By Maria Komodore
Warning: this post may contain spoilers -- if you haven't seen The Mist yet, read on with caution.
The Mist, director Frank Darabontʼs third collaboration with writer Stephen King (the other two being 1994ʼs The Shawshank Redemption and 1999ʼs The Green Mile), is a blend of horror cult films such as Them! (1954) and The Fly (1958, 1986) — among many, many others — and John Carpenterʼs The Fog. And thatʼs exactly why itʼs sooo good.
But in the case of The Mist, keeping with the cult extravaganzasʼ marvelously ridiculous plots, the dangerous mystery that the fog holds doesnʼt involve peopleʼs past sins returning to mercilessly haunt them down. That would be way too simple. Rather, the threat engulfed in the thick white cloud is a number of apocalyptic and pre-historic looking creatures that found their way into our world when scientific experiments to open up windows to different dimensions got out of control. In other words, fears about science and the ways it has put us in serious trouble, a subject perhaps more urgent today than ever, make their triumphant return.
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Just a guess, but whatever they're looking at probably ain't too friendly.
Although these concerns remain clearly visible at the filmʼs background, what is more emphatically dealt with in the foreground is our societyʼs breakdown and where it will take us if and when we face an emergency of epic dimensions. When the residents of a small town, alarmed by the “hurricane” that hit them destroying everything in its way, run to the local grocery store to fill up their supplies, they find themselves trapped in there by the fog. Soon enough people start showing their true colors and a micro society is created. The townʼs “hicks” show their resentment towards the small cityʼs sole artist who they feel is looking down on them, the religion fanatic starts preaching the “word of the Lord” announcing the end of days, the overly logic lawyer refuses to accept the existence of anything supernatural in the fog, and the rest of the people are left struggling to decide whose side to take.
As all these conflicting forces exclude the potential for cooperation, everybody is left even more vulnerable against a threat that is bigger than all of them. Interestingly enough, the lawyer and his team defeated by their careless non-belief that what their facing is beyond logic treatments and the big Christian congregation left in disarray after their manic leader is shot to death, the artist and his followers are the only ones that are given a chance to go out there, experience the fog, and try to get out of it.
But, donʼt be fooled! Right when you least expect it the artist/hero gets most violently dethroned in an ending that is too devastating to give away. While Iʼm not trying to argue that The Mist is perfect, the film has its shares of cheesy moments, poor special effects and a very questionable closing, its emotional impact makes it intense and thought provoking suggesting that despite what most Hollywood productions want to impress upon us, the idea of the hero might be an illusion to begin with.
The Mist is now playing in Bay Area theaters.
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Comments (1)
while it didn't affect me as someone who has seen the film, this post contains PLENTY of spoilers. you should label that at the beginning of the article. the movie is a thriller after all, and you're giving away a lot of information.
Posted by kevin clarke | November 30, 2007 02:17 PM