I asked Paul Fenn, architect of San Francisco's community choice aggregation plan and a national expert on CCA power, if the Chronicle/Hearst had contacted him about the announcement of the CCA plan last week (no) and what he thought about its coverage His answer:
"During Earth Day week and the height of the national debate on Climate Crisis, the San Francisco Chronicle failed to show up at a major City Hall press conference on April l7 on a plan to implement the largest municipal solar public works project in history--to be built by the City in San Francisco. Read more »
The day after Earth Week, the Chronicle's star columnists continued the Hearst policy of flacking for PG@E and censoring public power and greenwashing Earth Day coverage with a telling omission in their front page story on Monday April 23 how the San Francisco 49ers are hoping to get Santa Clara to pony up $l80 million or so for their $800 million new stadium.
In listing the various public fund possibilities for Santa Clara, Matier and Ross reported as a major option: "The reserve fund for Santa Clara's electric utility. Read more »
Well, there it was, in the same bottom right hand corner of the Chronicle front page where the PG&E ad had been two days before, a story headlined "Green guardians go extra mile to save planet."
The April 20 story, by Chronicle/Hearst environmental writer Jane Kay, reported that Maya Butterfield, the mother of fourchildren, "drives as little as possible while she waits for a car company to sell a hybrid minivan."
What a wonderful mix of Irish charm and magic the Wild Irish Productions spun in the drizzle and fog of Fort Mason last Saturday night April 2l. It was the opening night for Martin McDonagh’s “The Cripple of Inishmaan” at the Magic Theater.
This is a difficult play to produce and do well, with the nuances and dark humor of Irish story telling based on the historical fact that a Hollywood producer came to a nearby island in l934 to make a documentary film. Read more »
A note from B3: Ben Bagdikian knows more and has written more about the monopolization of the press than
just about anybody. He is the author of six editions of the media classic, "The Media Monopoly," and dean emeritus of the Graduate School of Journalism at the University of California- Berkeley.
In Bagdikian's first media monopoly book in l983, he wrote that 50 or so conglomerates controlled most of the U.S. media. With each edition the numbers shrank and for years, whenever I would speak on journalism, I would call Bagdikian and ask him what the current magic monopoly was. Read more »
And so Hearst, after decades of shamefully operating as a PG&E shill and shamefully censoring the PG&E/Raker
Act scandal out of its papers (both in its old Examiner and its new Chronicle), ran a large cheery PG&E ad in the right hand corner of the front page of yesterday's April l8 Chronicle.
The ad ran without the usual identification "advertisement," even though it was a pure political ad and part of PG&E's phony "let's green the city" campaign. Read more »
For years, the Guardian has been publishing on its front page the “Project Censored” story, a list and story of the most “censored” stories of the past year as compiled by Project Censored, a respected 30-year-old media research project at Sonoma State University. We always include our local version of major stories the local mainstream media miss and note that they always “censor” the big local stories involving their own papers. And of course the mainstream press makes the story even better by "censoring" the Project Censored story every year. Read more »
Not one of the nation’s biggest newspaper chains (Hearst, Singleton, Gannett, Stephens)
saw fit to run a story on a key decision in favor of the Guardian motion to unseal the records during and after the Riley antitrust trial. Why people get mad at the media (l5)
Tonight, April l3, George Michalski will celebrate his 50th anniversary in show business with a piano recital and rollicking vaudeville show at Fat City (the old Transmission night club), at 3l4 llth St., San Francisco. Show time is 7:30 p.m., $20.
It will be far different than his first sedate recital on April l3, l957, when he played Schaum and Rolseth pieces
in the main branch of the San Francisco Public Library. Jean and I saw Michalski last fall at the Larkspur Theater, where he has been an ornament for sometime, and we enjoyed it enormously. Read more »