Robert Avila

Curtain up

FALL ARTS 2014 Ten top picks from the season's theater calendar

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arts@sfbg.com

FALL ARTS

The Old Woman Robert Wilson, Mikhail Baryshnikov, Willem Dafoe — None of these guys are ever to be missed, but all three together are worthy of queuing up overnight to see. There'll be camping out onstage too, as Wilson directs Baryshnikov and Dafoe (playing several characters between them) in an outrageous piece of high-art drag, based on the short story by the formidable Russian absurdist Daniil Kharms. Nov. 21–23, Zellerbach Hall, Berk; www.calperformances.orgRead more »

Final stages

Theatre Rhinoceros revives its spring production of Alan Bennett's 'The Habit of Art'

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Innocent bay stander

Join Sarah Cameron Sunde in a 'durational performance with the sea'

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arts@sfbg.com

THEATER Sarah Cameron Sunde will be standing in the water at Aquatic Park this Friday. She'll stand from low tide, at 9:26 that morning, through high tide at 4:09 in the afternoon, and back to low tide again at 10:31 that night. Thirteen hours and five minutes of being still, while everything around her changes.Read more »

Sm/Art car

With their prototype mobile artist's workstation, Studio 1, David Szlasa and Katrina Rodabaugh are off to the races

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arts@sfbg.com

THEATER Once the image of the highway-bound pioneer, the camper van has been reborn on the plains of the Wild West of arts programming, just off 51st Street in Oakland. It's been sighted here and there since May, greeted with honking and cheering by fans of the tiny house movement, idle curiosity by idling bystanders, and mild frustration by those anticipating a sidewalk taco or crème brûlée.Read more »

Democracy wow!

STAGE: An inside take on Aaron Landsman, Mallory Catlett, and Jim Findlay's interactive 'City Council Meeting'

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arts@sfbg.com

THEATER From a certain angle, democracy is just one big bout of audience participation. So when playwright Aaron Landsman, director Mallory Catlett, and designer Jim Findlay started kicking around the idea of somehow staging a city council meeting, of all things, the notion that the audience itself should enact it must have come as a eureka moment.Read more »

“How to Cook a Frog” at CounterPulse

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What’s cooking?

You may well ask, as towering gourmand Julia Child (Annie Danger) appears at Counterpulse tonight and tomorrow, walking her studio audience through a classic recipe with a decidedly contemporary flavor.

If frog doesn’t sound like your thing, consider that we don’t always know we like something until we try it. Or consider the way this surveillance state being forced down your throat goes right to your ass. Or consider that Dalton Trumbo (following Emile Zola) once referred to his time (the time of McCarthy and other manifestations of totalitarian creep) as the Time of the Toad — an era in which maintaining indifference to the injustice and horror around you was tantamount to learning how to swallow a whole wet one each and every day.

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Gorgeousness unbound

Performance takes over at the Asian Art Museum's new exhibit

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arts@sfbg.com

THEATER If you were milling around the Asian Art Museum last Thursday evening, you might have seen a woman tumble — ever so slowly — down the Beaux-Arts building's elegant flight of central stairs. Ringed by a crowd of onlookers and the second floor's imposing colonnade, her limber form caressed the marble steps luxuriously as she cascaded beneath the elegant arched ceiling, entirely at her own pace, leaving behind her the unraveling, impossibly long train of her white and lavender gown.Read more »

Gorgeousness unbound

Performance takes over at the Asian Art Museum's new exhibit

|
()

arts@sfbg.com

THEATER If you were milling around the Asian Art Museum last Thursday evening, you might have seen a woman tumble — ever so slowly — down the Beaux-Arts building's elegant flight of central stairs. Ringed by a crowd of onlookers and the second floor's imposing colonnade, her limber form caressed the marble steps luxuriously as she cascaded beneath the elegant arched ceiling, entirely at her own pace, leaving behind her the unraveling, impossibly long train of her white and lavender gown.Read more »

Making waves

San Francisco Mime Troupe's 'Ripple Effect' takes on the Bay Area's roiling class divide

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arts@sfbg.com

THEATER The Fourth of July kicked off a revolution once; could it happen again? Each year in Dolores Park the San Francisco Mime Troupe gives it a shot, kicking off its touring season of free outdoor shows with a musical-comical call to arms — an appeal to popular solidarity against the very real forces of oppression on a holiday gleefully synonymous with keg-tapping.Read more »