After spending more than $70 million, two big corporations failed to convince Californians to vote their way. After spending nearly $70 million, the former head of a big corporation easily convinced Californians to vote her way. And that outcome is not as schizophrenic as it sounds.Read more »
“Story Matters Here.” AMC’s tagline should tell you something about their primetime gestalt. With two of television’s most acclaimed dramas in its lineup -- Mad Men, a show I admire but can’t love, and Breaking Bad, hands down the best show on TV -- AMC seems destined to be heir apparent to HBO’s kingdom of smartly written dramadies and tragicomedies (Treme, True Blood, and this fall’s Boardwalk Empire, to name a few). Read more »
Have you ever seen a musical where most of the characters couldn’t read? It really is a novel idea, isn’t it? That’s what Doug Simon and Bud Davenport are here for! The hack musical theater hopefuls who basically constitute the whole cast of Scott Brown and Anthony King’s Gutenberg! The Musical! know that writing a musical is hard, so they’ve done all the work. It’s just up to the bigshot Broadway producers in the audience (purportedly) to make their dreams come true. In Beards Beards Beards: A Theatre Company’s production of the rather madcap little play, which premiered Thursday at Exit Stage Left in San Francisco, Austin Ferris and Joey Price play the two sickeningly sincere song-and-dance men to a tee.
As part of the Berkeley Art Museum's eclectic performance series "L@TE: Friday Nights @ BAM/PFA," a trio of noise- or distortion-oriented musicians takes the...well, there isn't exactly a stage, but they'll be playing in Gallery B, where Thom Faulders' interactive sculpture installation, known as the BAMscape, resides. Read more »
A capella, beatbox, theater, vaudeville, live band, and everything in between -- that's Felonious (playing tonite, Thu/10, at the Independent). Originally an a cappella hip-hop duo, Felonious has morphed into a hip-hop theater production receiving rave reviews in The Source magazine, Chronicle and Examiner, and have produced sold-out shows in SF, New York, Germany and Oakland. They have shared the stage with The Roots, De La Soul, Big Daddy Kane, DJ Premier, Black Eyed Peas, Zion I, Living Legends, Radioactive, and Crown City Rockers. Their shows capture different elements of entertainment creating something old school in principal but very innovative and contemporary.
Like the musical counterpart of your everyday office workaholic, Tim Kasher has been pulling long hours for most of his life. Currently the frontman for the Good Life -- playing Thurs/10 at Bottom of the Hill -- and indie-rockers Cursive, Kasher has been making it in various bands since the age of 18, including a '90s supergroup with members of the Faint and a 15-year-old Conor Oberst.
When the massive drums make their entrance on the first track of Get Color (Lovepump United), you’d be forgiven for thinking that HEALTH is a metal band. These L.A. electro-punks -- playing Wed/9 at Slim's -- are noisy! There’s also a beauty in the reverberations of those drums, echoing over and over in the background of HEALTH’s tracks, and it makes their music more than a little spine-tingly.
GREEN CITY In the wake of recent studies suggesting that extensive cell phone use might be linked to some types of cancer, consumer advocates are pushing to require phone companies to publicize the level of radiation their devices emit.Read more »