Cheryl Eddy

The pigs are alright

A convo with the creators of Hot Fuzz
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FILM Rejoice, fans of smart, sharp, genre-tweaking comedy: Hot Fuzz — the latest from Shaun of the Dead writer-director Edgar Wright, cowriter-star Simon Pegg, and costar–slacker extraordinaire Nick Frost — has arrived. Pegg plays a London supercop whose makes-everyone-else-look-bad ways get him shunted to a small town where policing is limited to underage drinking and escaped swans. Or is it? Read more »

The pigs are alright: talking with the creators of HOT FUZZ

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hotfuzz1.jpg

In certain circles, “from the creators of Shaun of the Dead” are powerful, powerful words. Rejoice, fans of smart, sharp, genre-tweaking comedy: Hot Fuzz -- the latest from writer-director Edgar Wright, cowriter-star Simon Pegg, and costar-slacker extraordinare Nick Frost -- is a worthy follow-up for the ever-growing cult of Shaun. Read more »

Amen with a camera

Audience of One doc looks at an SF pastor who says God wants him to make a $200 million sci-fi movie
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cheryl@sfbg.com

Divine messages are tricky, particularly for true believers who have no choice but to obey whatever directive the big G passes down. "God told me to!" can lead to heroic or comical or tragic ends; really, it's a convenient excuse to do just about anything. Read more »

One weird Easter

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I blame the cats. The Russian cats. The Moscow Cats Theatre. First of all, when the cat circus comes to town, I'm pretty sure there's a law on the books that you don't miss it under any circumstances. Actual performing cats! Kitties in little sparkly ruffs, scampering across high wires and jumping through hoops! Who passes that up??

Pretty much everyone I happen to know, it seems. Read more »

Brothers in arms

Battle lines are drawn -- and redrawn -- in the Irish drama The Wind That Shakes the Barley
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cheryl@sfbg.com

In a vulnerable country occupied by a foreign power, civilian frustration leads to anger, which soon explodes into a violent, uncontainable insurgent movement. Read more »

To Helltrack and back

If you know BMX, you know Rad -- and its Kix cereal-fueled hero, Cru Jones.
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FILM I had a lot of hope for Rad. Every month in BMX Action there'd be a new scrap of news about some top pro who was going to ride in the movie, including my personal favorite racer, "Hollywood" Mike Miranda. When photos of the Helltrack — site of the film's climactic race — came out, you could lean your ear to the ground and hear the hearts of BMX groms beat just a little faster.Read more »

Pleased to meat you

Glorifying the ultimate taboo with sleazy glee
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FILM I was a vegetarian for 18 years — more than half my life. But after quite a bit of soul-searching (and one incredibly triumphant taste of bacon), I recently realized that 18 years was plenty long enough. The honest truth is that meat is delicious, and I enjoy the hell out of eating it.

Coincidentally (or not), the Donner Party included several Eddys. I have no proof that I'm related to the ill-fated pioneers, but I feel a certain kinship nonetheless. They were the ultimate carnivores, after all. Read more »

State of the metal address

Where's the thrashin' at?
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If gnashing guitars, thundering drums, and growling vocals are suddenly silenced, will faces still find places to melt? It's been five months since Pound-SF closed, after reportedly being evicted by the San Francisco Port Authority. (As early as May 2006, owner Tony Carracci spoke at a San Francisco Entertainment Commission meeting about his frustration at not being able to obtain a long-term lease for the space.) The all-ages club, tucked into San Francisco's industrial bayside, hosted a large portion of the city's metal shows during its five-year lifespan. Read more »

Tale of two Valley Girls

Can they remake the totally tubular original?
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THE ORIGINAL It starts as a joke, but it rarely ends well. You pick up a piece of slang to make fun of it and then, at some point far too late down the line, realize you are physically incapable of putting it down. Read more »

SFIAAFF: Freedom isn't free

Docs in competition at the SF International Asian American Film Festival explore the hell of war's aftermath
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cheryl@sfbg.com

Aside from one upbeat depiction of Hawaii's only all-male hula school (Na Kamalei: The Men of Hula), the nominees in the San Francisco International Asian American Film Festival's documentary competition are nearly as similar in execution as they are in theme. Immigration tales, filmed in high-definition video from a first-person perspective, abound. Though homelands (Cambodia, Vietnam, Japan, and Korea) differ, there's remarkable commonality among the subjects, who display the kind of internal scars only great suffering can inflict. Read more »