes, I DO host a wet jock strap contest. Come down to Bus Station John's retro bathhouse disco monthly, The Rod, at Deco this Friday around midnight and see me and Hunky Beau scare up a willing and wet bevy of gorgeous, unclad alternaqueer boys -- and see who'll win $100. (No muscle queens need apply, thanks.) Then stay and dance until 3am to the best disco you've only ever heard sampled in other songs before. It's fun and a little scary: frisson alert!
Fri/8, 10pm-3am, $7. Deco, 510 Larkin, SF. www.decosf.com
Sonic Reducer Overage: the Dead, Alela Diane, Myka 9, Destroyer, Ponytail, Brilliant Colors, and more
By Kimberly Chun
Rain-day women, overcast men - it's drizzling all over SF, but the music keeps coming. Here are more worthy shows than we could drip into print.
Brilliant Colors
The SF trio surfs the latest wave of girlish lo-fi pop with sweet, primal punchiness. With Abe Vigoda, High Castle, and No Babies. Wed/6. 8 p.m., $7. 21 Grand, 416 25th St., Oakl. www.21grand.org
Myka 9
Everyone seems to be borrowing from the rapid-fire Freestyle Fellowship fella, who has lent a hand to performers like Busdriver and Prefuse 73. Thurs/7, 9 p.m., $15. Independent, 628 Divisadero, S.F. (415) 771-1422.
Whole lotta Loquat: the SF indie rockers kick off their du Nord residency Thursday
By Kimberly Chun
Talk about an unrelenting burst of creativity: San Francisco indie rock band Loquat will be going for broke with its May residency at Cafe du Nord. Vocalist-guitarist Kylee Swenson told me the group is attempting to make each show special, with visuals arranged by the mysterious Kernel Panic, special guests like Raul Sanchez of Penny Arcade, and special DJs like Ted of BAGel Radio. “I just hope it works!” she said by phone. “It could be a total disaster!” As we spoke, Loquat was still tweaking the blend of performers and stage sets.
The group hasn't been slacking on working on music, either: it has 20 songs written for its next full-length - though don't expect Loquat to share its latest tunes yet. "We’re still in the incubator stage," Swenson explained.
Alive and kickin': Tango No. 9 revels in wild exploration
By Dina Maccabee
Entertain whatever stereotypes you will about tango as a relic of an openly macho era: tango in San Francisco is alive. Okay, and kicking.
You might envision a wacky, tacky ballroom competition — but not so rapido says Tango No. 9's founder and violinist Catharine Clune, whose explorations over the last decade have unearthed what she calls "the many faces of tango." With trombonist Greg Stephens, pianist Joshua Raoul Brody, accordionist Isabel Douglass, and newest member Zoltan Lundy singing the Argentine blues, Tango No. 9 revels in tango's many approaches to music, to dancing, and to life. And it's not alone. "There's an underground squadron of tango dancers, ranging from their 20s to their 60s," Clune says. "You can dance tango every night in the Bay Area. It's in these crazy little back rooms you didn't know existed, and that's where we've practiced our chops." As social dancing, which she notes hasn't been a mainstream American cultural movement since the '50s, tango is "something people seem to want."
Professional dancers will be on hand at Noe Valley Ministry to perform the sultry moves, but if you only ogle los bailarines, you'll miss half the fun, or half the pain. "If you can lose anything, from a horse race to a heart, they talk about it," Clune says of the moving and theatrical side of tango's songs — for listening, not just getting down at the local milonga. In a set that traverses the genre, from its roots to the obscure late works of Astor Piazzola, the group performs the first "sentimental" tango, Carlos Gardel's inspirational rendition of Pascual Contursi and Samuel Castriota's "Mi Noche Triste," which set fire to an international phenomenon mourning lost love and tragedy. Like, Lundy says, "being left by a woman who was also your prostitute."
TANGO NO. 9 Sat/2, 8:15 p.m., $16-$18. Noe Valley Ministry, 1021 Sanchez, SF. (415) 282-2317. www.tangonumber9.com
"Fuck macarena, we sun dance on that ass." Absolutely digging the breezy flow, witty U-turns, and stellar executive production by Big Dan on the Oakland rap quartet's new release (pronounced "brown buffalo" if you didn't know). The Jay-Z-like undertow brings some lush instrumentation and vibrant, retro-feel samplescapes into the mix, but these Latin lowdowners aren't afraid to screw around with some electro-wacky nintendo samples ("Big Sir") and even some Swisher-tips to hyphy. Best of all, though they ride hard on Chicano culture props and a dash of welcome positivity and humor, the exhilaratingly versatile skills of Giant, Jacinto, Somos One, and Big Dan launch this one out of the identity-rap rut into the "that shit's smokin'" stratosphere. The disc is plainly a labor of love; live they should be something else. The new album officially drops on 5/5 (Cinco de Mayo, natch) -- details about this weekend's big release party below.
BRWN BFLO, "The Reappearance" sampler
BRWN BFLO
Album release party
Sat/2, 9pm, $8/$13
The Uptown
1928 Telegraph Ave www.uptownnightclub.com
Sonic Reducer Overage: Paris, Total Trash Weekend, Garrett Pierce, and more
Babes in Ty land: Ty Segall messes with ya as part of Total Trash Weekend.
By Kimberly Chun
Bay rap vets and raucous rock sprats - it all goes splat this week. I'm guessing you'll find plenty of trouble to get into - and musical artistry to appreciate - when you're not busy downing scrump-dilly-icious (and cheap!) pastor tacos at the Gallo Giro taco truck at 23rd and Treat.
Goapele
Oakland's own draws the curtain on new music: check her site for the spanking, sinuous "Milk + Honey." With Cody Chestnutt. Fri/1, 9 p.m., $27. Independent, 628 Divisadero, SF. (415) 771-1422.
Zion-I
This is the weekend Bay hip-hop stages The TakeOver. The local twosome takes it to another level in honor of its new long-player. With Kev Choice Ensemble and Trackademicks and the Honor Roll. Fri/1, 9 p.m., $19-$23. Slim's, 333 11th St., SF. (415) 522-0333.
One of my favorite clubs, Afrolicious, the afro-beat/Nuyorican/Brazilian/funk/disco/global weekly hosted by cute (very cute) brothers Senor Oz and Pleasuremaker, is celebrating two years of sterling service to the eager dance floor community with a double-header this week featuring NYC's Nickodemus and Nappy G. of the legendary decade-old Turntables on the Hudson party -- a formidable happening that every year I cry my eyes out for not being able to make. My East Coast friends then laugh in my face. Well, ha ha to them, I've got Afrolicious every week, now with Nick and Napp.
Nickodemus, "Give the Drummer Some"
As per usual, there'll be smoking live percussion (man, I love me some bongos on the dance floor -- old EndUp RIP) and a room packed with beautiful -- but not that icky kind of beautiful -- people not afraid to get sweaty and down. (Check out the tunes and vids here if you want a taste.)
Won't you join me, shantytown butterfly?
AFROLICIOUS TWO YEAR ANNIVERSARY
Thu/30: DJ Nickodemus and Smash, live drums by Nappy G
Fri/1: Pleasuremaker Live Band, DJs Nickodemus, Chris Nicholson, and Nappy G.
9pm, $7/$10
Elbo Room
647 Valencia, SF. www.elbo.com
In the era of Slow Food in the City of Fog, I wonder why more people don't slow down for a second and get out to taste some local music. Think about the last time you were willing to fork over more than a fiver for some local talent. Seriously. San Franciscans sometimes seem fonder and more aware of what the Bay Area attracts than of what it produces. Jimmy Sweetwater is out to change that. Sweetwater is the rare breed of promoter who is also a musician — he plays a mean harmonica and a dirty washboard. He has been giving his all to keep his series of local music going in a town drawn to touring bands. Sweetwater, a historian of Mission District music from the past 20 years, has put on five shows at the Great American Music Hall, four at Slim's, and one at Cafe du Nord. According to Sweetwater, club staff has largely been supportive, but it's a struggle to fill venues in these times of financial woe. "There's a ton of local talent that never gets to play the big clubs," he says, noting that he tries "to combine different kinds of music in one night." All-local nights and combinations of different genres — these aren't traditional strategies, but the Bay Area is the perfect place to unleash them.
This weekend sees a diverse Jimmy Sweetwater Presents lineup at the Red Devil Lounge, including the high-speed-Calexico-like Diego's Umbrella, honkeytonkers 77 El Deora, the East Bay's Ben Benkert, and the Mission Three, a group including Sweetwater that will play a number of tunes by the Band, even one of my favorite (and rarer) Band joints, "Acadian Driftwood." Sweetwater always seems to be doing a thousand things at once. It's all for the love of song in this songlike town.
JIMMY SWEETWATER PRESENTS: DIEGO'S UMBRELLA, BEN BENKERT, 77 EL DEORA, AND THE MISSION THREE Sat/25, 9 p.m., $10. Red Devil Lounge, 1695 Polk, SF. (415) 921-1695. www.myspace.com/jimmysweetwater
The Bay's Grass Widow sounds out mesmerizing shapes
By Michael Harkin
Grass Widow's harmonious post-punk tension is fostered below SF street level, in a former meat locker containing, among other things, a very charming quilt with the band's name patched into it. In anticipation of an impending record release -- the band plays Thursday at ATA -- I met there with bass player Hannah Lew and drummer Lillian Maring (guitarist and trumpet player Raven Mahon was overseas), who, although living far apart — Maring is on the East Coast at present — were clearly very happy to be together.
"It's not like there are any dispensable characters," explains Lew. After the dissolution of Shitstorm, Lew's former band with Mahon, the two started playing together in 2007 with Maring, who was in the city for the summer from Washington state. Though Maring went back up north for a bit, she says she quickly returned and the trio "got really serious" — serious enough to tour the U.S. the following summer after cranking out a wonderful demo CD-R/ cassette that makes up most of their upcoming self-titled 12-inch on the local Make a Mess label.
Sonic Reducer Overage: Vivian Girls, Ghost, Spinal Tap, How to Destroy the Universe, and more
Take the wheel: Vivian Girls' "Tell the World."
How to destroy a weekend - or, for that matter, a weeknight? Sticky, sweaty, and sill up for fun - SF knows how it's done. Telling ya, there's so much more to see and hear than we could fit into print.
Dry Spells
Folk rock gets another angelic kick upstairs when the Bay Area band gets onstage. With Pillow Queens and Vultures. Wed/22, 9 p.m., $6. Hemlock Tavern, 1131 Polk, SF. (415) 923-0923.
The Pets
The Oaktown garage-rock threesome preps for its European journey. With International Espionage and Master Volume. Wed/22, 9 p.m., $5. Kimo's, 1351 Polk, SF. (415) 885-4535.
Two recent releases, both based on the Bay by Bay favorites. The first, "Young San Francisco" by SF's Boy in Static, aka Alexander Chen and Kenji Ross, from their new album, Candy Cigarette (Fake Four Inc & Circle Into Square) is way too cute -- check out their new "East Bay to Back Bay" XLR8R podcast mix for a great listen to some more new, slightly twee West Coast indie pop (loving "To the Sea" by Portland's Mint Julep).
Boy in Static, "Young San Francisco"
The second recent track focusing on the Bay is by SF hip-hop stalwart Kero One, "Welcome to the Bay," off his sophomore disc, Early Believers (Plug Label). I really wanted to like this one more -- I've been a fan for a while, and Kero's def got the chops, working with everyone from Talib Kweli to Mark Farina -- but it seemed a tad too polished for me, despite the nice groove. Still, it's a breezy listen for a steamy day. From what I've heard of Early Believers it'll be a perfect summer BBQ collection.
Kero One, "Welcome to the Bay"
Something both of these songs have in common is a young Asian American perspective on the homebase. Kero's is especially poignant, talking about why his parents came here at a time when "words like 'chink' were teachable." Really feeling the latitude of historical perceptions coming forth in two distinct tunes.
Sonic Reducer Overage: Silversun Pickups, Bloc Party, Atmosphere, Kylesa, free shows, and so much more
Manic panic: Silversun Pickups' "Panic Switch."
Lucky you, you aren't broiling in the desert at Coachella - you're keeping your cool in SF, and boy, you've got a lot to keep your bad self outta trouble. So partake in the Coachella spillover - and then some...
Intelligence
"Icky Baby" is in the eye of the beholder - and the mind of the Intelligence, those hard-driving, gristly lo-fi smarty-pants. With Thee Oh Sees and Ty Segall. Fri/17, 9 p.m., $8. Annie's Social Club, 917 Folsom, SF. (415) 974-1585.
Loop!Station
Loops, vocals, and cello are Robin Coomer's and Sam Bass' tools, arriving now with a new CD.
Fri/17, 8 and 10 p.m., $10. Yoshi's, 1330 Fillmore, SF. (415) 655-5600.
Sonic Reducer Overage: Brit, Devendra, Japanther, Fleet Foxes, and more
Brooklyn cheer: Japanther's "Challenge."
"Rising above the smoke and debris" - yes, we can. More to do, see, and hear...
Undebateable: Eef Barzelay's "I Love the Unknown."
Clem Snide Hungry Bird (429), the latest release by the Boston-born band, almost succeeded in killing Clem Snide. Yet Eef Barzelay carries forth - sweet Snide 'tude in hand - alongside Brendan Fitzpatrick and Ben Martin. With the Heligoats and Pepi Ginsberg. Wed/8, 9 p.m., $10-$12. Bottom of the Hill, 1233 17th St., SF. (415) 621-4455.
Love X Nowhere
Immaculate shoegaze and anthemic pop stream from the SF fivesome's new self-released High Score Blackout. With Headlights and the Love Language. Thurs/9, 9 p.m., $10. Bottom of the Hill, 1233 17th St., SF. (415) 621-4455.
Sonic Reducer Overage: Snoop Dogg, Eugene Mirman, Jeremy Jay, Skin Horse, and so much more
San Francisco just can't, just won't stop. More musical - and comedic - worthies than one can jam into print.
The Get Up Kids
These lesser-known monsters of emo, progenitors of punk-pop, are back. With Approach. Thurs/2, 8 p.m., $26-$29. Great American Music Hall, 859 O’Farrell, SF. (415) 885-0750.
Fuzz is the new black — at least according to the gospel preached by Thee Oh Sees and Eat Skull. The two West Coast combos will take the beer- and noise-soaked pulpit at the Eagle Tavern to bang out hazy sermons of garage wit and wisdom.
With Grant Hart and the Fresh and Onlys. Thurs/26, 9 p.m., $5. Eagle Tavern, 398 12th St., SF. (415) 626-0880. www.sfeagle.com
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DARK DARK DARK
Dark Dark Dark released its debut album in 2008 on Rhode Island's Supply and Demand label. The group's folky, rootsy instrumentation and female-to-male vocal tradeoffs take over the Caretaker's House.
Imagine you're in high school: Trans Am are the electronics nerds who jam to Rush, Anthony Petrovic of Ezee Tiger is the misunderstood indie guy who is into the Flaming Lips and Lightning Bolt while you're still spinning Sublime, and Futur Skullz are the long-hairs who know metal is cool five years before you will — and who just got busted for stealing Dad's whiskey.
Sun/29, 9 p.m., $14. Bottom of the Hill, 1233 17th St., SF. (415) 621-4455. www.bottomofthehill.com
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Taken from SCENE: The Guardian Guide to Nightlife and Glamour -- on stands in the Guardian now. Interview by Marke B. Photo by Pat Mazzera. Art Direction by Mirissa Neff. Mens room courtesy of Matador.
Ultraviolet, Kozee, Roommate, Rob Cannon, and Blackheart
To say that the woofer-rumbling, ragga-ripping dubstep sound has exploded on the club scene in the past few years is an understatement almost as low as the genre's freakiest frequencies. Dubstep seems perfect for our hyper-multicultural, urban-nomadic age, blending street rhythms with the most intricate laptop sonic technology available. It's especially perfect for the Bay, with its shimmering blend of moody menace and artistic bombast, and has duly been embraced by a number of DJs here, many with roots that stretch back to the early days of 2-step, drum 'n bass, and even rave.
DJ Ultraviolet (pictured in red, at left), heads up the fab two-year-old RedLine dubstep collective, and has been bringing her immaculate technique and overflowing energy to the decks in San Francisco since 1997. She was a seminal player in the drum 'n bass and breakbeat scene, as part of the Sleeveless collective with the Femmes Fatales, and was associated with the legendarily raucous Sister DJ crew. As a true vinyl fetishist, she was being booked at the tender age of 19 to play jungle at underground '90s raves and played a part in the Future Breaks FM (miss you!) juggernaut of the early aughts.
Now, along with the wonderfully gifted DJ Kozee, her "second in command," Ultraviolet reps the burgeoning female dubstep explosion, producing tracks and bringing a touch of grimy glamour to the scene with the MakeOut Sessions, RedLine's regular blowout at Matador. The upcoming installment of MakeOut features Matty G of Santa Cruz (www.myspace.com/mattygbeatz) pumping tracks from his new album, Take You Back.
ULTRAVIOLET Kozee and I, who do a lot of the event planning and are working on a big project together; Babylon System (www.myspace.com/thebabylonsystem), a.k.a Roomate and No Thing, is one of the top production crews in dubstep, currently on tour in Europe; the three DJs of Blackheart (www.myspace.com/lordsofblackheart) from Oakland are our newest addition; DJ Rob Cannon (www.myspace.com/djrobcannon), our youngest member; our L.A. residents Emu and Pawn, who are also a part of the SMOG crew down there, and on our business end, Cyn, Bruxxy, and Dymphna.
SFBG Do you think the dubstep sound is reaching a critical mass? Is the scene in danger of getting stale?
Taken from SCENE: The Guardian Guide to Nightlife and Glamour -- on stands in the Guardian now. Interview by Marke B. Photo by Matthew Reamer. Art Direction by Mirissa Neff. Crotch-buffing by Kalri$$ian. Location: Shattuck Downlow
In these trying economic times, does the Bay really need a motor-mouthed, drug-snorting, pussy-obsessed playboy hip-hop collective — one that shouts out Eric Estrada, acid house, and Optimus Prime while bragging about using paper bags for condoms and instructing someone to "juggle balls in your mouth like a circus act"? Well, yes, actually. Hilariously quick-witted San Francisco-based beastly boys Kalri$$ian certainly bring the sparkling regression to match the recession — by channeling naughty spirits from rap's past like Kool Keith, Shock G, and Prince Paul, and literally melting themselves to audio gaga as they "lick Cool Whip off your flatmate." The bouncy braggadocio of Kalri$$ian's new album, Tales from the Velvet Pocket (Psychokinetics) and over-the-top flashback image somehow seem perfectly refreshing right now.
Experienced Bay nightlifers will recognize some long-time scenesters among the Kal's colorful cast. No need to fret over missing all the in-jokes, though — Kalri$$ian's got a million of 'em, and most involve doing lines off your girlfriends' ass. Check them out live at the release party for Daly City cool kid Mochipet's new Bunnies & Muffins platter:
SFBG You sure got a lot of people — it's like you're a super group or something. Tell me about who's all involved ...
"UNCLE" TONY HIGHRISE (producer) You're goddamn right this group is super! I'll tell you what — I wouldn't have left Miami unless it was for something really, really super. I came up on the scene in Delaware back in the day. I was a freelance hype man for a while with my cousin Wicked Awesome J, rest his soul. After the accident, I drifted south and started wearing polyester. It just seemed like the thing to do. Polyester was tough in Miami — it's not that breathable, you know. But I was committed.
KEYLO VENEZUELA (producer) We ARE super group. We make fantastic sound music and tell our stories to everybody. The music is the passion that covers the world.
SMOOTH RICK CHOSEN (vocalist) I'm an ex-Barbazon School of Modeling student who got hooked on pills and realized he had a gift, in his pants.
SXSW: Petering out with PJ Harvey, AIDS Wolf, Moriarty, Sons of Albion, and more
By the light of the moon: PJ Harvey and John Parrish at Stubb's.
South by Southwest peters out with... Peter, Bjorn and John. Actually, not really - I dig those Scandinavian whistle-bait popsters and they were playing multiple shows - but there were other less familiar artists and rare diversions to seek out on Saturday, March 21, in Austin, Texas.
The sweet 'n' sunny Saturday morn started with slowly with some quality, low-price thrifting at Texas Thrift Store (Joanna Newsom and folk-psych gals would have appreciated the dusty rose, homemade patchwork vest and nautilus-shell purse) and a visit to western wear superstore Shepler's, both off I-35. Then off to the Convention Center - which, by the end of the week during each SXSW, starts to seem a little like home (that is, if home was strewn with fat bundles of The Austin Chronicle and free bottles of Fuze green tea). There, Neil Young's famed manager Elliott Roberts and his documentarian Larry Johnson talked up Young's forthcoming series of box sets, starting with Neil Young Archives Volume 1 (1963-1972), on BluRay, DVD, and CD. Pretty amazing stuff - the BluRay edition will offer interactive components that will allow Young and company to offer up new photos, music, and film when they become available (one example, Robert said, are the Mynah Birds recordings made by Young and Rick James, which aren't the now-locked box set - they just managed to license the tracks from Motown so when they're available the BluRay owners will be notified and can likely download them directly).
More Mochi: 215 the Freshest Kids hurl some words at Daly City Records' Pre-SXSW/St. Patrick's Day Party at Beso Cantina March 17. All photos by Kimberly Chun.
Or is a whimper more accurate. Yes, the signs are in the air and in the program, as we scan the pages of the official guide and the unofficial day party lists. Welcome to South by Southwest on the downlow, rocked by the turbulent winds blowing off a global economic meltdown.
The big conference keynote names like Pete Townshend, Neil Young, Robert Plant, and Lou Reed? This year we get the uber-talented and esteemed but nonetheless much less sexy - sorry, Quince - Quincy Jones. Instead of the Stooges and Morrissey, we will have onstage interviews with Carlene Carter and the Hold Steady. The corporate banners are still here, but with a not-quite-as-splashy, diminished presence - just where is that MySpace South By Party Bus? The major labels and glossy publications are quieter than usual - whither the Vice party? Is there a Vice party?
Instead Rachael Ray - wholesome indie rock fan incarnate - is serving up the New York Dolls and the aforementioned Hold Steady at her showcase. Hey, after all, we're all eating in these days - we can use some new recipes. This is SXSW on the cheap, forced onto a low-budg diet by a still-suffering music biz. Yes, music continues unabated, but can its makers afford to make it out here this year? The underground bashes around SXSW appear to slowing down or maybe they just aren't on the public radar - in any case I still want to make Todd P's Ms. Bea free all-ages shows and the French Legation outdoor bills - now Arthur-free (R.I.P.). We'll see if there's anything as fun as Dan Deacon and Fucked Up's guerrilla throwdowns shaking up the university campus and the bridge, after hours.
Sonic Reducer Overage: Farflung, MSTRKRFT, Eleni Mandell, the Homosexuals, and mo'
Men at work: MSTRKRFT's "Work on You."
Yes, San Francisco, you're unstoppable. As usual, the city by the Bay bays - nay - howls at the moon. More worthy sounds that didn't make it to print.
Judgement Day
The Bay Area band is using the tools of Bach and Beethoven for... devil horn-throwin' eve-ill! Wed/18, 8 p.m., $10. Cafe du Nord, 2170 Market, SF. (415) 861-5016.
Eleni Mandell and Victor Krummenacher
The LA singer-songwriter strikes an arch, jazzy note with her praised **Artificial Fire** (Zedtone) and the ex-**Guardian** art director digs deep with **Patriarch’s Blues** (MagneticMotorworks, 2008). Thurs/19, 8 p.m., $12-$15. Cafe du Nord, 2170 Market, SF. (415) 861-5016.
Besides following your priorities and getting green drunk (even ecologically drunk) tomorrow night, here's six four-star musical events totally worth tottering off your pub stool toward. But don't mistake that leprechaun for your designated driver! Call a cab, Molly O'Shaumessy!
St. Patty's Day Punk Bash
With La Plebe, Ribzy, Get Dead, Abrupt, Dope Charge, and Excuse the Blood.
Tue/17, 6pm, $8
Elbo Room
647 Valencia, SF
(415) 552-7788 www.elbo.com
A Very Special St. Patrick's Day 45 Club
The funky side of soul on 45 rpm with dX the Funky Grandpaw, Dirty Dishes, and English Steve.
Tue/17, 9pm, $2.
Knockout
3223 Mission, SF
(415) 550-6994 www.theknockoutsf.com
Farley's Coffee 20th Anniversary and St. Patrick's Day Celebration
Bagpipes and Irish music from 9am-noon; 8pm music and dancing, with a performance from local faves Soul Delights.
Tue/17, 9am-10pm, free
Farley's coffeehouse
1315 18th St, SF
(415) 648-1545 www.farleyscoffee.com
Food Stamp Tuesdays
This new monthly (second Tuesdays) kicks off with a cheap drink Patty's Day special at the usually pretty pricey Vessel. With disco soul glammers from DJs Miss Juanita More, Initials P.B. and Pete Notori
Tue/17, 5pm-midnight, free
Vessel
85 Campton Place, SF
(415) 433-8585 www.vesselsf.com
Get Wild St. Patty's
New crazy-boots band The Primitivas, featuring members of the La-Teenos and the Guardian's own Dulcinea Gonzalez will funk up Aunt Charlies, with DJ Alexis and hostesses Hunx and Liza Thorn.
Tue/17, 10pm, cheap
Aunt Charlie's Lounge
133 Turk, SF www.auntcharlieslounge.com
Feel spiffy: the country slicks of Fancy Dan Band apply tongue to cheek
FANCY DAN BAND
Born Fancy
(self-released)
By Andre Torrez
"I bet you clean up real nice, fancy as can be, but I'm sorry to say, you'll never be as fancy as me." Ouch! Mr. Fancy Pants. With such confident lyrics set to a boom-chic-a-boom rockabilly beat, the Fancy Dan Band's debut, Born Fancy, is a winner. Frontman Fancy Dan is a Midwest-meets-West transplant, and his Bay Area band plays with enough barn-burning energy to make grandpa wanna hoe-down. No, really. The lyric is a throwback to the style of country pioneer Hank Williams, with the musicianship of Junior Brown and the flavor of Chuck Berry.
After realizing his dream was to be a country-folk vocalist, Dan decided to pack his bags and head out to the coast. Along the way, he made this album - the fruit of a three-day whirlwind Nashville pilgrimage last summer, boasting first-rate musicians on drums, upright bass, and electric guitar.
Sounds pretty traditional, I know, but in the realm of country, stars often take themselves far too seriously. It’s refreshing to hear these guys employ a bit of playfulness and what I hope is a pseudo-cockiness. For instance, the song “Wake Up Fancy” hinges on a wonderfully silly, self-referential double entendre concerning Dan's greatness. I imagine him pulling away the sheets in the morning, already wearing a pristine pressed white suit and cocking his feathered hat just so in the mirror. Much like the picture on the album cover. Fancy.
FANCY DAN BAND
March 21, call for time and price.
Café International
508 Haight, SF
(415) 552-7390
Let 'em roam: SF singer-songwriters Anna Laube and Davis Jones raise their voices at Hotel Utah
Island girl: Anna Laube singing “Kihei Blues.”
By Todd Lavoie
The Hotel Utah Saloon promises a lovely showcase for Bay Area voices Thursday, March 12: four local singer-songwriters will hit the stage, all of whom are deserving of serious attention. Berkeley vocalist Courtney Nicole and 515-representing folkie Rebecca Cross will bring their savvy strumming and thoughtful lyricism to the evening's proceedings. Joining the roster will be two other songwriters who call San Francisco home: Anna Laube and Davis Jones. Both have excellent new CDs out - be sure to visit the merch table between sets!
Laube describes herself as a bit of a roamer in her press materials, and that wandering spirit tends to flavor her just-released second album, Pool All the Love * Pool All the Knowledge (Gingko), a comfortingly rootsy collection of songs that evoke memories of road trips and visits to quieter, less bustling locales than her current place of residence.
For a minute there I became enraged at the thought I was missing out on the latest drink sensation. Everyone had these shiny cartons in their hands as my mind raced, fantasizing about all the possibilities. What could that be? Oddly, my head had me convinced it was some sort of coconut concoction. No, wait, what’s that trendy fruit right now? Acai berry! That had to be it.
After all, wine in a box had long since become passe. My jealousy abated only when I realized it was merely a carton of Plant it Water. Those things were everywhere. Still, the evening wasn’t about sponsorship. No, this festival was about the music. Now just a blur of a memory, bars, clubs, and venues alike opened their doors last week to welcome musicians (and music types who like to live vicariously through them) for Noise Pop’s 17th showcase in weirdo San Francisco and beyond. Here’s my personal account:
Sonic Reducer Overage: Ghostly, M. Ward, Har Mar Superstar, and so much more
Woof! Har Mar Superstar's "DUI."
You're stormy, San Francisco - yet you still partay like no other city. Here's even more worthy music - more than we could squeeze into print.
Har Mar Superstar
Sean Tillmann, Sean Na Na - hey whatever your name is: we know you got the stuff to write songs for the Cheetah Girls. With the New Trust and the Limousines. Wed/5, 8 p.m., $12. Rickshaw Stop, 155 Fell, SF. (415) 861-2011.
M. Ward
She and Him? No, him! The former South Bay teacher has made a pretty swell name for himself - though I'd love from him to break out of his Hold Time (Merge) shell.
Wed/5, 8 p.m., $29.50. Palace of Fine Arts, 3301 Lyon, SF. (415) 563-6504.
Color me evocative: Christopher Willits' "Colors Shifting."
Ghostly International Live
Michna, Tycho, Christopher Willits, and other phantoms party like it’s the label’s 10-year anniversary. With the Sight Below, Lusine, Kate Simko, Deru, and Eliot L. Fri/6, 10 p.m. doors, $15-$20. Mezzanine, 444 Jessie, SF. (415) 820-9669.
Noise Pop: Port O'Brien, Odawas, Afternoons find safe harbor at Cafe du Nord
Plucky: Port O'Brien at Cafe du Nord. All photos by Ariel Soto.
By Ariel Soto
Deep from within the depths of Cafe Du Nord came sounds of ships and seafarers, as Port O'Brien took the stage Friday, Feb. 27, for a concert that could have literally rocked a boat. They shared the stage with Afternoons, who got the whole house dancing, and Odawas, who told the audience "We may not be what you want... but we're what you need."
Noise Pop: Memory spied - Sholi's Paym Bavafa on Googoosh, recording, and more
Shining through: Sholi. Photo by Peter Ellenby.
More musings from a href="http://www.sholimusic.com/">Sholi's thoughtful vocalist-guitarist Payam Bavafa. For the first part of this interview, go here. Sholi performs Saturday, Feb. 28, at Bottom of the Hill, as part of Noise Pop '09.
SFBG: How did Sholi come together?
Payam Bavafa: We went into the studio with Greg Saunier in 2006. Then we took the record home and deconstructed the recordings and redid a lot of the recordings and recorded in a lot of different spots and apartments and various home setups. [Greg would] poke his head in every now and then to just give advice and help out on mixing. It was kind of a long labor of love.
Noise Pop: Giddy with Thao Nguyen at Swedish American Hall
Dippin' dots: Thao at Swedish American Hall. All photos by Ariel Soto.
By Ariel Soto
Her dress was pink with black polka dots, and she got it just for us. Thao Nguyen only had one dress, and she had already worn that one on the cover of the Guardian last week and figured we'd all remember it, so Nguyen went out and got a new dress for her sold-out show on Feb. 26 at the Swedish American Music Hall. We all screamed and hollered and clapped like ridiculous school children, giddy beyond control as our rock star sung song after song of irresistible, delicious hyper-goodness. We'll never forget that night and that perfect little dress.
You know that mindspace between the blissed-out haze of a daydream and the rush of reality’s iron grip - that sense of profound escapism that has its claws sunk deep into both truth and fantasy? Getting there takes just the right musical ingredients - and the sky-scraping psych-blues reveries of San Francisco’s Sleepy Sun were last night’s one-way ticket to that destination.
The sextet exploded like a supernova onstage at Bottom of the Hill Feb. 25, leaving no room for dissenters. Sleepy Sun wove the edges of darkness with revelatory rays of light by mixing brain-sizzling guitar solos and leaden grooves with fistfuls of soaring vocals like nouveaux flower children carrying the torch for their blissed-out hippie predecessors.
Lauren Dukoff has been photographing her friends since she was 13. It was simply serendipitous that they became famous. As a result, her photos have appeared on the cover of everything from Rolling Stone to the Guardian.
On Feb 20, at the Eleanor Harwood Gallery, Dukoff's intimate to obscene portrayals of Devendra Banhart, Matteah Baim, Joanna Newsom, Ramblin' Jack Elliot, and others went on display along with artwork by those featured in the photographs. The exhibit runs through March 7.
Noise Pop: Take two with Thao - the SF singer-songwriter on watermelons, crazy Eights, and the 'burbs
There’s a lot more to Thao Nguyen of Thao with the Get Down Stay Down than meets the eye: watermelons, missing cowboy boots, wash-and-fold duties, and missing mini-vans. Here’s more of a talk with her; for the rest of this interview, go here. Nguyen performs as part of Noise Pop ‘09 on Feb. 26.
SFBG: You just got back from Portland? How’s the recording of the new album going?
Thao Nguyen: It’s a pretty slow process. Everything has to be of a higher standard than you’re used to. With our producer, he’s really into details. It’s still Tucker [Martine, who recorded We Brave Bee Stings and All (Kill Rock Stars)]. He’s awesome. He has an incredible ear and has higher standards than I’m used to. He’s always asking me for more.
It takes a Foot Village - and the Drums and T.I.T.S. to make a glorious noise at Bottom of the Hill
By L.C. Mason
The drum gods were smiling down on Bottom of the Hill Feb. 18 as drum-centric bands Foot Village and the Drums pounded out thunderous reveries that undoubtedly had even the stars in the sky dancing to their rhythm.
Heating things up good and hot was psychedelic noise outfit T.I.T.S., an all-girl ensemble that definitely brought the ruckus down on an unsuspecting crowd. Their deafening, doom metal-tinged jams would have made Metal Machine Music-era Lou Reed proud and filled the space with minor key dirges and menacing, monotone lyrics about the void and phantom animals. Bassist Mary “Elizabreast” Yarbrough dazzled as she punched her guitar strings in an attempt to make the ceiling fall, while the rest of the girls, dressed in mismatched flower-print housewife garb, maintained professional poker faces as they laid down riffs so heavy you couldn’t get under them if you tried.
News from Recombinant Media Labs, over the transom yesterday:
"As some of you may or may not know, the Recombinant Media Labs facility located south of Market on Brannan Street in San Francisco closed its doors last spring. No formal announcements were made at that time due to legal complexities surrounding the closing. No further remarks will be made on this matter, but I think we can all agree that the RML Soma facility will be greatly missed. For those who are curious about what the future hold for Recombinant Media Labs please be on notice: RML is back in view.
"After Asphodel, Ltd. gave birth and support to the worldwide Recombinant Festivals of the '90s, and then to the artist residency lab from 2005 through 2007 the RML nomadic initiative re-emerged after traveling in '08 between Europe and North America, seeking new nodes of operation for performance, installation and exhibition. RML has moved on with fresh partnerships and independent alliances to resurface in a number of international configurations, which will be announced in the seasons to come.
That voice: Bay bluesman John Németh entreats 'Love Me Tonight'
JOHN NÉMETH
Love Me Tonight
(Blind Pig)
By Todd Lavoie
Given the frugality of the blues as an art form, it seems only fair that I introduce Bay Area harmonica-slinging bluesman John Németh without a single wasted word: the man can sing. Sure, he breathes plenty of soul and fire into that harp of his, but ultimately it's his voice which makes the most indelible impact - moving nimbly from growl to howl to full-bellied hoot 'n' holler, sometimes within the same bar, it's a tremendous instrument.
Even more impressive: the vocalist, only in his early 30s, delivers with a level of authority expected from someone much older. Considering that the blues places such a deep emphasis on breadth of life experience, Németh's ability to sound older than his actual age is a valuable asset. That being said, it's his extensive vocal range which gets noticed first; coming across as a young scrapper in one moment and a wizened front-stoop sage in the next, he certainly can surprise.
'Clear': Falling in with Juan Atkins, Dam Funk, and HOTTUB at Paradise Lounge
By Andre Torrez
I entered SoMa’s Paradise Lounge for the first time this past Valentine’s Day, startled by an unexpected fashion show - it was scheduled, I just didn’t know about it - oddly set to the music of the Jackson 5. And it wasn’t your typical “ABC," or “I Want You Back." No, that wouldn’t have fit the atmosphere at all. It was one of their less obvious '70s grooves, something a little grittier and less innocent, so props to the DJ who demonstrated the intuition to foreshadow an evening of freaks on the floor.
The brief parade of design provided a blur of a background as we settled into the club. With drinks in tow, my friends and I made our way upstairs to get a better view above the stage. Before we knew it, HOTTUB, Oakland’s answer to queercore, was shakin’ its shit all over the place. If memory serves me right, the group has referred to a few of its tracks as real “pussy bangers." Perhaps that’s a suggestion for what to do while listening to their music. I’m not really sure.
Hip-hop mixes it up: 'We All We Got' kicks off at Levende
New weekly hip-hop mixer? Sure, you got it; here's the word from the organizers:
"San Francisco - We All We Got, a new weekly mixer, hip-hop open mic, and live performance party in San Francisco is the place for Bay Area artists, musicians, producers, managers, designers, and creatives to connect. Hosted by Revolutionary Poet Sellassie, We All We Got is designed to expose interesting and determined talent, cultivate relationships, showcase independent hip-hop artists and keep the dance floor moving with KPFA's Hard Knock Radio DJ Mike Biggz. Bring your CD, get on the open mic, discover and listen to new artists, build allies, and connect. We All We Got is every Wednesday at Levende Lounge, San Francisco.
"Advocates of independent music, Inhouse Talent's Gina Gallo and Sellassie see the opportunity to contribute to the local arts community among ambitious, forthcoming artists and offer a platform to perform. Hip-hop artist Sellassie states, 'We are the future' and realizes the vast talent here in the Bay Area. 'Local promoters bring in all these other rappers from all over the country for shows and have stars right here in the Bay.'
"SAN FRANCISCO (February 18, 2009) -- The nation's oldest ongoing blues festival has announced that the 2009 show has been canceled due to lack of funding. After 36 continuous years of presenting the blues by the bay, the iconic blues festival will forgo its annual September presentation this year.
"'The combination of rising production costs and lack of sponsorship support leaves me no choice but to cancel this year's show,' said founder Tom Mazzolini, who has also been the show's sole producer since the first festival in 1973. 'I'm sad to say this, but we may well have seen the last San Francisco Blues Festival.'
Raising Lazarus, contemplating the SF band's dirty-faced realism
By Brandon Bussolini
To borrow from writer Jessica Hopper, the nature of the Internet is to refer. Before I encountered San Francisco's Lazarus as a Web entity, I'd seen them open for Beach House at the Swedish American Hall and had met the band's vocalist-personality, Trevor Montgomery, a couple of times.
He's super-tall, not a giant but approximately when dressed in a too-small trenchcoat buttoned up all the way to the top as he was when I first met him through my friend Yoni. A long face with attenuated features, he's like a half-remembered Æon Flux character. The music I later heard Lazarus perform - the band started as a collab with Marty Anderson, but the lineup live and in the studio now includes Sacto natives Kelly Nyland and Kathryn Sechrist - was harrowing and gooey. Spacemen 3 can make opiate addiction sound like a religious experience. Lazarus, on the other hand, makes music where using, being broken down and waiting for redemption isn't any more attractive or transcendent than, like, a John Ford rewrite of Waiting for Godot.
Pop rocks: Tainted Love at Bimbo's 365 Club. All photos by Ariel Soto.
By Ariel Soto
A spandex- and leg warmer-clad audience rocked out to Tainted Love's sold-out show at Bimbo's 365 Club Feb. 13. The '80s cover band, which also performed the following night on Feb. 14, did a run through of everything from "Rock the Casbah" to "Like a Virgin," while the enthusiastic crowd sang and jumped along to every tune. Vocalists Brett and Chad Roman added their own twist to each classic song while continuing to inject an '80s flair, and guitarist Franklin Vasquez put his heart and soul - and sweat - into every move he made. All and all, a perfect night of neon and pop jams.
Upbeat indie: Scissors for Lefty and Vox Jaguars prowl Bottom of the Hill
By L.C. Mason
I’m willing to bet that on a wall somewhere in this city of ours there’s a message emblazoned in loopy, florid handwriting purring, “For a good time, call Scissors for Lefty," because there is nothing about their exuberant, glammed-up indie sound that suggests otherwise. The San Franciscan group’s newest self-released EP, Consumption Junction (Pepper Street Music), evokes a night-is-young idealism that speaks to the party kid in all of us.
The tight set of athemic, body-moving tunes opens up with “Ornamental," a song sporting a giant, lung-busting chorus interspersed with ennui-tinged lead vocals by Bryan Garza and bullet-train drums. “Long Distant Love” sounds like the Cure drank a whole lotta Love Potion Number 9 and highlights a buoyant, Unicorns-esque keyboard melody that dips and bends to jaunty, optimistic lyrics about the pitfalls of loving someone a world away.
Not by the book: Born Against's Sam McPheeters and others at Adobe
I got the tip from Guardian contributor George Chen that he'll be appearing at an evening of readings and stand-up comedy by Sam McPheeters, George Chen, Deana Uribe at Adobe Book Shop on Feb. 20. Word on the performers:
"Sam McPheeters was born in Ohio in 1969 and raised in upstate New York. He is the former lead singer of Born Against and Wrangler Brutes, a founding member of Men's Recovery Project, and the owner of the now defunct Vermiform Records. He lives in California with his wife, Tara, and their 11 cats.
Wait a minute, it's February? Sheesh. In the spirit, perhaps, of our recently bipolar weather systems and my on-again off-again memory banks, I've been raving in my cubicle to two disparate tracks all week -- one a tingly, moody laptop dubstep (lapstep?) zonker by Mount Kimbie:
Mount Kimbie, "Maybes"
And the other some good ol-fashioned achingly lovely wronged-woman house by Teddy Douglas of the Basement Boys, with his frequent collaborator, the immaculately voiced Margaret Grace. I've never really been a fan of Teddy's basic-seeming beats, but this one really comes together around the three-minute mark, and grows and flows like a classic track by Quentin Harris (who actually cribbed quite a bit off the old Teddy, melody-wise):
Neither of which will probably be played at any of the choice upcoming parties below, but hey -- a miracle mashup in my wobbly head can be dreamed and deemed righteous, no? Check these out, and also more in my latest Super Ego clubs column. Do whatcha like!
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ROLLER DISCO PARTY
In absence of a nearby rink, rollerskating parties have found a new home in nightclubs and galleries. Just watch out for those warped floors! Do the bump, indeed. SF Indie Fest is throwing a Big Lebowski-themed shindig on wheels at CellSpace, with tunes by the Black Rock Roller Disco camp. Rentals provided - snowball and bromance optional. Fri/13, 9 p.m., $10, $5 with costume. CellSpace, 2050 Bryant, SF. www.cellspace.org
Newly emerged and ready to rip every show to shreds, the San Francisco-stationed Wild Thing are, as described by their MySpace page, “punk, punk, punk."
The group's rough-hewn repertoire and unsigned outsider status certainly fit the punk canon like a glove. Gritty guitars and beer-soaked group vocals are found all over tracks like “You’re a Punk” and “I Can’t Stand It." Disaffected lyrics and clanging cymbals that sound like Animal of the Muppets got himself a legitimate band, complete with humans, mean you can make Wild Thing your excuse for coming home with inexplicably ripped clothes, lost valuables, or a sore neck.
Having just returned from the Dummer Bummer fest in Portland, Ore., with Bay Area rock denizens Apache and Nobunny, the brazen quartet will get stomping this Sunday, Feb. 8, at Thee Parkside - which may be hell on you come Monday, but will be well worth once you watch this combo spread its wings.
WILD THING
With Annihilation Time, A.N.S., Sabertooth Zombie, and Futur Skullz
Sun/8, 6 p.m., $8 Thee Parkside
1600 17th St., SF
(415) 252-1330
Sonic Reducer Overage: Social Distortion, SF Bluegrass Festival, Eagles of Death Metal, Chinese NY dance party, and more
Wanna see my 'stache: Eagles of Death Metal's "Solid Gold."
Confucius may not have approved of 1015's big ole Chinese NY beat-down - but, hey, he never really knew how to par-tay. Here's more fun schtuff that shoulda, coulda, but didn't make it to print.
Delta Spirit
Northern soul and indie rock - just the combo for the San Diego unit. With Other Lives and Dawes. Wed/4, 8:30 p.m. doors, $12. Bottom of the Hill, 1233 17th St., SF. (415) 621-4455.
Origami Ghosts
Raul Sanchez hosts the contemplative Seattle indie-rockers at his monthly semi-acoustic Penny Arcade showcase. With Eyes, Il Gato, and Floating Robot Familiar. Wed/4, 8 p.m., $7. Make-Out Room, 3225 22nd St., SF. (415) 647-2888.
Peerless pop: Social Studies at Hemlock Tavern. All photos by Jen Snyder.
By Jen Snyder
I used to have this ridiculous tendency to annually denounce everything I was into and hurl myself into a new persona. This resulted in a confusing metamorphosis from punk to hippie to goth to indie rocker to grunge fan to glam kid. It was entirely exhausting - what with all the costume changes and makeovers to my album collection. It takes a bit of growing up - and a touch of laziness - to realize that it's really those standby good friends and classic tunes that really get your heart pumping. Like Social Studies.
On Saturday, Jan. 31, I found myself praising Social Studies once again for its commitment to just plain excellent pop music. During its set at the Hemlock Tavern, the outfit revitalized my love for its 2006 release, This Is the World's Biggest Hammer, drumming out the songs perfectly. The show included all your old favorites, including the epic "Sparrow," which twists and turns for minutes without losing any of its innovation and heat.
Folk-metal growls: SF's Slough Feg lays it out at the Eagle
By L.C. Mason
Coupling the two seemingly opposed sonic realms of folk and metal into one paganism-loving, mythology-obsessed subgenre, folk metal is a sphere of music that enjoys a healthy European following. Across the Atlantic in San Francisco, Slough Feg are fiercely holding down the fort.
Taking cues from genre pioneers Skyclad and fantasy metalists Iron Maiden, Slough Feg have been serving up face-melting solos, gut-churning bass lines, and otherworldly lyrics on the same plate since the '90s. Songs are woven like elaborate sagas, with vocalist Michael Scalzi growling operatically about war, immortality, the cruel hands of fate, and other ancient plagues on the human psyche, while “Don” Angelo Tringali propels them into epic territory with his blistering breakdowns. They lay it down at the Eagle Tavern Thursday with fellow city dwellers Orb of Confusion, but you better watch yourself; this brand of music makes starting a midweek drinking binge seem like a good idea.
SLOUGH FEG
With Orb of Confusion, Modig Wuht, and Cold Cutz
Thurs/5, 9 p.m., call for price Eagle Tavern
398 12th St., SF
(415) 626-0880
I just got word about another installment of the fantastic BiBi party, happening this Saturday night at Club Six. BiBi's the number one top happening for queer folks of SWANA (Southwest Asian–Northern African) descent -- ladies, the ladies who go are fucking gorgeous -- and their admirers. DJs Emancipacion, Josh Cheon of Honey Soundsystem, and Massood wil bring their exhilarating blend of traditional and contemporary Arab, Persian, Indian, and Latin hits, because basically if it's brown, they're down. Palestinian hip-hop duo NaR will be performing, as will fave-rave dancer Cherry Gallette. Part of the proceeds will benefit Middle-East Children's alliance.
Lucky for club kids like me (who also happens to be a big queer Arab!) the party will take place at the same time as dread bass monthly Surya Dub's huge 2-year anniversary bash that I wrote about in my last Super Ego clubs column, also at Club Six in the basement and main room for a separate fee. All-night belly dancing, Palestinian hip-hop, and bowel-shaking dubstep beats? I'm all over it.
Where to find our current garage-rock faves? Cover kids Nodzzz - see this week's story in the Guardian - will be playing a show with Lake and Little Wings March 11 at Hemlock Tavern, 1131 Polk, SF; (415) 923-0923. It starts at 9 p.m. and is $7.
Nodzzz will also be performing with Blank Dogs, Naked on the Vague, and Brilliant Colors March 29 at the Knockout, 3223 Mission, SF; (415) 550-6994. Call for the time and price.
Also worth a looky-loo, as pointed to here: Sic Alps, who play a warehouse show with Thee Oh Sees and Pins of Light. Artwork by Skott Cowgill will also be on display. It goes down Feb. 13 at OCD Warehouse, 758 Natoma, SF. Art and food happen at 8 p.m., bands begin at 9pm, and it costs all of $5.
News from Bay Area hip-hop duo Zion I's camp: Their new record, The Takeover, arrives Feb. 17, along with a show at 330 Ritch. Word has it that there will also be a Feb. 13 listening party at the pair's studio-office, the Zoo. Sounds like the group is reaching out and expanding - even during belt-tightening times.
ZION I
Feb. 17, 10 p.m., call for price
330 Ritch, SF
(415) 541-9574
www.330ritch.com
Both menacing and beautiful at the same time, the lush strings and the precision piano and harpischord on the Music Lovers' new album, Masculine Feminine (Le Grand Magistery), make to a sound that's rich and full enough to make Phil Spector cream his trousers.
The San Fran band definitely set a melodic mood on their latest release on the Detroit label. British-born Bay Area transplant Matthew Edwards’ haunting vocals evoke comparisons to early to mid-'70s-era Bowie with a hint of Morrissey. Musically the strings display a depth, darkness, and emotional power reminiscent of SoCal countercultural touchstone, Love. Lyrically, the songwriter and lead vocalist recalls past loved ones even giving a nod to the future with “A Girl from Space." The solidly arranged long-player doesn't disappoint.
“Normally known as the man who brings you the fabulous Hardly Strictly Bluegrass festival in Golden Gate Park each year, this weekend you will have the chance to see Warren Hellman in his other guise: that of humble banjo player. Warren will be sitting in with the inimitable Ron Thomason (leader and humorist of Dry Branch Fire Squad) and Heidi Clare (fiddler and clogger extraordinaire, formerly with old-time band Reeltime Travelers) at their show in Sausalito on Saturday, Jan. 31. A good time is guaranteed by all so get there early to get a seat!”
RON THOMASON, WARREN HELLMAN, AND HEIDI CLARE
Sat/31, 8 p.m., $15 donation
Sausalito Presbyterian Church
112 Bulkley, Sausalito
(415) 383-8716
Gotta love Hunx and His Punx (check Brandon Bussolini's interview with the multitalented Seth Bogart in this week's new garage rock issue). One of the primo reasons why? Well, in addition to the band's gritty pop-rocks, stage sets, and kitsch-Querelle sailor suits, there's the Justin Kelly-directed "Gimmie Gimmie Back Your Love," coming in the fine, camp-fired fun tradition of the Gravy Train!!!! vids.
See Hunx and His Punx at punk-rock central Gilman Street Project this week, in honor of Punk Rock Joel's birthday. Also promised: Thorns of Life, the latest project from Blake of Jawbreaker and Aaron Cometbus, as well as free birthday cookies! (Get onboard the Cookie Train!!!!?)
HUNX AND HIS PUNX
With Thorns of Life, ReVolts, Off with Their Heads, Comadre, and free birthday cookies for Punk Rock Joel
Sat/31, 7:30 p.m. doors, $8
924 Gilman Street Project, Berk.
(510) 525-9926
www.924gilman.org
Sonic Reducer Overage II: Edwardian Ball, Unagi, Dragging an Ox Through Water, and more
Motor-vated: Kinetic Steamworks at Coachella 2007.
Because once is never enough. More ear-teasers to tantalize...
Edwardian Ball
Break out the corsets and strap yourself in, girls. The ninth annual event - now three days strong - bids you to party like it's 1899, follow the green fairy, and partake in music, art, burlesque, circus acts, and all things Edwardian and Edward Gorey-esque. (OK, Gorey was born a bit too late, but you get the general drift of the proceedings.) With Rasputina, Abney Park, Kinetic Steamworks, Rosin Coven, Vau de Vire Society, Jill Tracy, Cirque Berzerk, Agent Ribbons, and more. Fri/23-Sun/25, call for times, $25-$35. Regency Center, 1290 Sutter, SF. (415) 435-7527.
Thunderheist
The Toronto electro-funk party-starters gave a lil' impromptu show in London in December (above). Tonight they do it the legal way, courtesy of Blasthaus. Next up: a new album on Big Dada, coming March 31. Fri/23, 9 p.m., $10. 103 Harriet, SF.
Unagi
The slippery DJ brings the knowledge - "real hip-hop on real records all night long" - to his regular event, 442 Fridays, with DJ Animal. Fri/23, 9 p.m.-2 a.m., $5 after 10 p.m. Madrone Lounge, 500 Divisadero, SF. (415) 241-0202.
Sonic Reducer Overage: Metronomy, Bored Stiff, Extra Action, and so much more
Color blogged: Metronomy's "Radio Ladio."
Hey, get out! Here are a few more shows that make it worth missing - or recording - the new episodes of Lost and Battlestar Galactica.
Tippy Canoe
Let the uke revolution carry on - thanks to strummer stunners Tippy Canoe of Oakland and Anna Ash of Ann Arbor, Mich. With Antonetteg. Wed/21, 9 p.m., $6. Hemlock Tavern, 1131 Polk, SF. (415) 923-0923.
Metronomy
Creepy, conceptual electronic pop, anyone? The UK combo brings out the breakbot - just for fun - in honor of Popscene. With the Mae Shi. Thurs/22, 10 p.m., $12. Popscene, 330 Ritch, SF. (415) 902-3125.
I knew it. I knew it! This weekend is the first holiday weekend I'm gonna be in town for the past year -- and I'm totally gonna blow my wad early and end up watching old episodes of Mad Men in bed, dutifully stoned. Why? Because Thursday night sees the launch of Daly City Records and ArtNowSF's ' new monthly Bass Camp at 111 Minna. And their bringing in all the big Montreal names in lazer bass, damn. I'm so lazer there.
All that, PLUS Robot Koch and Bass Science -- with way-too-cute residents Mochipet, Epcot, Quitter, Salva, and MC Buddy LeRoy. It'll be the blaps, y'all ...
Sonic Reducer Overage: Meat Puppets, Devil Makes Three, Jeremy Pelt, and Mo!
Alternate Nation statesmen: Meat Puppets.
Get out, SF - get out... and check out the music pouring the streets of Grog City.
Slough Feg and Hatchet
His majesty meets the teen metallists, thanks to Lucifer's Hammer. With Passive Aggressive. Wed/14, 9 p.m., $7. Elbo Room, 647 Valencia, SF. (415) 552-7788.
Devil Makes Three
Devil lovers gathered round for the band's set at Treasure Island music fest. Thurs/15, 6 p.m., free. Amoeba Music, 2455 Telegraph, Berk. (510) 549-1125.
Beeda Weeda to play tonight's 'Resolution' benefit
Benefit time - with hip-hop lyricists and a dab of R&B. This in:
"Musiq 4 Hunger and Element Lounge in association with Hard in the Paint Ent., ViXXeN EnT., and LK Management presents: "The Resolution 2009."
"Performances by: Beeda Weeda, Don P., Diamond, Moss Da Boss, Bay Area Bad Girlz, Da Trendsettaz
"Featuring live music from Maya Kronberg (keys), Scott Thompson (bass), Chris Hansen (drums), Brandon McKee (sax), Bill Smolik (trumpet).
"Open mic sign-ups start at 9:30 p.m. Live band jam from 9:30-11 p.m. Special perfomances start at 11 p.m. ending at 12:45 a.m.
"DJ Smocha spinnin from 12:45 a.m.-2 a.m. with an open mic. $7 at the door or $5 with a canned food item. For more information please contact: Li-Mari, vixxenmusiq@gmail.com, (510) 672-8868."
Is there such a thing as talent? REALLY? Every philosophical question you have about drag gets tossed up and around when the famously scattered yet oddly hypnotic and definitely entertaining House of Salad takes over, as it will this Friday at Charlie Horse, the infamously packed and outlandish punk/rock/grunge/country/??? party hosted by Anna Conda at the Cinch on Polk Street.
I haven't ever been able to assign an aesthetic to the Saladeers -- mostly because there's so many of them, and mostly because no matter what's been planned going in, it all usually ends up pretty fucked up. But this newest House does give off a few pungent qualities: they always defy definition, from queen bee Ambrosia's post-melodramatic take on contemporary dance anthems to Kadija's super-techno and dubstep shakedowns, to Stanley and friends' old-school vaudeville. And they always put on a good show -- even if it's hilariously undercut by a fierce lack of studious stage effects. The girls need to find the spotlight sometime.
Yet of course I adore them, and you never know WHO is gonna pop up in the Salad spinner. Or what "giveaways" they'll be packing. (Hint: little, brown.) Basically it's all about thrown-together deliciousness, so just hold out your bowl and dive in.
Ambrosia Salad et al at L.A.'s Shits & Giggles party
House of Salad at Charlie Horse
Fri/16, 10pm (show at midnight), free
The Cinch
1723 Polk, SF. www.thecinch.com
Sonic Reducer Overage: Magic Bullets, LoCura, White Cloud, Chuchito Valdes, and more
Mind that One Track Mind: Egyptian Lover's "Freak-A-Holic."
San Francisco stirs itself, shakes its shaggy head, and leaves home. Here are a few more reasons.
Leopold and His Fiction
The many moods of the SF indie-folk-rock combo turn toward...celebration with the unveiling of their new full-length Ain't No Surprise. Electric! With the Healing Curse and Candy Apple. Fri/9, 9:30 p.m., $6. Hemlock Tavern, 1131 Polk, SF. (415) 923-0923.
LoCura
Living la vida LoCura? That means an eye-opening blend of flamenco, rumba, reggae, and hip-hop complete with bellydane and plenty of Animas. Fri/9, 9 p.m., $15. Great American Music Hall, 859 O'Farrell, SF. (415) 885-0750.
Adventures! Bodily injury! No sleep! Hawnay Troof/Vice Cooler's 10 patience-testers of '08
Under pressure: Vice Cooler in repose. Photo by Manjari Doxey.
We saved the worst for last. Another in a series of year-end picks from Bay Area musicians, writers, scene-makers, and music lovers. Here's the rest of Hawnay Troof/Vice Cooler's best (or worst) of 2008; for more, go here. HAWNAY TROOF/VICE COOLER'S TOP 10 SHITTIEST TOUR HAPPENINGS IN 2008
1. The police stole my rental car.
On the third to last day of my first US leg we were cruising through eastern Arizona when a policeman pulled us over. He thought we had drugs and illegally searched the car. After not finding anything he was bummed. My friend Rory Rabut was driving, and when the officer looked up his license he found out that Rabut had a small parking ticket that hadn't been paid yet. He used this as a basis for seizing our vehicle.
Theremin cat, faux GN'R, guit-playing Lil Wayne: Vice Cooler's 10 things of '08
Take me down to the paradise kitty: gotta love that theremin cat.
Another in a series of year-end picks from Bay Area musicians, writers, scene-makers, and music lovers. Here's more of Hawnay Troof/Vice Cooler's best of 2008; for the first part of his best-of list, go here.
Zomes, Liquid Liquid, Silver Apples: Mi Ami picks the rest of the best of 2008
Another in a series of year-end picks from Bay Area musicians, writers, scene-makers, and music lovers. Here's the rest of Mi Ami's best of 2008; for more of their selections, go here.
MORE 2008 PICKS FROM MI AMI'S DANIEL MARTIN-MCCORMICK AND DAMON PALERMO
- Omar-S, "Psychotic Photosynthesis" (both the original and beatless versions) (FXHE)
- Rhythm Based Lovers, "Boogie Vision"/"Snow Drift" 7-inch (Future Times)
- Group Inerane, Guitars from Agadez (Sublime Frequencies)
- Zomes, Zomes (Holy Mountain)
- Kyle Hall, Worx of Art EP 1 (Wild Oats)
- Liquid Liquid, Liquid Liquid (Grand Royal)
- Theo Parrish, Sound Sculptures Volume 1 (Sound Signature)
- Silver Apples, Selections from the Early Sessions (ChickenCoop Recordings)
- Droids, Star Peace (Barclay)
- La Düsseldorf, Viva (Water)
- Methusalem, Journey into the Unknown (Ariola)
Stoltz, Citadelle, Agent Ribbons make Neil Martinson smile: more picks from '2008
The up side: Agent Ribbons.
Another in a series of year-end picks from Bay Area musicians, writers, scene-makers, and music lovers.
SMILE'S NEIL MARTINSON'S TOP 10
- Citadelle at the Knockout, Aug. 4
- Robert Forster at Great American Music Hall, Sept. 10
- Peter Hammill at Great American Music Hall, Sept. 30
- Kelley Stoltz, Circular Sounds (Sub Pop)
- The Moon Upstairs, Guarding the Golden Apple (Gifted Children)
- Various artists, Daisies soundtrack (Finders Keepers)
- Bart Davenport, Palaces (Antenna Farm)
- Lavender Diamond, www.myspace.com/lavenderdiamond
- Agent Ribbons, www.myspace.com/agentribbons
- Willow Willow, www.myspace.com/willowwillow
Fresh and Onlys and Sonny Smith's 'Fine and Good' picks for '08
Ox-y contained: Dragging an Ox Through Water.
Another in a series of year-end picks from Bay Area musicians, writers, scene-makers, and music lovers. SONNY SMITH'S "FINE AND GOOD" LIST
- The Dry Spells
- The Fresh and Onlys
- Nodzzz
- Brilliant Colors
- Thee Oh Sees
- Sic Alps
- The Sandwitches
- Jeffrey Lewis
- Dragging an Ox Through Water
'Girlfriend,' Special Disco, Danzig: Michael Harkin's tops for 2008
Doing it better: Chromatics.
Another in a series of year-end picks from Bay Area musicians, writers, scene-makers, and music lovers.
MICHAEL HARKIN'S TOP 10
- Nobunny, "I Am a Girlfriend"
If the original Ramones replaced Tommy with a drum machine, it might've sounded as amazing as this track from Love Visions (1-2-3-4 Go!).
- Danzig at the Warfield
"Mother"... kicking a pizza box out of a roadie's grasp ... Glenn still rules.
- Nodzzz, Nodzzz mini-LP (What's Your Rupture?)
Fantastic, distortion-free guitar pop.
- Special Disco Version at Mighty
God bless James Murphy and Pat Mahoney for their brilliant edits and many mirrorballs.
Dress up, hook up, play the unofficial office party: Hank IV's tops of 2008
On the loose: Los Llamarada.
Another in a series of year-end picks from Bay Area musicians, writers, scene-makers, and music lovers.
HANK IV'S TOP 10 OF 2008
-Los Llamarada at Cake Shop, November
-Newbridge Mayor-Elect Philly Boy Roy appointing Hammerhead as P.I.G. (Pit Inspector General) on the Best Show on WFMU
-Bassist Chris P. getting propositioned/accosted by a persistent lady superfan in the middle of playing a song at Budget Rock VII
-Los Llamarada ordering Pat's cheesesteaks in Philly slang
-Mission of Burma's road manager (and Clint's brother) Jimmy Conley's story about, as a teenager, being dressed up like a girl by Clint and taken to a mid-1970s New York Dolls show in NYC
-The Shield's final season
-Mayyors live
-In Bruges screening at the Shill Building
-Outdoor day party show at SXSW with Ross Johnson
-Buttholes Urfers live on the seventh floor of a Financial District office building at 4 a.m. for Donny Wyatt's birthday
HANK IV
With Wooden Shjips and E-Zee Tiger
Jan. 22, 9 p.m., call for price Eagle
398 12th St., SF
(415) 626-0880
1. Department of Eagles, In Ear Park (4AD)
(and the rest in no particular order)
- Beach House, Devotion (Carpark)
- Deerhunter, Microcastle (Kranky)
- Synecdoche, New York (Charlie Kaufman, US)
- Coldplay, Viva la Vida (Capitol)
Between Oakland soul and the 'Black Sea': A top 10 from Jeff Ray of Mission Creek Music Festival
Itchy and scratchy: Tomutonttu's Ultra Eczema art.
'Tis the season - here's another in a series of top 10s from Bay Area musicians, writers, and scenesters.
JEFF RAY'S TOP 10
- Favorite album: Fennesz, Black Sea (Touch)
Should be renamed Endless Winter. So incredibly lush and can warm up any long Ukrainian winter night.
- Favorite band: MGMT
Fun, danceable, catchy but not stupid.
- Favorite music series, “Relay” at the Lab, Oct. 22–Nov. 15
Great experimental music series hosted by the Lab. Folks from Finland and Fonal Records, Tomutonttu, Thuja, and Loren Chasse all performed, along with others. The sonic works were inspiring to listen to and watch. The Lab is awesome: www.thelab.org.
Sonic Reducer Overage: High on Fire, Fall Out Boy, Black Fag, and so much more
Hang time: High on Fire's "Hung, Drawn, and Quartered."
Cool, ain't it? The fun just keeps coming in chilly-chilly-chill SF. Here are a few more musical note-worthies.
BART DAVENPORT
Soulful and sweet as it comes - thanks to the Oakland singer-songwriter. With Brian Glaze and the Night Shift, the Dry Spells, and DJ Lithuanian Prince. Thurs/18, 9 p.m., $8. Bottom of the Hill, 1233 17th St., SF. (415) 621-4455.
HIGH ON FIRE
Get an earful of this week's "Year in Music" cover dude Matt Pike and his Bay power trio, High on Fire, a band that has gone far beyond being, as Guardian contributor Mike McGuirk put it, an "outlet for aggression/Yeti poems Pike uses in place of his defunct first band, Sleep, San Jose's most seminal export." With Drunk Horse. Thurs/18, 9 p.m., $16. Great American Music Hall, 859 O’Farrell, SF. (415) 885-0750.
HIGHTOWER
The SF thrashers throw a benefit for Bordertown-Oakland Skate Park. With the Ferocious Few. Thurs/18, 9 p.m., $5. Thee Parkside, 1600 17th St., SF. (415) 503-0393.
Here's an interview with new-cumbia whizzes Bersa Discos -- on the eve of their party Tormenta Tropical's first anniversary this Friday at the The Elbo Room -- as published in this week's Scene: The Guardian Guide to Nightlife and Glamour magazine, on stands inside the Guardian...
DJ oro11 and Disco Shawn. Photo by Conor Collins.
"The reception to our sound has been amazing here," says new-style cumbia pioneer DJ Oro11 — who, along with partner DJ Disco Shawn, heads the Bersa Discos label (www.myspace.com/bersadiscos) and puts on the packed Tormenta Tropical monthlies at Elbo Room. "A place like the Bay Area is a perfect spot for new cumbia sounds to take hold. People here are always looking for new music, plus there's obviously a huge Latino population. A lot of younger Latinos who grew up hearing cumbia also listened to hip-hop and electronic music. They're really into what we're doing."
Cumbia, the irresistible traditional accordion-driven dance music of Argentina, has undergone a mutation of sorts, opening up to include electronic augmentation, hip-hop beats, and even punk styles. The new iteration has taken hold in clubs like the cutting-edge Zizek, in Buenos Aires, where Oro11 was living and performing when Disco Shawn sought him out in 2006 for a taste of the electro-cumbia sound. The two returned to San Francisco, their home base, to form the Bersa Discos label as a kind of sonic nexus. "DJs and producers were selling burned CDs and swapping MP3s, but nothing was very organized at the time," says Disco Shawn. "We just wanted to get some of these amazing tracks pressed up on vinyl and circulated a little more officially."
Bersa Discos is now on its fourth release, titled, appropriately, Bersa #4 and featuring Afro-Colombian-tinged tracks by Brooklyn's Uproot Andy and deeper sounds from the Netherlands' Sonido del Principe. And the Tormenta Tropical party has seen legends like DJ/Rupture, South Rakkas Crew, Buraka Som Sistema, Toy Selectah, and even the Zizek folks burn up the stage. Shawn says to keep a 2k9 ear out for DJ Panik's Texan "crunk cumbia." Meanwhile, UK "bashment" crew the Heatwave hop in Dec. 19 to enliven the party's first anniversary.
SFBG What originally attracted you to the new cumbia style?
SFJAZZ announces the lineup of its 10th Anniversary Spring Season
This in from SFJAZZ's people (a total aside: I'm looking forward to Brad Mehldau, Jenny Scheinman, pictured below, as well as Seun Kuti, pictured above. And you know Allen Toussaint and Tinariwen are going to be awesome):
"Randall Kline, the Executive Artistic Director of SFJAZZ - the leading non-profit jazz organization on the West Coast and the presenter of the San Francisco Jazz Festival today announced the complete artist lineup for the 10th Anniversary SFJAZZ Spring Season. The unique and spectacular four-month-long concert series begins on March 6 and continues through June 21. The season will present some of the most illustrious names in jazz, world, and related music including McCoy Tyner, Branford Marsalis, Madeleine Peyroux, Bill Frisell’s Disfarmer Project, Ahmad Jamal, Jenny Scheinman, John Scofield and the Piety Street Band, Kayhan Kalhor and Brooklyn Rider, Tinariwen, Chris Potter Underground, Will Bernard, Mariza, CéU, Mingus Dynasty with John Handy, Allen Toussaint, Karrin Allyson, Idan Raichel, Michael Feinstein: the Sinatra Project, Brad Mehldau, Richard Bona and Lionel Loueke, Roy Hargrove, James Carter, Kenny Burrell, Michael Wolff, Hiromi’s Sonicbloom, and many others.
“'For 26 years, SFJAZZ has been guided by a simple principle: we absolutely love music—and we want to present it in the best possible context for all those who share our passion,' said Kline. 'In 2000, we took a huge step forward in that mission by launching the SFJAZZ Spring Season, marking our expansion into a year-round concert presenting organization. Over the last 10 years, the Spring Season has grown exponentially. This year we will present nearly 40 concerts over four months, purposefully matching each artist with the ideal venue for a high-quality listening experience. Our aim is to reflect the tighter, more culturally close-knit nature of today’s world, and the positively open-minded, "multi-culti" city that we call home - San Francisco.'
Last Saturday, Dec. 8, at El Rio marked the cementing of yet another dirty brick in the growing wall of West Coast punk. I could talk about the amazing performances by the Traditional Fools, who thankfully seem to be playing shows again after a short hiatus. Or I could talk about Hank IV, who were bad as hell - by which I mean good - but I’d much rather talk about the gnarliest show ever performed by the Mayyors hailing from our state capital of Sacramento.
The Mayyors certainly proved that Sacramento is a crazy, corrupt place. From the moment they played their first song, the entire room trembled with angst and energy. Vocalist John Pritchard pummeled through the crowd thrashing and screaming, stoking the fire in the crowd. Pritchard salivated endlessly while he sang, barking and demonically whipping around as strings of spit flew everywhere. It was undeniably awesome. All of my disdain for mosh pits and people knocking into me kind of melted away into a nostalgic appreciation for a reckless youth.
Sonic Reducer Overage: Mudhoney, Too $hort, Not So Silent Night, the Bug, and more
Jump in: Too $hort's "I'm a Player."
Party-hopping, penny-pinching, craft-making and cookie-baking, and singing for your supper - the holiday activities never let up - and the city responds in kind...with more, more, more shows. Here's what you might be missing...
All righty: Cold War Kids' "Something Is Not Right with Me."
VAMPIRE WEEKEND AND COLD WAR KIDS
"Golden Gate Jumpers" alert. The combos warm up Not So Silent Night with this toasty pre-show. Wed/10, 8 p.m., $25. Mezzanine, 444 Jessie, SF. (415) 625-8880.
I would seriously follow local turbocrunk duo Lazer Sword to the ends of the earth -- and I just might have to, once they embark on their European Tour in February (come back, come back ...). One of the last times to see them rock the little electronic boxes live will be this Thursday at the fun-filled monthly Work party at UndergroundSF, hosted by the Unicrons crew.
I've had a few small reservations about the Work parties -- they've been popular, and I dig all the local music-making talent they've brought in. Particularly, I'm partial lately to Unicrons members Futuristic Prince, whose jam "Amok Time" has lodged itself in my ears. But the party seemed to follow a kind of tired banger party template, and the promotion has at times seemed a tad desperate. Once they even claimed to be celebrating the release of the new G4 iPhone and The Dark Knight Returns! I hope that was in jest, and I certainly understand that you gotta do what you gotta do to build a party. Twenty Myspace bulletins an hour, though, usually only serves to turn me off. (Can we make that a rule for all club promoters at this late point in the MySpace thingie?)
"After months of searching for just the right home for their new album, Lynne and Brian a saw a light on in the far off cabin at Southern Records. A kind maiden at Southern welcomed them in, sat them beside the hearth, and fed them delicious English soup and beer. Well worn from their travels the two musicians listened intently as the label maiden told them tales of battles fought, won, and lost in the kingdom of Indierocklandia. Her eyes were true and her words sure. Their amulet - the one the wizard of the glenn gave them to reveil trickery - confirmed that she was pure of heart. She invited them to stay. They accepted, and and together Lynne and Brian placed the only copy of Nests of Waves and Wire on the great oak table. This is where our story begins...
Oh, hai, the '80s -- ur doin it rong. Unless you've been hitting up the totally awesome roving monthly New Wave City for the past 16 years, right? I remember when NWC DJs Shindog and Skip were just a twinkle in the '90s eyes -- 1992, wha? -- going against the rave-inundated mainstream and reliving the cozy Morrissey-tinged conundrum that was the '80s: shy neon. Love those children. And take that Calvin Harris fans -- the '80s started again the minute they finished! Lather rinse repeat.
'80s! I'm just gonna write that a thousand million blood- and mascara-stained times.
NWC's planned a massive synthalicious hoedown at DNA Lounge this Saturday, Dec. 6, to blow out their Sixteen Candles with appropriate assymetrical haircut aplomb. Special guest DJs they've fi-Nageled for the occasion: Melting Girl, Donimo, and Andy T. PLUS: an '80s fashion contest to win those fancy new Smiths and New Order deluxe compilations! Be there or be Huey Lewis.
After the jump: My NWC sweet 16 top 7 special requests
A very-last-minute dispatch from the deletist, "deleting elitists since 2003":
San Francisco's Fourth Annual Global Headphone Festival
Sat/6, 4 p.m.- 4 a.m., free and all ages and BYOH (bring your own headphones) and 1/4-inch headphone adapters will be available for a small returnable deposit
5lowershop
992 Peralta, SF
(415) 762-3616
More info and live stream at www.deletist.info/plug4.html
Performances by
MICHAEL MANTRA [dronecore]
STRANGELET [noise/improv/buffonery]
MOSB [square recovery]
SONDERKOMMANDO [glitchy industrial noise]
ROGER MILLS [trumpet drones : streaming from AUSTRALIA]
FILTHMILK [cavernous electronics]
SABRETEETH [tesla death ray]
CORVETTE SUMMER [antidoom]
MNEMOTH [deconstructivism]
SKULLCASTER [blackened folk]
MR. CLUCK [circuit bent toys]
SHARKIFACE [hex breaker]
CATSYNTH [ambient]
RUIDOBELLO [processed field recordings]
VSLS [antisonique]
CONFIGURATION AND FUNDAMENTAL GROWTH [experimental]
OZMADAWN [noise and drones]
DANCIN BABY [soundtrack from hell]
MIXILE [ambient/field recordings : streaming from IRELAND]
MOISTURE [electronics]
DESPICABLE ALIEN [electroacoustic duo]
DUBTAIL [electronics]
WELTSCHMERZ [cellos of doom]
JOHN M. BENNETT [sound poetry : streaming from FRANCE]
FOREST ZOMBIE [textured computer noise]
PEREID [electro carnage]
NICOLAS CARRAS [sound art/concret music : streaming from FRANCE]
DELETIST [cover songs gone wrong]
CEREBRAL ROIL [industrial grindcore]
DARPH/NADER [villainy]
A FASHIONABLE DISEASE [noise ass jazz glitch fuck metal]
MOISTURE FARMER [sitar fx]
HORAFLORA [psychoacoustics]
DJ CRACKHOUSE [noisehop]
HEARTWORM [mechanically separated]
Sonic Reducer Overage: Mixmaster Mike, Los Amigos Invisibles, Wu-Tang Clan, Morning Benders, and more
Say hello to my little invisible friend: Los Amigos Invisibles' "Cuchi Cuchi."
Ask and the city provides - good times and solid sounds for all. Here's the good schtuff that didn't make it to print.
WU-TANG CLAN
The Wu is with you - though RZA and Ghostface Killah were MIA when the group last played Ess Ef. Wed/3, 8 p.m., $45. Grand Ballroom at Regency Center, Van Ness and Sutter, SF. (415) 421-8497.
LOS AMIGOS INVISIBLES
This year the Venezuela group impressed at Outside Lands and threw out its first live DVD - and a new studio album is said to be in post-production. With Funky-C and DJ Felina. Thurs/4, 9 p.m., $22. Independent, 628 Divisadero, SF. (415) 771-1421.
Sonic Reducer Overage: Lyrics Born, M83, Herbaliser, and more
Change Nation: Lyrics Born's "I Changed My Mind."
You're gonna be stuffed, you're going to be stressed, you're going to be tired of watching football... Then, you'll want to go out - and be among kindred spirits fleeing family and taking refuge in solid sounds.
LYRICS BORN
You like him, you love him. The Bay MC ushers in the holidaze. With Raashan Ahmad and Mavrik. Wed/26, 9 p.m., $25. Independent, 628 Divisadero, SF. (415) 771-1422.
SISTERS OF MERCY
The band that launched a jillion black dye jobs hasn't released new material since 1993. Wed/26, 8 p.m., $35. Warfield, 982 Market, SF. (415) 421-8497.
"Cobb's Comedy Club will host a taping of VBS.tv's Soft Focus with Ian Svenonius. Svenonius will interview Jello Biafra as well as Alan and Richard Bishop of the Sun City Girls in front of a live audience. The taping is free and open to the public. You must RSVP with your name and e-mail address at www.viceland.com/softfocussf."
SOFT FOCUS
With host Ian Svenonius featuring interviews with Richard and Alan Bishop and Jello Biafra
Wed/19, 6:30 p.m.
Cobb's Comedy Club
915 Columbus, SF
Space is limited; RSVP at www.viceland.com/softfocussf
Neon beat: Mi Ami live. Photo courtesy of the band's MySpace page.
This in from Quarterstick Records:
"Quarterstick Records, Touch and Go's partner label for the last 17-plus years, is pleased to welcome San Francisco drum punk trio Mi Ami to the fold. Featuring two key members of Dischord's hyper-percussive Black Eyes (Daniel Martin-McCormick on vocals and guitar and Jacob Long on bass) as well as Damon Palermo on drums, Mi Ami builds on the promise of Black Eyes' spastic energy and renowned live performances, but steers it into a more focused, volatile, and personal direction.
"Mi Ami's first single on Quarterstick, "Echononecho," will be released as a 12-inch and digitally Jan. 27, 2009, with the follow-up full-length, Watersports, out Feb. 17, 2009. The band fully takes flight and thrives in the live setting, with shows turning into all-out pulsating rhythmic throwdowns, so save up some energy and be sure to catch them on their extensive tours throughout 2009."
Sonic Reducer Overage: Usher, Tune-yards, Impossible Shapes, Weasel Walter, Nodzzz, Sean Smith, and more
Built like a brick house: Impossible Shapes' "Let the People Build What They Will."
O, SF - as if you could ever stop rolling out the intriguing jamz. Here are a few more musical offerings that didn't make it into print.
LOS CENZONTLES
"The Mockingbirds" do it up in the Bay again - with Los Lobos' David Hidalgo - after flying through for Hardly Strictly Bluegrass. Wed/12, 8 and 10 p.m., $20-$30. Yoshi's, 510 Embarcadero W., Oakl. (510) 238-9200.
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