Max Goldberg

By George

A new book collects George Kuchar's shouts and murmurs

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FILM/LIT It's anyone's guess how many films and videos George Kuchar made before his death in 2011 (Portland's Yale Union is valiantly attempting a comprehensive retrospective, which they estimate will take seven years), but there's material for at least a hundred more in The George Kuchar Reader (Primary Information, 336 pp., $27.50). Read more »

Georgian rhapsody

'Discovering Georgian Cinema' raises the curtain on a vital national cinema

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arts@sfbg.com

FILM Spanning nine months of programs and a full century of cinema, "Discovering Georgian Cinema" is the kind of ambitious exhibition that reminds us how much of film history is yet to be written. The series, presented by the Pacific Film Archive, represents a remarkable feat of coordination: Its opening weeks feature prints from Toulouse, Berlin, New York, Tbilisi, and, most delicately given recent history, Moscow.Read more »

Rites of passage

Three consecutive Sundays of Nathaniel Dorsky's resplendent films at the Pacific Film Archive

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Light meter

Top picks from San Francisco Cinematheque's third 'Crossroads' festival

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art@sfbg.com

FILM San Francisco Cinematheque artistic director Steve Polta balances familiar names with lesser known for the third annual "Crossroads" festival at the Victoria Theater, though Ken Jacobs' Occupy-strength Seeking the Monkey King (2011) promises to unseat the image of a mellowing old master.Read more »

How dark was my alley

Flick-packed Film Noir fest "I Wake up Dreaming" returns to the Roxie

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arts@sfbg.com

FILM The word that comes to mind when thinking of Elliot Lavine's semiannual film noir programs at the Roxie is inexhaustible. With 30 films packed into 14 days, "I Wake up Dreaming" wisely takes a pass on questions of noir's quintessence in favor of open-ended research into the mutations and paroxysms of mid-century malaise.Read more »

Into new territory

SFIFF: Sailing off the map with Patience, Found Memories, It's the Earth Not the Moon, more at San Francisco International Film Festival

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Eternal return

Three evenings of Gregory Markopoulos' visionary early films at the Pacific Film Archive

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Zero for conduct

YEAR IN FILM: Contemplating the filmmaker as teacher

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arts@sfbg.com

YEAR IN FILM American cinema lost several of its troubadours this past year: genuine independents like Robert Breer, Owen Land, Adolfas Mekas, Richard Leacock, Jordan Belson, and George Kuchar. Critical appraisal of these sui generis filmmakers tends to rest upon masterpieces and technique, but several were also influential as teachers.Read more »

Let's get lost

Skateboarding doc Dragonslayer coasts to a pretty picture of wasted youth

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FILM Dragonslayer tags along with Josh "Skreech" Sandoval, a Fullerton, Calif. skater celebrated for shredding pools and living a vagabond's life. First-time director Tristan Patterson fronts with the kind of side-winding portraiture that prizes sensory impressions instead of back-story, but whittle away Dragonslayer's loose ends and you end up with an unremarkable lost generation romance, a Bonnie and Clyde with lower stakes. Read more »

GOLDIES 2011: Paul Clipson

A keen appreciation for the interrelation between fine-grained detail and expansive volumes

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GOLDIES Whether we're talking about his verging live projections or crystalline short films, Paul Clipson makes things happen onscreen. His exploratory form of lyricism is composed for Super 8 film. That for is critical, since Clipson shoots with a well-practiced intuition for what shows up as gold in Super 8 (an increasingly rare form of presentiment). While taking great advantage of the small-gauge camera's pencil-like responsiveness to movement, Clipson works from a keen appreciation for the interrelation between fine-grained detail and expansive volumes. Read more »