Rita Felciano

Collaboration! Dance & Music 2008

Choreographers collide with composers for multi-media mayhem
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PREVIEW Hope you're hungry to see a big show, because for this concert you need an appetite for the unruly, the new, and the short. Collaboration! Dance & Music started 10 years ago in Marin County as the brainchild of Dance Outré's Lorien Fenton, who wanted to showcase new work primarily by Marin artists. But the event took off and several years ago it traveled from the tiny Marin Center Showcase Theater across the Golden Gate Bridge to the 437-seat Cowell Theater in Fort Mason. Read more »

"Peering Through the Portal"

Two fascinating groups of Asian American background that thrive on collaboration
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PREVIEW This weekend CounterPULSE features two groups that thrive on collaboration. They have in common an Asian American background that informs but doesn't determine the work they do. Melody Takata is a San Francisco artist with a broad perspective and 20 years of experience. Trained in taiko (she is the founder of GenTaiko), the three-stringed shamisen, and Japanese classical and folk dance, she grounds her pieces in the past but creates a contemporary language for them. Read more »

Diverse moments

Fall Arts Preview: Dance highlights run from modern to the Bard
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The sheer quantity of advance notices piling up over the summer could overwhelm even a committed dance observer. But then come the aha! moments where you grab your pencil to fill in one more slot on the calendar. The Bay Area is still an exceptional place to watch dance, whether you do it at the prestigious Zellerbach Hall or the Mission District's humbler CounterPULSE. Read more »

CONTRA-TIEMPO

Young Latinos in an urban context
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PREVIEW For one reason or another, you still need to have a pipeline into the "ethnic" dance community to find Latino choreographers, and so far few contemporary choreographers have emerged from their midst. That said, the first San Francisco performance by Los Angeles–based CONTRA-TIEMPO, at the very least, promises a glance at how young Latinos see themselves in a contemporary urban context. Like her older counterpart Merian Soto on the East Coast, Ana Maria Alvarez is fascinated with salsa as an expression of Latino identity. Read more »

Rabbit Research Collective

The cultural map has changed, and Paris is no longer its center
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PREVIEW The cultural map has changed, and Paris is no longer its center. Still, how does a small, unknown company from Chambery — a city best known as a jumping off place for some of the most spectacular boating and skiing in France — all of a sudden pop up in San Francisco? As with a lot of gigs, networking helps. In July ODC/Dance performed in Chambery, and voilà, here comes Rabbit Research Collective, a three-year-old multimedia art group that, rather unusually, includes a semiologist. Read more »

Local Heroes/ Big Picture Week 2

Yannis Adoniou, Manuelito Biag, and Alex Ketley are taking over Theater Artaud
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PREVIEW In the second of ODC Theater's Local Heroes summer series, Yannis Adoniou, Manuelito Biag, and Alex Ketley are taking over Theater Artaud. Over the past decade or so, each has developed a profile of making dances that leave impressive individual footprints. Choreographically speaking, Biag is the youngest. His work is emotionally and physically boiling with the dark, complex currents that swirl inside relationships, yet he manages to create an odd beauty out of these struggles. Read more »

"Top of the Structure Is Not Empty"

Dozens of edgy choreographers ascend
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PREVIEW The Garage is the kind of tiny, funky, out-of-the-way theater we all thought wouldn't be able to survive the dealings of cutthroat real estate moguls. Fortunately choreographer and arts entrepreneur Joe Landini failed to buy into the pessimism. In 2003 he founded SAFEhouse (Save Art From Extinction) and last year moved his operations into a former garage at 975 Howard Street, a block still industrial enough to have available parking at night. Read more »

Domestic unrest

Visiting artists home-invade through dance, with varying results
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Survival often depends on one's ability to scurry around. Dancers and smaller-scale presenters must use their wits if they want to show their audiences more than homegrown fare. For the most part, the process at SCUBA — a presenters' network that shares companies out of Seattle, Minneapolis, Philadelphia, and San Francisco — works. Sometimes, however, there is a glitch. Read more »

Scott Wells and Dancers

Wells offers the real thing: the experience that there is only one moment, and it's now
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PREVIEW Watching dancers launch themselves into space is every bit as exciting as the sparks and explosions that fill traditional July 4 celebrations. Take, for example, the frequently airborne Scott Wells and Dancers. The company's Last Call show will be every bit as full of surprises as a fireworks display, only more environmentally friendly and weather independent. If you're not familiar with this masterful artist, Wells is a super free spirit who has been setting up frameworks for contact improvisation pieces for the past 16 years. Read more »

Rare, medium, and well-done

The Queer Issue: 2008's Fresh Meat festival served up transgendered food for thought
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When Sean Dorsey started the Fresh Meat Festival in 2001, transgendered artists were sequestered inside the alternative club scene. With this new event, Dorsey threw the doors wide open. While transgender and queer performances still have a special attraction for their constituencies, the festival's need to move to Theater Artaud, its largest venue yet, proves its broader appeal.

This year's presentations ranged far and wide, and so did the quality. Read more »