The Goldies are silver! The San Francisco Bay Guardian celebrates the 25th annual Goldies — if you're new here, that stands for Guardian Outstanding Local Discovery Awards — with a special issue celebrating nine emerging Bay Area artists and groups who're producing exciting, intelligent, provocative work. Gazing into our glittery crystal ball, we predict great things ahead for their careers. And that's not all: We also honor one veteran performer whose wide-reaching influence has been a beacon of inspiration for over three decades.Read more »
This week's big release, George Clooney's The Monuments Men, is a dud. So what else should you see instead? Options include a pair of well-received foreign imports (Gloria and Stranger by the Lake), as well as a tribute to a 1980s comedy classic courtesy of SF Sketchfest. Read on!
"I didn't know I was a Chicano until I met Jose." -- actor and activist Edward James Olmos at the Jose Montoya Memorial Celebration at Sacramento's Crest Theater, Jan. 23, 2014. Photo by Fernando Andrés Torres.
Read Fernando Andrés Torres' story on NorCal's poesia en espanol revival in this week's paper.
This week: August: Osage County(bumped from its previously-scheduled opening last week) unleashes 2014's first bolt of LOOK AT ME I'M ACTING! Other choices you have while you count down to the Golden Globes (Sunday night) and the Oscar nominations (next Thursday) include Ralph Fiennes' latest actor-director turn in Charles Dickens tale The Invisible Woman; Mark Wahlberg's Navy SEALs drama Lone Survivor; and Renny Harlin's CG'd-up action-tacular The Legend of Hercules.
As we move through tumultuous times in San Francisco and start a year with infinite political potential, we decided to stretch our imaginations a bit. While this is clearly a work of satire that appropriates some local media voices and perspectives, we hope that even its most fantastical moments will give this parable some resonance with our readers. Happy new year!
Breathe easy, halfling: the middle installment in Peter Jackson's Hobbittrilogy is a huge improvement over the first film. Also new this week: Emma Thompson turns in a cranky-yet-lovable performance as the woman who wrote Mary Poppins in Saving Mr. Banks (with Tom Hanks playing Walt Disney); Liev Schreiber battles oddly familiar space monsters in The Last Days on Mars; and Tyler Perry celebrates the holidays as only he can, with A Madea Christmas. Read on for reviews and trailers.
This week, we feature a pair of excellent documentaries: Frederick Wiseman's At Berkeley (review here) and The Punk Singer, about riot grrrl icon Kathleen Hanna (review and interview here). Read on for short takes on this week's new releases!
This week, The Hunger Games: Catching Fire stands poised to crush all who dare step to it, but there are some alternatives out there. There's the San Francsico Film Society's weekend-long Cinema By the Bay festival (my overview here), as well as the latest from acclaimed director Alexander Payne, the small-scale but still very moving Nebraska (Dennis Harvey's review here.)
Plus: a festival favorite from Belgium, and Vince Vaughn's sperm-bank comedy. Reviews for both (plus guaranteed big kahuna Catching Fire) below.
Days later Batkid is still warming our hearts, and taking a look at the interwebs shows that Miles Scott, aka Batkid, warmed the hearts of many worldwide. Make-a-Wish turned parts of San Francisco into Gotham City for the day Friday, Nov. 15 and the Guardian was on hand for photos. Below we've also compiled some of our favorite Batkid photos and memes from the weekend. Guardian photos by Amanda Rhoades.
This week, doc lovers are in luck: not only is Chris Marker's seminal 1962 Le Joli Mai making a return to theaters (Sam Stander's take here), but Oscar-winning director Alex Gibney delves into cycling's greatest scandal in The Armstrong Lie (my review here).