Cheryl Eddy

New movies: Clooney, vampires, stellar imports, and more!

|
(0)

This week's big release, George Clooney's The Monuments Men, is a dud. So what else should you see instead? Options include a pair of well-received foreign imports (Gloria and Stranger by the Lake), as well as a tribute to a 1980s comedy classic courtesy of SF Sketchfest. Read on!

Read more »

Ennui the people

Life lessons (my friend is an alien, what do I do?) abound at SF IndieFest as it turns sweet 16

|
(0)

cheryl@sfbg.com

FILM San Francisco IndieFest celebrates its Super Sweet 16 with multiple films presenting an appropriately teenage outlook on humanity: Most of the time, people suck. They suck in ways you expect, ways you don't expect, and ways you should have expected but chose not to, for your own sucky reasons.Read more »

Mumble, mumble, murder

A photographer shoots fake crime scenes in Joe Swanberg's meta-thriller '24 Exposures'

|
(0)

cheryl@sfbg.com

FILM Joe Swanberg's latest film to play the Roxie, 24 Exposures, isn't actually his newest. That'd be family drama Happy Christmas, which just premiered at Sundance. Going by festival reviews, Christmas sounds like it's in the vein of Swanberg's Drinking Buddies — last year's Olivia Wilde-starring tiptoe into the mainstream, a departure for the indie writer-director-actor — with a marquee cast that includes Buddies' Anna Kendrick and hipster queen Lena Dunham.Read more »

Death and life

Archetypal tales and vibrant cinematic voices reign at the African Film Festival

|
(0)

Soft eyes

Chip Lord unearths unexpected details in urban landscapes

|
(0)

cheryl@sfbg.com

FILM Chip Lord first came to public attention as a founding member of art collective Ant Farm (1968-78), which allowed him to explore his interest in alternative architecture via projects like the Cadillac Ranch installation in Amarillo, Texas. He later segued into teaching (at UC Santa Cruz) and video art, with works that include a long-running series examining city spaces. A San Francisco resident, he'll be at the Exploratorium this week screening a trio of urban-themed works.Read more »

Gods and mom-sters: the week's new films

|
(0)

This week: August: Osage County (bumped from its previously-scheduled opening last week) unleashes 2014's first bolt of LOOK AT ME I'M ACTING! Other choices you have while you count down to the Golden Globes (Sunday night) and the Oscar nominations (next Thursday) include Ralph Fiennes' latest actor-director turn in Charles Dickens tale The Invisible Woman; Mark Wahlberg's Navy SEALs drama Lone Survivor; and Renny Harlin's CG'd-up action-tacular The Legend of Hercules.

Read more »

Super Tramp

SF Silent Film Fest marks an icon's 100th anniversary

|
(0)

Cage heat: salute the screen icon's 50th bday!

|
(0)

Oscar-winning actor (for 1995's Leaving Las Vegas), cultural curiosity (for his Superman and Elvis obsessions, tax troubles, hair, etc.), Coppola family member (Francis Ford is his uncle), meme generator, and cult icon Nicolas Cage is about to become a half-century man. And what better way to celebrate the 50th birthday of one of the most predictably unpredictable movie stars of all time than by checking out a pair of his movies?

Tomorrow (NC's actual bday: Jan. 7), Midnites for Maniacs unspools a pair of Cage classics, starting with his breakout role as a totally tripandicular Hollywood punk mooning after the title character in 1983's Valley Girl. This movie has it all: a killer soundtrack, terrible-amazing hair and fashions, the immortal EG Daily, and maybe the best prom scene in the 1980s teen-movie canon. We melt with you, Nic.

Read more »

Breaking points

New films from China teem with 21st century angst

|
(9)

Watch out!

THE YEAR IN FILM: Films in 2013 favored solo peril, moody self-discovery, and greed-fueled plunges
|
(0)

cheryl@sfbg.com

YEAR IN FILM What the hell am I watching? I muttered that phrase many times in 2013, with interpretations ranging all over the cinematic map. There was a sense of amazed "How did they do that?" during Gravity; feelings of intrigued unease during Upstream Color and The Act of Killing; and a genuine feeling of befuddlement as a book I thoroughly enjoyed, World War Z, was transformed into a puddle of CG mud with Brad Pitt bobbing at its center.Read more »