Cheryl Eddy

Daughters

Bad behavior and lots of noise from the Providence rockers -- but no joke
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PREVIEW "I've been called a sinner, wrong-doer, evildoer, worker of iniquity, transgressor, bad example, scoundrel, villian, knave, miscreant, viper, wretch, the devil incarnate" — make no mistake, it's a warning from Daughters vocalist Alexis Marshall, delivered via the apparent thesaurus in his head and the intentions of bad behavior in his heart. Read more »

Another Hole in the Head: another couple of reviews!

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The San Francisco Independent Film Festival's sci-fi, horror, and fantasy offshoot Another Hole in the Head kicks off tomorrow! Read Trash's take on HoleHead's offerings here; intrepid film intern Amber Humphrey chimes in below with mini-reviews of two fest flicks that just happen to be made by local filmmakers. Read more »

It's pronouced "Oo-vuh:" Uwe Boll, Part Two

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Postal is now playing at the Roxie -- and will be there until Wed, June 11. It hasn't exactly been taking the critical world by storm, but I enjoyed it, more or less. Still deciding? Read more »

Yuks galore

Another Hole in the Head horrorfest explodes at the Roxie
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FILM FESTIVAL Sometimes the best thing a movie has going for it is its title, especially if that title happens to be Mutant Vampire Zombies from the 'Hood!. Far and away the most expressively named selection at this year's Another Hole in the Head Film Festival, Zombies imagines what would happen if a couple of rival gangbangers, a weary cop, and assorted other ragtag types emerged as the only humans unaffected by a mysterious solar flare. Read more »

It's pronouced "Oo-vuh:" Uwe Boll, Part One

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Just so you know. It's not "Oo-way." This is the first thing I learned while gearing up to interview Uwe Boll last August, on the occasion of the uncut version of his film Postal's world premiere at the 2007 Dead Channels Film Festival. The film played to a small but enthusiastic Castro Theater crowd, many of whom were surely lured more by the Boll's presence than by the film itself. Read more »

Bullet time

Johnnie To's gangster hits get the spotlight
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cheryl@sfbg.com

An utterly complete retrospective of Johnnie To's films would be too much to ask, really. To's résumé to date involves nearly 50 features, with at least one release nearly every year since 1986. His work also spans such a gobsmacking array of genres that even an audience of dedicated fans might experience exploding-head syndrome. And genre is the key word here; the man's a master at it, a trait that has earned him admiration if not fame stateside — probably a good thing, given the cautionary tale of the Hollywoodized John Woo. Read more »

No one likes to be defeated

Harmony Korine's Mister Lonely moonwalks between surreal and melancholy
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cheryl@sfbg.com

Most folks who settle down to watch a Harmony Korine film know not to expect the familiar. Korine is, after all, the guy who wrote Larry Clark's hot-button Kids (1995), and the writer-director of 1997's Gummo, one of the head-scratchingest flicks ever to attain cult status. Read more »

Children of the (pop)corn

Strap yourself in for the summer movie blitz
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Must be summer — every movie I want to see in the next three months is either a sequel, a superhero movie, or a superhero movie sequel. Granted, I'm girly enough to want to see Sex and the City (May 30), snarky enough to eagerly anticipate M. Night Shyamalan's The Happening (June 13), and arty enough to get excited about Werner Herzog's Antarctica doc Encounters at the End of the World (June 27). Read more »

SFIFF: Blood ties

Asia and Dario Argento go go for a SFIFF trifecta
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cheryl@sfbg.com

You can keep those classy, highbrow Coppolas. I'll play the low card with the Argentos any day. This year's San Francisco International Film Festival is a feast for fans of the father-daughter team: Dario directs Asia in Mother of Tears, his long-awaited final entry in the cultishly beloved "Three Mothers" series, which includes 1977's Suspiria and 1980's Inferno. Read more »

Alligators, man

Green, mean, and in the movies
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TOOTHY CINEMA Alligators, man. As James Bond, Indiana Jones, and Peter Pan will tell you, meeting a gator is a surefire way to add insta-peril to your script, or at least supply a pun-tastic one-liner (Arnold Schwarzenegger to recently expired gator in 1996's Eraser: "You're luggage!") Last year's pseudo-political Primeval was a disappointment, and Rogue, Aussie director Greg Mclean's follow-up to Wolf Creek (1995), never quite made it into theaters stateside. Read more »