Robert Avila

The odd couple

A car collision sparks a relationship in the uneven An Accident

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Happy returns

ACT mounts Morris Panych's likeable Vigil

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There be more

Dan Carbone reclaims the Dark Room's late-night stage with wild fits of storytelling and subconscious reverie

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THEATER I don't know from reclaiming rituals, but when I saw the gangling guy in the deer mask and beige unitard prancing around the stage once more, I knew the vernal equinox could not be far behind. Herald of this new season is none other than writer-performer Dan Carbone, a long-cherished and uniquely committed Bay Area talent who remarkably has eluded actually being committed. Read more »

I to eye

In Truce, Marilee Talkington describes a life of diminishing sight but growing returns

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arts@sfbg.com

THEATER The white scrim separating the audience from the stage is an immediately impressive aspect of Marilee Talkington's solo autobiographical play, Truce, in which the American Conservatory Theater–trained actor, director, and writer recounts growing up and coming to terms with a rare congenital disease — cone-rod dystrophy — that has gradually been taking her eyesight from her. The milky white gossamer screen creates a permanent distance, a soft distortion, through which the play attempts communication, understanding, and empathy.Read more »

Fo sho

Eastenders' "Fo/Faux!" revisits, and riffs on, Dario Fo's We Won't Pay! We Won't Pay!

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THEATER Leave it to a small and scrappy low-to-no-budget theater company to revive, at just the right time, Dario Fo's We Won't Pay! We Won't Pay! Fo, Italy's esteemed latter-day commedia dell'arte rabble-rouser — the first clown (who really is a clown) to win a Nobel Prize — crafted this gem in inspired response to another period of social-economic bullshit, the tumultuous mid-1970s, when Italy was suffering the brunt of the "stagflation" resulting from an oil-triggered worldwide downturn. Read more »

Reality bites

Dan Hoyle reports back from the heartland in his latest stage show The Real Americans

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arts@sfbg.com

THEATER Feb. 5 saw a varied but collectively incensed body of American conservatives unfurl itself all red-white-and-blue in Nashville's Gaylord Opryland Hotel for the first Tea Party Nation convention. The delegates, dubbed "teabaggers" by media wags and hailing from all parts of the land, responded enthusiastically to a keynote speech bewailing the "Islamification" of a nation overrun by foreigners and subverted from within by the Obama administration, the green movement, and the "cult of multiculturalism."Read more »

Tragically hip

Two stage must-sees: Magic Theater's riveting Oedipus el Rey and Fauxnique's glorious Luxury Items

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arts@sfbg.com

THEATER The Oedipus of Sophocles gets transposed to the California prison system and East L.A. in Luis Alfaro's lively Oedipus el Rey, playing at the Magic Theatre in a world premiere slickly staged by artistic director Loretta Greco. Neither the classic nor contemporary terrain is new turf for Alfaro, whose Electricidad similarly reset the Electra myth. But San Francisco is another story, this being the acclaimed L.A.-based Latino playwright's first professional Bay Area production.Read more »

Schooling the teacher

Aurora Theatre's The First Grade tackles life lessons

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THEATER From the mouths of babes come some pretty hefty words in Chicago playwright Joel Drake Johnson's initially darkish, ultimately feel-goody new comedy: congenial, altruistic, pertinacious, solipsism. But it's the way they sound in the mouth of his protagonist, 57-year-old first-grade teacher Sydney (a thoroughly disarming Julia Brothers), that gets our attention. They're new to her too for the most part, at least in daily use. Read more »

Curtain calls

The year that almost ate China, or after the deluge

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THEATER Up to around 8:30 p.m. on Dec. 12, Thrillpeddlers were having a very good year. One of 2009's Goldie recipients, the city's connoisseurs of Grand Guignol–style fresh flesh were riding a remarkable wave of success with their inspired revival of Pearls over Shanghai, by San Francisco's storied Cockettes, when an altogether different current overtook them.Read more »

Cheers!

She Stoops to Comedy raises the bar for holiday theater
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arts@sfbg.com

THEATER It's hardly news, but holiday shows can be fairly dreary treats. Given such periods of seasonal affective disorder as the theater may present, it's a genuine surprise and pleasure to discover the wit and wile strutting the boards at SF Playhouse — tucked into a far corner of Union Square somewhere just north-by-northwest of that big Christmas tree — where the season offering is a sparkling production of David Greenspan's She Stoops to Comedy.

Mercifully, the plot has nothing to do with yuletide or smiling through a bad case of rickets. Read more »