The most successful Asian American novelist of her generation, Amy Tan tests her penmanship as an opera librettist this fall, when the San Francisco Opera presents the world premiere of The Bonesetter's Daughter, the operatic adaptation of the Oakland native's 2001 Putnam bestseller with a score composed by Stewart Wallace.
While holding the utmost respect for the polish and clarity of Tan's voice as a novelist, I have always been a bit skeptical of her writings. Read more »
The opera world has never been quite the same since director Peter Sellars teamed up in 1985 with composer John Adams to premiere Nixon in China. The production, which was unveiled in 1987 at the Houston Grand Opera, marked the start of one of the most brilliant artistic partnerships of our time. Read more »
There is no lack of world-class talent in the upcoming fall season, but as far as the portentous tenants in the Civic Center are concerned, the new season's repertoire stands out as an exercise in artistic tepidness. Perhaps still traumatized by the Bush economy's brutal impact upon the arts, the San Francisco Opera and Symphony and other big Bay Area arts presenters are taking few chances. Read more »