Greedy Lying Bastards, a film about climate change, opens this Friday (look for my review in tomorrow's paper); it takes a confrontational approach to the subject. But here's the thing: you can argue with a politician or a lobbyist, but a melting iceberg will simply respond with a cold, cold stare.
Tonight and tomorrow at the Castro, check out 2012's similarly-themed but far more meditative Chasing Ice. You may have caught a glimpse of its striking glaciar photography on the Oscar telecast, since that song I didn't like in my review (below) was one of the unlucky tunes shoved into a quick "Here's Best Song nominees that weren't sung by Adele, Hugh Jackman, or Norah Jones, therefore they don't matter" montage. (Needless to say, it didn't win, but it did expose this powerful film to the billion watching, so there's that.)
The Oscars are over! You may now openly admit that Silver Linings Playbook offered just a slightly edgier twist on a pretty predictable rom-com, with one great lead performance (duly rewarded) and a De Niro crying scene. Time to revisit the should-have-won-everything Holy Motors (which came out on Blu-ray this week) and cheer that theaters will finally begin phasing out all the awards hopefuls and bringing in fresh new movies.
This week: Cinequest continues in San Jose, the Roxie screens both a gleefully nasty pre-Code fest (Dennis Harvey's appreciative article here) and a Jeffrey Dahmer doc (my review here). Hollywood trots out yet another fairytale-inspired CG spectacle, Jack the Giant Slayer; a submarine drama with Ed Harris and David Duchovny, Phantom; and a PG-13 horror sequel,The Last Exorcism Part II.
More reviews, including the Oscar-nominated Chilean import No and an informative doc about hunger in America, A Place at the Table, after the jump.
FILM "Go look in the refrigerator." Normally, that's not a particularly sinister phrase. But if the fridge in question happens to be sitting in Jeffrey Dahmer's Milwaukee kitchen, circa 1991, it contains the following: a box of Arm & Hammer, condiments (mustard, ketchup, steak sauce), and a freshly severed human head.Read more »
Important: the Oscar broadcast starts at 4pm on Sunday on ABC. If tradition holds, the ceremony won'tactually beginuntil a little later, but if you want to soak up the full awkwardness of the red carpet, with its "Who are you wearing?" and its reporters mistaking Denzel Washington's daughter for his wife (true story), you will want to tune in on time. (If you're a true fiend, E! starts their red-carpet coverage at 2:30pm.)
FILM San Francisco is a town of many film festivals: SF IndieFest wraps up Thu/21, and the Center for Asian American Media Festival (formerly the San Francisco International Asian American Film Festival) kicks off March 14. Lest you suffer fest withdrawal, the gap between is filled nearly end-to-end by Cinequest — San Jose's 23rd annual salute to cinema that has a Silicon Valley-appropriate focus on technological innovations.Read more »
Schedules are for Wed/20-Tue/26 except where noted. Director and year are given when available. Double features marked with a •. All times pm unless otherwise specified.
ARTISTS' TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $5-10. "Stop and Go 3D: Stop Motion Animation Festival," works by 27 artists curated by Bay Area animator Sarah Klein, Fri, 8. "Small Poetry: Recent Highlights of the Chicago 8 Film Festival," Sun, 7:30.Read more »
FILM The 2013 San Francisco Silent Film Festival isn't until July, but the fest's Silent Winter offshoot offers a day packed full of classic delights to tide over its legions of fans until summer. The Castro Theatre plays host to four features and one shorts program, all of which boast live musical accompaniment.Read more »
Schedules are for Wed/13-Tue/19 except where noted. Director and year are given when available. Double features marked with a •. All times pm unless otherwise specified.
ARTISTS' TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $6. "Periwinkle Cinema: recLAmation with live narration by Hilary Goldberg," Wed, 8. "Dirty Looks NYC Presents:" "Pickle Surprise! The Eyes of Tom Rubnitz," Fri, 8. "Short Films About Sexuality: Fourplay," Sat, 8:30.
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The 2013 San Francisco Silent Film Festival isn't until July, but the fest's Silent Winter offshoot offers a day packed full of classic delights to tide over its legions of fans until summer. Sat/16, Castro Theatre plays host to four features and one shorts program, all of which boast live musical accompaniment.
Silent Winter's earliest (1916) and latest films (1927) are both buoyed by charismatic leading ladies: Marguerite Clark, in J. Searle Dawley's Snow White, and Mary Pickford in Sam Taylor's My Best Girl. Clark, who found early fame as a Broadway star, was already in her 30s by the time film acting became a viable career option. No matter — she's believably girlish as the princess with "skin white as snow," hated by her jealous stepmother, whose own beauty comes courtesy of witchcraft. (Dig the proto-Witchiepoo who helps the conniving queen in her various evil schemes, and her giant kitty helper, too.) A teenage Walt Disney saw the film in 1917 and made animation history with the same story 20 years later — though his version of the fairy-tale heroine lacks Clark's easy effervescence.