Dennis Harvey

L.A. confidential: Patrick Warburton on "The Woman Chaser" — and "Dragonard"

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Patrick Warburton occupies his own special niche. He is a big (6 feet, 3 inches), hirsute, square-jawed kinda white guy — the kind who saved screaming ingénues from gorillas or Martians in 1950s B flicks — who's flourished parodying macho blowhards. Who doesn't love Warburton? People who don't know who he is, obviously.

They probably know him regardless, if not by name. First widely noted as Elaine's emotionally deaf boyfriend on Seinfield, in recent years he's starred in successful network sitcoms Rules of Engagement and Less than Perfect. They followed The Tick, a short-lived Fox superhero parody series everyone loved but the viewing public. He's voiced various characters on Family Guy (a man's gotta work), as well as loftier ’toons including The Venture Bros., Kim Possible, and Scooby-Doo! Mystery Incorporated, playing Buzz Lightyear in Toy Story spinoffs, as well as endearing villain Kronk in The Emperor's New Groove (2000).

The Emperor's New Groove reunited him with Eartha Kitt, also a costar in his screen debut: 1987's WTF Mandingo (1975) rip-off Dragonard, in which he played a race traitor Scottish hunk on an 18th century Caribbean slaving isle populated by such punishing extroverts as boozy Oliver Reed, chesty Claudia Uddy, and creaky Pink Panther boss Herbert Lom. This campsterpiece features steamy sex intercut with chicken sacrifice, a character called "Manroot," appalling homosexual caricatures, much library music, and other incitements to drinking-game joy. (Start trolling eBay for used VHS copies now.)

These days, Warburton is promoting a past project he'd rather remember: 1999's The Woman Chaser (opening Fri/25 at the Roxie), billed as both his leading-role debut (hello! Dragonard!!) It was definitely the first feature for Robinson Devor (2005's Police Beat, 2007's Zoo), one of the most stubbornly idiosyncratic and independent American directors to emerge in recent years.

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Gleaming the Cubist

Marcel L'Herbier's 1924 film L'Inhumaine is a remarkable time capsule of avant-garde trends

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RARE SILENT FILM In the 1920s — avant-garde heyday for so many forms of media — ascendant youth culture, "machine age" fetishism, the off-leash romping of bob-haired women, and myriad other factors induced fierce resistance to much now considered of crucial historical and artistic import.Read more »

Bless this mess

Im Sang-soo offers a witty, high-tension take on The Housemaid

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arts@sfbg.com

FILM One of the most famous Korean films of its era — and notorious for its near-horror catalog of shocking behaviors — Kim Ki-young's original 1960 The Housemaid took a caustic view of the new middle class emerging in a nation still crawling out from under the wreckage of war.Read more »

Que tristeza

Alejandro González Iñárritu's Biutiful is a grim, dull dirge

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arts@sfbg.com

FILM Whether or not they planned it from the beginning — though there was certainly grandiosity there at the start — Alejandro González Iñárritu and Guillermo Arriaga have been interesting as probably the first major narrative filmmakers to make post-NAFTA globalization their ongoing subject. The three-part Amores Perros (2000), while set entirely in Mexico City, found within it layers of society as remote from one another (if united in a fatalism, brutality, and one "accidental" twist of fate) as if they were continents apart.Read more »

Here, kitty kitty

Lost in temptation: "Love Kittens" offers four slices of vintage cheesecake

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VINTAGE SEXY CINEMA "Ooh-la-la!" For decades this nonsense phrase personified "Continental" knowingness of a nature heavily suggestive to Yanks and yoinks raised under the buzz-kill shadow of a nation founded by Puritans. Just what did it mean? Oral knowledge unbeknownst to Oral Roberts? Sneaky-Pete glimpses of furry minx? Houses of ill repute and burgundy upholstery? Whatever: for long decades, Americans figured Old Europe knew sensual pleasures we were too nouveau to grasp, let alone grapple with.Read more »

Beyond Berlin and Beyond

German Gems offers a weekend of Teutonic films

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arts@sfbg.com

FILM In 1996 Ingrid Eggers cofounded Berlin and Beyond, that annual Castro Theatre showcase for all things celluloid (or digital) and German-language. Fourteen years later she retired from the San Francisco Goethe-Institut after two decades of service. B and B soldiers on without her, but Eggers now has her own weekend-long independent festival at that same art-deco movie palace.Read more »

Dark end of the street

Roxie's restored re-release showcase of On the Bowery drags its besodden subjects into the light

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DOCUMENTARY CLASSIC This column space is usually devoted to pop culture detritus. But this week we'll bend the Trash definition to encompass human detritus, as in such timeless phrases as "Those people are nothing but trash." The occasion is the Roxie's restored re-release showcase of On the Bowery, a 1956 piece of early U.S. independent cinema that won major prizes. Read more »

Going commando

Much fisting! The multiple muscle-sploitation joys of Jack Abramoff and Dolph Lundgren's Red Scorpion

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CHEESY, SLEAZY CINEMA Last year found Jack Abramoff a peculiarly hot commodity at the movies, especially if you consider he spent most of the year in federal prison and hadn't exercised his own Hollywood ambitions in nearly a quarter-century.Read more »

Woman on the verge

Michelle Williams proves her movie-star mettle in Blue Valentine

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FILM Sometimes a performance stands out and grabs attention for embodying a particular personality type or emotional state that's instantly familiar yet infrequently explored in much depth at the movies. What's most striking about Derek Cianfrance's Blue Valentine is the primary focus it lends Michelle Williams' role as the more disgruntled half of a marriage that's on its last legs whether the other half knows that or not. Read more »

Rate irate

YEAR IN FILM: Confidential to the Motion Picture Association of America: F-U

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arts@sfbg.com

YEAR IN FILM "Bloody bugger to you, you ... beastly bastard. Shit. Shit shit shit shit shit shit shit shit. F-fornication. Fuck. Fuck fuck fuck fuck and fuck. Fuck, fuck, and bugger. Bugger, bugger, buggety buggety buggety fuck. Fuck ass. Balls! Balls! Fuckety shit. Shit, fuck and willy. Willy, shit and fuck, and ... tits."Read more »