Cheryl Eddy

Play "The Mist" for me

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By Maria Komodore

Warning: this post may contain spoilers -- if you haven't seen The Mist yet, read on with caution.

The Mist, director Frank Darabontʼs third collaboration with writer Stephen King (the other two being 1994ʼs The Shawshank Redemption and 1999ʼs The Green Mile), is a blend of horror cult films such as Them! (1954) and The Fly (1958, 1986) — among many, many others — and John Carpenterʼs The Fog. Read more »

All about Bob

Todd Haynes dives deep into Dylan with I'm Not There
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cheryl@sfbg.com

It's not that I'm anti–Bob Dylan. I've just never been a fan in particular. I'm too young or too fond of metal or too shallow or some combination of the three. But I found I'm Not There — Todd Haynes's sorta biopic of the icon — entirely fascinating. By now you've heard the pitch: six actors (Christian Bale, Cate Blanchett, Marcus Carl Franklin, Richard Gere, Heath Ledger, and Ben Whishaw) play facets of Dylan without actually playing Dylan, though Bale and Blanchett come dangerously close. Read more »

The messengers

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By Sara Schieron

Michael Peña and Andrew Garfield give the illusion of a long association. Funny enough, they never appear together in Robert Redford’s new war drama Lions for Lambs, and yet they get along well enough to finish each other’s sentences. Perhaps we can credit this familiarity with their shared experience working with actor and director Redford, whom they imply, helped them smooth out their respective anxieties. And who wouldn’t be anxious? They’re working with the freakin’ Sundance Kid. Read more »

Visit King City!

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Guardian Class of 2007 members King City have three new videos posted on YouTube.

Check out "Road to Madrid" below, and the rest here!Read more »

True grace

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By Rita Felciano

Bay Area Odissi dancer Asako Takami died on November 3, 2007 in San Francisco after a four-year battle with ovarian cancer. She was 47 seven years old. Founder and artistic director of the East Bay-based Pallavi Dance Group, Takami was an exquisite dancer and much-revered teacher of who had lived in the Bay Area for fifteen years. Read more »

In the grand tradition of Metal SpongeBob and Metal Cookie Monster

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Cannibal Corpse really does cross all boundaries.

Goldie winner -- Film: Kerry Laitala

Antique magic lantern muse of cinema
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A casual observer might simply call Kerry Laitala a filmmaker and leave it at that. But anyone who's seen her spooky, intricate, delightfully creative works, including 2003's Out of the Ether, 2005's Torchlight Tango, and 2006's Muse of Cinema, would certainly disagree. Read more »

Goldie winner -- Film: Samara Halperin

Plastic and fantastic schoolhouse sex toys go pop
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It's hard to be in a bad mood when you're watching the films of Samara Halperin. Take, for example, the minute-long Plastic Fantastic #1 (2006). Jaunty bleeps keep the beat as a pair of ketchup-and-mustard-bedecked hot dogs are shredded into meaty octopuses. Read more »

Raising the barre

The American Indian Film Fest kicks off with a pair of ballet-dancer biographies
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Marking National American Indian Heritage Month, the American Indian Film Festival kicks off with a pair of ballet-dancer biographies. Of course, you know one of 'em is gonna be about eternally elegant George Balanchine muse Maria Tallchief — and indeed, Sandra Osawa's Maria Tallchief will have its world premiere at the fest. Praised as the first American prima ballerina and a standout in an art form that had, until her rise to prominence in the 1940s, been largely European, Tallchief brought audiences to their feet and critics to tears. Read more »

This stuff'll kill ya!

A conversation with the Godfather of gore
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CULT FILM GOD Blood Feast, Color Me Blood Red, The Gruesome Twosome, and The Gore Gore Girls — between 1960 and 1972, Herschell Gordon Lewis ruled the drive-in with a steady stream of exploitation movies, made on the cheap for crowds unafraid to experience the kind of special effects that earned Lewis the nickname "the Godfather of Gore." Nowadays, the 81-year-old is a highly respected authority on direct marketing (check out his column, Curmudgeon at Large, at directmag.com), but he's proud (if bemused) that his films continue to thrill audiences today. Read more »