STAGE The young woman has something wrong with her; a chorus of women tell us so. They're neighbors in the same particular, yet nebulous, time/place: a housing project in a nameless small town in the Louisiana bayou, some time in the "distant present." As if floating on water, the young woman, an African American teen named Oya (Lakisha May), lies prone on a dais at the center of an otherwise bare stage as they speak of her. Read more »
The launching of the San Francisco Improv Festival, back in 2004, signaled a major resurgence for improvisational theater in the Bay Area, long dominated by the exceptional BATS (Bay Area Theatre Sports) and related groups, but recently joined by a host of newer outfits as well. The rollicking festival attracted eager audiences, while bringing together a somewhat disparate local and intergenerational community of improvisers with national and even international acts. Read more »
The folks behind San Francisco’s Cutting Ball Theater have a lot to celebrate after ten years, so they are. The tenth anniversary of the company recently voted Best Theater in SFBG’s Best of the Bay readers poll is being marked by a year’s worth of special programs, all culminating in a season-opening party they’re calling “10-10-10 Tempest!” on October 10. But first, this Sat/7, the theater founded by Rob Melrose and Paige Rogers continues to advance its experimental mission with a rare (and free!) program of staged excerpts from new work by Latino and Latina playwrights called "Vanguardia."
This is the first time Cutting Ball has featured the work of living Latino playwrights (they promise it won’t be the last either) and the evening will feature some of the country’s most vital voices — meaning both alive and ass-kicking: Kristoffer Diaz (author of Pulitzer-finalist The Elaborate Entrance of Chad Deity), Marisela Treviño Orta, Octavio Solis, Caridad Svich, Enrique Urueta (of the recent Impact Theatre hit Learn to Be Latina), and Karen Zacarías. Read more »
THEATER When caught riding Muni, one way to while away the time and ignore the lunatic seated next to you is to gaze out on the passing scene and its traffic, at the buildings and neighborhoods and detritus of the city, at all the lovers and loners, the shiny things people wear and drive and push and collect, as well as the tattered and forgotten stuff no one loves anymore.Read more »
DANCE/THEATER After rapidly selling out its two-week premiere in May 2009, the Joe Goode Performance Group returns to San Francisco's lavish Old Mint for a luxurious one-month run of Traveling Light. JGPG's haunted tour of SF's oldest stone building, a monument to money power, unfolds as a series of made-up but history-laden vignettes scattered throughout the edifice, adding up to an inspired meditation on greed and desire, success and failure, the material and immaterial. Read more »