Localized Appreesh is our thank-you column to the musicians that make the Bay. To be considered, contact email@example.com.
Sigur Rós, Explosions in the Sky, Radiohead, the Antlers – Oakland's the Dandelion War has received some outsized, and crazy positive, comparisons and reviews during its four short years of existence, particularly thanks to 2012's excellent, ambient We Were Always Loyal to Lost Causes (Deep Elm) LP.
All of it's accurate, by the way. The Dandelion War makes mood music for the brain. The post-rock five-piece boasts the build ups and crescendos of Explosions, the alien echoing otherworldliness of mid-career Radiohead, the pleasing falsetto and hypnotic soundscapes of the Antlers, and tiny pulsing heartbeat and cave-deep reverb of a dewy Sigur Rós. Read more »
The liner notes to Brian Eno’s Music for Airports (1978) act as a veritable Ambient Manifesto, outlining the philosophy of a genre he developed as an alternative to Muzak, and other background fluff. In the final sentence, he asserted, “Ambient Music must be able to accommodate many levels of listening attention without enforcing one in particular; it must be as ignorable as it is interesting.” By that count, Eno’s solo Warp debut, LUX, is his most successful foray into ambient territory in quite some time. Read more »